قائمة مؤلفي الموسيقى الكلاسيكية حسب الفترة
قائمة مؤلفي الموسيقى الكلاسيكية حسب الفترة | |
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العصور الوسطى | (476–1400) |
النهضة | (1400–1600) |
الباروك | (1600–1760) |
الفترة الكلاسيكية | (1730–1820) |
الفترة الرومانسية | (1815–1910) |
القرن 20 | (1900–2000) |
القرن 21 | (حتى 2000) |
هذه قائمة المؤلفين الموسيقيين الكلاسيكيين.
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العصور الوسطى
انظر قائمة المؤلفين الموسيقيين في العصور الوسطى وموسيقى العصور الوسطى.
أوائل العصور الوسطى (و. قبل 1150)
الاسم | وُلد | توفى | الجنسية | صورة |
---|---|---|---|---|
Romanos the Melodist | ح. 490 | ح. 560 | بيزنطي سوري يهودي المولد | |
Yared | 505 | 571 | إثيوپي | |
Khosrovidukht ("ابنة خوسروڤ") | القرن 8 | القرن 8 | أرمني | |
Sahakdukht ("daughter of Sahak") | القرن 8 | القرن 8 | ارمني | |
كاسيا | 805/810 | 865/867 | بيزنطي | |
Notker Balbulus (Notker the Stammerer) |
ح. 840 | 912 | Frankish? | |
Hucbald | 840/850 | 930 | من الفرنجة | |
Tuotilo (Tutilo of Saint Gall) |
ح. 850 | 915 | إيرلندي | |
Leo VI the Wise | 866 | 912 | بيزنطي | |
Odo of Cluny | c. 878 | 942 | فرنسي | |
Heriger of Lobbes (Herigerus) | c. 925? | 1007 | من الفرنجة؟ | |
Odo of Arezzo | 10th century | القرن 11 | إيطالي | |
Adémar de Chabannes | c. 988 | 1034 | فرنسي | |
Guido da Arezzo (Guido of Arezzo; Guido Aretinus) |
c. 991/992 | بعد 1033 | إيطالي | |
Wipo (Wigbert; Wippo of Burgundy) |
c. 995 | c. 1048 | Frankish? (Arles/ Burgundy) |
|
Hermann of Reichenau | 1013 | 1054 | ألماني | |
Godric | ح. 1065 | 1170 | إنگليزي | |
Adam of Saint Victor | c. 1068 | 1146 | فرنسي | |
William IX, Duke of Aquitaine (Guilhem de Peitieus; Guillaume d'Aquitaine) |
1071 | 1126 | Occitan | |
پطرس أبالاردوس (پيتر أبلار) |
1079 | 1142 | فرنسي | |
دمتريوس الأول من جورجيا | c. 1093 | 1156 | جورجي | |
Goslenus (Jocelin of Soissons) |
1096 | 1152 | فرنسي | |
Hildegard of Bingen | 1098 | 1179 | ألماني | |
ماركابرو | c. 1099 | c. 1150 | Occitan | |
Bernard of Cluny | 1100 | 1170 | فرنسي | |
Jaufre Rudel | 1105 | بعد 1147 | اوسيتي | |
ألبيرتوس الباريسي (ألبير من باريس) |
1116 | ح. 1177 | فرنسي | |
Bernart de Ventadorn | 1130/1140 | بعد 1190/1200 | فرنسي | |
Chrétien de Troyes | ح. 1130 | ح. 1190 | فرنسي | |
Tibors de Sarenom | ح. 1130 | بعد 1198 | Occitan | |
Léonin (Magister Leonius) |
1135 | 1201 | فرنسي | |
Giraut de Bornelh | c. 1138 | 1215 | اوسيتي | |
Berenguier de Palazol | 1140 | 1209 | قطالاني | |
Arnaut de Mareuil | ح. 1140 | ح. 1200 | اوسيتي | |
Beatritz de Dia (Comtessa de Dia) |
c. 1140 | ح. 1200 | اوسيتي | |
Bertran de Born | 1140/1150 | 1215 | اوسياتي | |
Hendrik van Veldeke (Heinrich von Veldeke) |
1140/1150 | ح. 1190 | ليمبورگي/ ألماني |
|
Vidame de Chartres (Guillaume de Ferrières?) |
ح. 1145/1155 | 1204? | فرنسي | |
Raimbaut d'Aurenga (Raimbaut of Orange) |
ح. 1147 | 1173 | اوسيتي | |
Guilhem de Saint-Leidier (Guillem Saint Deidier) |
ح. 1149 | ح. 1195/1200 | اوسيتي |
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العصور الوسطى المتوسطة(و. 1150–1300)
الاسم | وُلد | توفى | الجنسية | صورة |
---|---|---|---|---|
Arnaut Daniel | c. 1150/1160 | c. 1200 | Occitan | |
Conon de Béthune | c. 1150 | 1219 | فرنسي | |
Folquet de Marselha (Folquet de Marseille) |
c. 1150/1160 | 1231 | Occitan | |
Friedrich von Hûsen (Friedrich von Hausen) |
c. 1150/1160 | 1190 | German | |
Gontier de Soignies | 1150 | after 1220 | French | |
Peire Raimon de Tolosa | 1150 | after 1220 | Occitan | |
Raimbaut de Vaqueiras | c. 1150/1160 | 1207 | Occitan | |
Azalais de Porcairagues | c. 1155? | 1209? | Occitan | |
Blondel de Nesle | c. 1155 | 1202 | French | |
Reinmar von Hagenau (Reinmar der Alte) |
c. 1155 | c. 1205 | German | |
ريتشارد الأول من إنگلترة (ريتشارد قلب الأسد) |
1157 | 1199 | English | |
Alamanda de Castelnau | c. 1160 | 1223 | Occitan | |
Audefroi le Bastart | 1160 | after 1225 | French | |
Cadenet | c. 1160 | c. 1235 | Occitan | |
Gace Brule | c. 1160 | after 1213 | French | |
Monge de Montaudon | c. 1160 | after 1210 | Occitan | |
Pérotin (Perotinus) |
1160 | 1225 | French | |
Perdigon | 1160 | after 1212 | Occitan | |
Peirol | c. 1160 | c. 1222/1225 | Occitan | |
Philippe le Chancelier (Philip the Chancellor) |
c. 1160/1170 | 1236 | French | |
Raimon de Miraval | c. 1160 | c. 1220 | Occitan | |
Albertet de Sestaro | 1164 | after 1221 | Occitan | |
Chastelain de Couci | c. 1165 | 1203 | French | |
Gautier de Dargies | c. 1165/1170 | c. 1236 | French | |
Bernger von Horheim | 1166 | 13th century? | German | |
Guillem Magret | c. 1166 | after 1204 | Occitan | |
Castelloza | c. 1170 | after 1200 | Occitan | |
Gaucelm Faidit | 1170 | 1202 | Occitan | |
Gui d'Ussel | c. 1170 | c. 1225 | Occitan | |
Pierre de Molins | 1170 | c. 1220 | French | |
Pons d'Ortaffa | c. 1170 | c. 1246 | Catalan | |
Richart de Semilli | c. 1170? | c. 1200 | French | |
Walther von der Vogelweide | c. 1170 | c. 1230 | German | |
Wolfram von Eschenbach | c. 1170 | c. 1220 | German | |
Aimeric de Peguilhan | c. 1175 | c. 1230 | Occitan | |
Guilhem Ademar | c. 1175 | after 1217 | Occitan | |
Peire Vidal | 1175 | 1205 | Occitan | |
Pons de Capduelh (Pons de Capdoill) |
1175? | 1236? | Occitan | |
Gautier de Coincy | 1177 | 1236 | French | |
Maria de Ventadorn | 1177? | 1222? | Occitan | |
Guilhem Augier (Ogiers Novella) |
c. 1179? | after 1230 | Occitan | |
Colin Muset | c. 1180 | after 1250 | French | |
Garsenda de Proensa | c. 1180 | c. 1242 | Occitan | |
Peire Cardenal | c. 1180? | c. 1278? | Occitan | |
Daude de Pradas | 1184 | c. 1282 | Occitan | |
Aimeric de Belenoi | 1185 | 1272 | Occitan | |
Guiot de Dijon | 1185 | 1225 | French | |
Uc de Saint Circ | 1187 | 1273 | Occitan | |
Hue de la Ferté | 1190 | after 1235 | French | |
Neidhart von Reuental | c. 1190? | after 1236 | German | |
Guillaume le Vinier | c. 1190 | 1245 | French | |
Eustache le Peintre de Reims | 1195 | c. 1240? | French | |
Gilles le Vinier | 1195 | 1252 | French | |
Jehan Erart | c. 1200 | 1258 | ||
Adam de Givenchi | 1200 | after 1245 | French | |
Guibert Kaukesel (Hubert Chaucesel) |
c. 1200 | after 1255? | French | |
Margot | c. 1200 | after 1250 | French | |
Maroie (Maroie de Dregnau de Lille) | c. 1200 | after 1250 | French | |
Reinmar von Zweter | c. 1200 | after 1248 | German | |
Sordello | c. 1200 | after 1269 | Italian | |
Wincenty of Kielcza | c. 1200 | after 1262 | Polish | |
Thibaud de Champagne (Thibaud IV, Count of Champagne; Theobald I, King of Navarre) |
1201 | 1253 | French | |
Richard de Fournival | 1201 | 1260? | French | |
Gautier d'Épinal (fr) | 1202 | 1272 | French | |
Gertrude of Dagsburg | 1205 | 1225 | French | |
Jehan Bretel | c. 1210 | 1272 | French | |
Martin Codax | c. 1210 | after 1270 | Spanish (Galician) | |
Thomas Herier | c. 1210 | after 1270 | French | |
Raoul de Soissons | c. 1210/1215 | c. 1270 | French | |
Guiraut d'Espanha | c. 1215 | after 1265 | Occitan | |
Lambert Ferri | c. 1220 | c. 1300 | French | |
ألفونسو العاشر من قشتالة ألفونسو العاشر، ملك قشتالة) |
1221 | 1284 | إسپاني (قشتالي) | |
Robert de la Piere | 1225 | 1258 | French | |
Guiraut Riquier | c. 1230 | c. 1292 | Occitan | |
Konrad von Würzburg | c. 1230 | 1287 | German | |
Adam de la Halle | c. 1237 | 1288 | French | |
Meister Rumelant | c. 1243 | after 1286/1287 | German | |
W. de Wycombe | c. 1245 | 1279? | English | |
Jehan de Lescurel (Jehannot de l'Escurel) |
1250? | 1304? | French | |
Ernoul le Vielle de Gastinois (Ernous li Viele) |
c. 1250 | c. 1280 | French | |
Franco of Cologne | 13th century | 13th century | German | |
Der wilde Alexander (Meister Alexander) |
1255 | after 1288 | German | |
Gian Battista Casella | 1299 or 1300 | Italian | ||
Petrus de Cruce | c. 1260 | after 1302 | French | |
Dom Dinis (Denis, King of Portugal) |
1261 | 1325 | Portuguese | |
Marchetto da Padova | c. 1274 | after 1319 | Italian | |
John Kukuzelis | c. 1280 | 1360 | Byzantine | |
Philippe de Vitry | 1291 | 1361 | French |
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أواخر العصور الوسطى (و. 1300–1400)
الاسم | وُلد | توفى | الجنسية | صورة |
---|---|---|---|---|
Maestro Piero | c. 1300 | after 1350 | إيطالي | |
Guillaume de Machaut | c. 1300 | 1377 | French | |
Jacopo da Bologna | fl. 1340–1360 | 1386? | Italian | |
Giovanni da Cascia (Giovanni da Firenze) |
fl. 1340? | 14th century | Italian | |
Gherardello da Firenze | 1320/1325 | 1362/1363 | Italian | |
John Hanboys | c. 1320? | 1380? | English | |
Francesco Landini | 1325/1335 | 1397 | Italian | |
Lorenzo da Firenze (Lorenzo Masini) |
c. 1325 | 1372/1373 | Italian | |
Donato da Cascia | fl. c. 1350 | after 1370 | Italian | |
Grimace | 14th century | 14th century? | French | |
Mönch von Salzburg (Monk of Salzburg) (de) | 14th century | 14th century? | German | |
Jehan Vaillant ([1]) (Johannes Vaillant) |
c. 1330? | 1390/1400? | French | |
Johannes Alanus | c. 1332? | 1373? | English | |
Vincenzo da Rimini | c. 1332? | after 1364? | Italian | |
Bartolino da Padova | fl. 1365 | after 1405 | Italian | |
Matheus de Sancto Johanne ([2]) (Mayshuet de Joan) |
fl. c. 1365 | after 1387 | French | |
Philippus de Caserta (Philipoctus de Caserta) |
fl. c. 1370 | c. 1400 | Italian | |
Egardus | fl. c. 1370? | after 1400 | Flemish | |
Egidius de Francia | 14th century | 14th century? | French | |
Johannes de Lymburgia | 1340 | 1440 | ||
Johannes Cuvelier ([3]) (Cunelier) |
fl. c. 1372 | after 1387 | French | |
Franciscus Andrieu | fl. c. 1377 | c. 1400 | French? | |
Johannes Symonis Hasprois ([4]) | fl. 1378 | 1428 | French | |
Arrigo (Henrico) | 14th century | 14th century | Italian | |
Niccolò da Perugia | 14th century | c. 1400 | Italian | |
Jehan Suzay ([5]) | fl. c. 1380 | after 1395 | French | |
Trebor | fl. c. 1380 | c. 1400 | French | |
Antonio Zacara da Teramo | c. 1350/1360 | c. 1413/1416 | Italian | |
Jacob Senleches | fl. c. 1382 | after 1395 | French | |
Andrea da Firenze (Andreas de Florentia) |
fl. c. 1375 | c. 1415 | Italian | |
Paolo da Firenze (Paolo Tenorista) |
c. 1355 | c. 1436 | Italian | |
Solage | 14th century | after 1403 | French | |
Hugo von Montfort | 1357 | 1423 | German (Austrian) | |
Giovanni Mazzuoli (Giovanni degli Organi) |
1360 | 1426 | Italian | |
Grazioso da Padova (Gratiosus de Padua) |
fl. c. 1391? | 15th century? | Italian | |
Martinus Fabri | fl. 1395 | 1400 | Dutch | |
Borlet | fl. c. 1397? | after 1409 | French | |
Aleyn | fl. c. 1400 | 15th century | English | |
Johannes Ciconia | c. 1370 | 1412 | Flemish | |
Matteo da Perugia | fl. 1400 | after 1416 | Italian | |
Johannes Tapissier (Jean de Noyers) |
c. 1370 | before 1410 | Burgundian | |
Antonio da Cividale (Antonius de Civitate Austrie) |
fl. c. 1392 | 1421 | Italian | |
Antonello da Caserta | 14th century | after 1402? | Italian | |
Oswald von Wolkenstein | c. 1377 | 1445 | German | |
Andrea Stefani | fl. c. 1399 | 15th century | Italian | |
Bartolomeo da Bologna | fl. 1405 | after 1427 | Italian | |
Baude Cordier | c. 1380 | before 1440 | French | |
Thomas Fabri | fl. 1400 | after 1415 | Flemish | |
Pierre Fontaine | c. 1380 | c. 1450 | French | |
Piero Mazzuoli | 14th century | 15th century? | Italian | |
Nicolaus Ricii de Nucella Campli | fl. 1401-20 | after 1436 | Italian | |
Mikołaj Radomski (Nicolaus de Radom) |
c. 1380 | 15th century | Polish | |
Ugolino da Forlì or Ugolino da Orvieto (it) | c. 1380 | c. 1457 | Italian | |
Leonel Power | c. 1370/1385? | 1445 | English | |
Jacobus Vide | 1385 | 1433 | Burgundian | |
Queldryk | fl. c. 1400 | 15th century | English | |
Johannes Cesaris | fl. 1406 | 1417 | French | |
Roy Henry (probably Henry V of England) |
fl. c. 1410 | 15th century | English | |
Byttering (possibly Thomas Byttering) |
fl. c. 1410 | after 1420? | English | |
Conradus de Pistoia (Coradus de Pistorio) |
fl. c. 1410 | 15th century | Italian | |
جون دنستيپل | c. 1390 | 1453 | English | |
Hugo de Lantins | fl. c. 1420 | after 1430? | Flemish | |
Richard Loqueville | fl. 1410 | 1418 | French | |
Pycard | fl. c. 1410 | 15th century | English or French | |
Arnold de Lantins | fl. 1423 | 1432 | Flemish | |
Guillaume Dufay | 1397 | 1474 | Burgundian | |
Estienne Grossin | fl. 1418 | after 1421 | French | |
Gilles Binchois | c. 1400 | 1460 | Burgundian | |
Johannes Brassart | c. 1400/1405 | 1455 | Burgundian | |
Manuel Chrysaphes | fl. 1440 | 1463 | Byzantine |
عصر النهضة
انظر قائمة ملحني النهضة وموسيقى النهضة.
البرگنديون
الاسم | وُلد | توفى | الهوامش |
---|---|---|---|
Johannes Tapissier (Jean de Noyers) |
c. 1370 | before 1410 | |
Nicolas Grenon | c. 1375 | 1456 | |
Pierre Fontaine | c. 1380 | c. 1450 | |
Jacobus Vide | fl. 1405? | after 1433 | |
Guillaume Legrant (Lemarcherier) |
fl. 1405 | after 1449 | |
جون دنستيپل (أو جون دنستيبل) |
c. 1390 | 1453 | Native to England. |
Guillaume Dufay (Guillaume Du Fay) |
1397 | 1474 | |
Johannes Brassart | c. 1400/1405 | 1455 | |
Johannes Legrant | fl. c. 1420 | after 1440 | |
Gilles Binchois (Gilles de Bins) |
c. 1400 | 1460 | |
Hugo de Lantins | fl. c. 1420 | after 1430 | |
Arnold de Lantins | fl. 1423 | 1431/1432 | |
Reginaldus Libert | fl. c. 1425 | after 1435 | |
Jean Cousin | before 1425 | after 1475 | |
Gilles Joye | 1424/1425 | 1483 | |
Guillaume le Rouge | fl. 1450 | after 1465 | |
Robert Morton | c. 1430 | 1479 | |
Antoine Busnois | c. 1430 | 1492 | |
Adrien Basin | fl. 1457 | after 1498 | |
Hayne van Ghizeghem | c. 1445 | after 1476 |
الإنگليز
1370–1450
الاسم | وُلد | توفى | الهوامش |
---|---|---|---|
Forest probably John Forest |
1365/70 | 1446 | Dean of Wells. One credo setting and six antiphons by him survive in the second layer of the Old Hall Manuscript; two anonymous settings may also be by him. |
Pycard | fl. c. 1390 | after c. 1410 | Has works preserved in the first layer of the Old Hall Manuscript and elsewhere. His identity is unclear; probably English, but possibly from France. |
Leonel Power | c. 1370 | 1445 | |
J. Cooke probably John Cooke |
c. 1385 | 1442? | Nine pieces attributed to him in the Old Hall Manuscript. |
Damett almost certainly Thomas Damett |
c. 1389 | 1436/7 | A significant contributor to the second layer of the Old Hall Manuscript where nine of his works are preserved. |
Roy Henry | fl. 1410 | after 1410 | Very likely to be Henry V of England (1387–1422). |
Byttering possibly Thomas Byttering |
fl. c. 1410 | after 1420 | |
N. Sturgeon almost certainly Nicholas Sturgeon |
fl. 1413 | 1454 | |
Richard Smert | c. 1400 | 1478/9 | Has eight carols for 2 or 3 voices attributed entirely to him in the Ritson Manuscript; a further four are jointly credited to Smert and John Trouluffe. |
John Plummer | c. 1410 | c. 1483 | |
Henry Abyngdon | c. 1418 | 1497 | |
John Trouluffe John Treloff |
fl. 1448 | c. 1473 | Represented in the Ritson Manuscript, by three settings of Nesciens mater for three voices and by four carols. Richard Smert is jointly credited. |
Richard Mowere possibly the same as Richard Mawere |
fl. 1450 | after 1470 | Has two 3-voice settings in the Ritson Manuscript. |
Walter Frye | fl. c. 1450 | after 1475 | |
William Horwood | c. 1430 | 1484 | Some of his music is collected in the Eton Choirbook. |
John Hothby Johannes Ottobi |
c. 1430 | 1487 | English theorist and composer mainly active in Italy. |
William Hawte William Haute |
c. 1430 | 1497 | |
Richard Hygons | c. 1435 | c. 1509 | |
Gilbert Banester | c. 1445 | 1487 | |
John Tuder John Tudor |
fl. c. 1470 | after 1470 | A number of his works are found in the Pepys Manuscript; the most extended piece, a setting of Lamentations, is incomplete (only one voice part is preserved). |
Walter Lambe | c. 1450 | after 1504 | Major contributor to the Eton Choirbook. |
Henry Prentyce Harry Prentes |
1450s | 1514 | Has an extant 5-voice Magnificat setting in the Caius Choirbook. |
Hugh Kellyk | late 15th century | 16th century? | has two surviving pieces, a five-part Magnificat and a seven-part Gaude flore virginali, in the Eton Choirbook. |
Edmund Turges possibly the same as Edmund Sturges |
fl. 1507 | after 1508 | Has a number of works preserved in the Eton Choirbook; at least three Magnificat settings and two masses have been lost. |
1451–1500
- John Nesbett (fl. 1475–1488), has two surviving works
- Robert Wilkinson (c. 1450/1451 – 1515 or later), or Wylkynson
- John Browne (fl. c. 1490) Likely born 1453. Major contributor to the Eton Choirbook
- Robert Hacomplaynt (c. 1456–1528), also written as Hacomplayne, Hacomblene. He has a single surviving work, a setting of Salve regina, in the Eton Choirbook. A work known as Haycomplayne's Gaude, dated 1529, has been lost.
- John Cornysh (late 15th century – early 16th century) Probably a relative of William Cornysh
- William Cornysh the elder (fl. from 1479; died c. 1502), may be the composer of a number of sacred works previously credited to William Cornysh the younger
- Thomas Pack (fl. 1489–1499), also written as Packe or Pakke, has five extant works which are preserved in the Ritson Manuscript
- William Corbronde (fl. 1480–1500), represented in the Pepys manuscript
- Robert Fayrfax (1464–1521) Also spelt Fairfax, Fairfaux, Feyrefax
- Richard Davy (c. 1465 – c. 1507) Major contributor to the Eton Choirbook
- William Cornysh the younger (c. 1468–1523) Probably the son of William Cornysh the elder
- Henry Petyr (c. 1470–after 1516), also written Petre or Peter, represented by one surviving mass setting (the is Kyrie missing)
- Richard Sampson (c. 1470–1554)
- Avery Burton (c. 1474–1542 to 1547) Also spelt Avere, Burnet
- John Norman (fl. 1509–1545). Composed a 5-part mass Resurrexit Dominus, found in the Forrest-Heyther partbooks, on an Easter plainsong; and a 3-part Miserere Mihi in the Ritson manuscript that is much more elaborate, somewhat resembling John Taverner's responds
- William Rasar (born c. 1491; fl. 1499–c. 1514), or William Rasor. His output includes English and Latin church music. Composed a mass found in the Forrest-Heyther partbooks
- Thomas Ashewell (c. 1478–after 1513), name also written Ashwelle, Asshwell
- John Strabridge (fl. before 1548), represented by a single work, a Dum transisset, in the Christchurch partbooks
- Christopher Hoskins (fl. before 1548), represented by a single work, a Speciosa facta es, in the Gyffard partbooks
- William, Monk of Stratford Stratford has a single work, a four-part Magnificat, in the Eton Choirbook.
- Hugh Aston (c. 1485–1558) Also spelt Ashton, Assheton
- Richard Bramston (? 1485–1554) Represented in the Peterhouse and Gyffard partbooks
- Nicholas Ludford (c. 1485–1557)
- John Mason (c. 1480–1548), has four surviving works, featured in the Peterhouse partbooks
- Richard Pygott (c. 1485–1549), or Pigott. There are two works by Pygott in the Peterhouse partbooks
- Edmund Sturton (fl. late 15th – early 16th century) Presumably identical with the Sturton who composed the six-part Ave Maria ancilla Trinitatis in the Lambeth Choirbook, he contributed a Gaude virgo mater Christi to the Eton Choirbook, the six voices of which cover a fifteen-note range
- John Redford (c. 1486–1547) One of the main contributors to The Mulliner Book
- Nicholas Huchyn (fl. late 15th – early 16th century) A single work, a setting of Salve regina in the Eton Choirbook
- Fawkyner (fl. c. 1480), featured in the Eton Choirbook. His identity is uncertain, but he may have been Richard Fawkyner (fl. 1482–1484).
- William Pasche (fl. late 15th – early 16th century) Also spelt Pashe. Represented by a Christus resurgens Mass, written on a Sarum chant, two Magnificats, and a motet, Sancta Maria
- Robert Cowper (c. 1474–1535/1540), also written as Cooper or Coupar. He is represented by a work in the Gyffard partbooks and manuscript sources.
- Thomas Appleby (c. 1488–1563)
- John Taverner (c. 1490–1545)
- William Whytbroke (fl. 1520–1530) Surviving music includes a four-part Mass apon ye Square, in the Gyffard partbooks
- Henry VIII of England (1491–1547)
- John Dark (c. 1495–c. 1569?), or John Darke. Just one work survives: a 5-part Magnificat in the Peterhouse partbooks
- Robert Jones (fl. 1520 to 1538) Contributed a Mass and Magnificat to the Peterhouse partbooks, and songs to Wynkyn de Worde's songbook of 1530
- Thomas Preston (d. c. 1563) Composed 12 Offertory settings for keyboard, including the popular Felix namque, and an alternatim organ Mass for Easter, containing the only known sequence setting of the time. His keyboard writing is extremely virtuosic for the period.
1501–1550
- Hyett (fl. before 1548) Represented by a single work in the Gyffard partbooks
- John Ensdale (fl. before 1548) Represented by a single work in the Gyffard partbooks
- John Hake (fl. before 1548) Represented by a single work in the Gyffard partbooks
- Walter Erly (16th century) Has a single work in the Peterhouse partbooks
- Arthur Chamberlain (early 16th century) Also spelt Chamberlayne. Has a single work in the Peterhouse partbooks
- John Ambrose (fl. 1520 to 1545) Few pieces survive
- William Shelby (? – 1570) Also spelt Shelbye, Selby, Selbie, Selbye. Two liturgical keyboard pieces, a Miserere and Felix namque, survive in The Mulliner Book
- Robert Okeland (fl. before 1548) Also spelt Hockland, Ockland. Represented by a single work in the Gyffard partbooks
- Thomas Tallis (c. 1505–1585)
- Christopher Tye (c. 1505 – ? 1572)
- John Wood (fl. 1530) He is represented by a single work, an Exsurge Domine et dissipentur inimici, in the Christchurch partbooks
- John Merbecke (also Marbeck) (c. 1510 – c. 1585) Produced the first musical setting for the English liturgy, publishing The Booke of Common Praier Noted 1549. Surviving works include a Missa Per arma iustitie Almost burnt as a heretic in 1543.
- Osbert Parsley (1511–1585) Also spelt Parsely Wrote a set of Lamentations for Holy Week
- E. Strowger (fl. early 16th century) Only a single piece for keyboard, a Miserere in a المتحف البريطاني MS, can be attributed to him
- Thomas Knyght (fl. 1530 to 1535) Presumably also spelt Knight. Has a single work in the Peterhouse partbooks, and three works in the Gyffard partbooks
- Philip Alcocke (fl. before 1548) Represented by a single work in the Gyffard partbooks
- John Sheppard (c. 1515–1559)
- John Thorne (died 1573) Exsultabunt sancti in a British Museum MS
- Kyrton (fl. 1540 to 1550) Miserere for keyboard in a المتحف البريطاني MS
- John Black (c. 1520–1587)
- Thomas Caustun (c. 1520/1525–1569), or Causton
- John Blitheman (c. 1525–1591)
- Richard Wynslate (died 1572) Also spelt Wynslade. His keyboard piece Lucem tuamis in a British Museum MS
- Henry Stenings (fl. before 1548 – after 1600) Also spelt Stonninge, Stoninge, Stoninges, Stoning, Stonings. Surviving consort works on MS are three five-part works - a Miserere, a Browning and an In Nomine - and a simpler, four-part In Nomine. A four-part Latin Magnificat is found in the Gyffard partbooks
- Richard Allwood (fl. c. 1550–1570) Also spelt Alwood
- Richard Edwardes (1525–1566) Also spelt Edwards
- Hugh Sturmys (16th century) Has a single work in the Peterhouse partbooks
- Thomas Wright (16th century) Also spelt Wrighte. He is represented by a single work in the Gyffard partbooks, a Nesciens mater
- William Mundy (c. 1528 – before 1591) Father of John Mundy His output includes fine examples of both the large-scale Latin votive antiphon and the short English anthem, as well as Masses and Latin psalm settings; his style is vigorous and eloquent. He is represented in The Mulliner Book and in the Gyffard partbooks.
- Robert Parsons (c. 1535–1572) Latin music includes antiphons, Credo quod redemptor, Domine quis habitabit, Magnificat and Jam Christus astra. Also three responds from the Office of the Dead, songs (including Pandolpho), In nomine settings for ensemble, and a galliard.
- Thomas Whythorne (1528–1595)
- John Heath (16th century) Contributed a Morning and Communion Service to Day's Certaine Notes, of 1560. Probably the composer of a Christe qui lux for keyboard in MS, ascribed to 'Heath'
- Clement Woodcock (1540–1590) Also spelt Woodcoke, Woodecock. His Browning my dear is one of several pieces of the period based on a popular tune, also known as The leaves be green
- John Cuk (16th century) An extant mass on Venit dilectus meus in the York MS
- Robert White (1538–1574) Also spelt Whyte
- William Byrd (c. 1540–1623)
- Richard Hunt (16th century) Has two works in the Peterhouse partbooks
- Anthony Holborne (c. 1545–1602) Also known as Olborner
- John Johnson (c. 1545–1594)
- Thomas Woodson (d. ? 1605) Forty Wayes of 2 pts. in one is found in a British Museum MS, canonic settings of Miserere
- Thomas Warrock (fl. 1580–1590) Also spelt Warrocke, Warwick. Two pieces in the Fitzwilliam Virginal Book, Nos. 97-8
- John Baldwin (before 1560–1615)
- John Cosyn (died 1609) Published Musicke of six, and five partes in 1585
- Edward Martyn (16th century) Has a single work in the Peterhouse partbooks
- John Northbrooke (16th century) Has a single work in the Peterhouse partbooks
- Picforth (fl. c. 1580) An In nomine survives in MS, unusual in that each instrumental part consists of notes of only one time-value throughout, the values differing in each of the five parts
- Poynt (fl. c. 1580) Works survive in manuscript
- Thomas Oldfield(?) His Praeludium is No. 49 in the Fitzwilliam Virginal Book
- Jehan Oystermayre (?) Almost certainly German origin. Represented in the Fitzwilliam Virginal Book
1551–1570
- John Marchant (? – 1611) There survive a Pavan in a Fitzwilliam Museum, Cambridge MS, an Allemanda in the Fitzwilliam Virginal Book, No. 187; The Marchants Dream in a MS in the British Museum, and a Pavan and Galliard in another المتحف البريطاني MS.
- Richard Martin (fl. c. 1610) His only surviving song Change they mind since she doth change was included in Robert Dowland's A Musicall Banquet of 1610
- Thomas Fardyng (16th century) Three rounds in a المتحف البريطاني MS (MS 31922)
- Edward Collard (d. c. 1600?)
- Edmund Hooper (c. 1553–1621) Also spelt Hoop. He contributed to Michael East's psalter and William Leighton's Teares, and wrote some intensely expressive anthems. He has two keyboard pieces in the Fitzwilliam Virginal Book
- Elway Bevin (1554–1638) Possibly Welsh
- William Inglot (1554–1621) Also spelt Inglott. Two keyboard pieces in the Fitzwilliam Virginal Book; there is also an untitled keyboard piece by 'Englitt' in a MS in the British Museum
- John Mundy (c. 1555–1630) Son of William Mundy. Published a volume of Songs and Psalms in 1594, contributed to the Triumphs of Oriana, composed English and Latin sacred music, and is represented with five pieces in the Fitzwilliam Virginal Book. His Goe from my window variations are a particularly fine example of the genre
- Thomas Morley (1557–1603)
- Nathaniel Giles (c. 1558–1634) Also spelt Gyles
- Matthew Jeffries (c. 1558 – c. 1615)
- Ferdinando Richardson (? 1558–1618) Also known as Sir Ferdinando Heybourne. There survives a keyboard Pavan and Galliard, each with variation, in the Fitzwilliam Virginal Book
- Richard Carlton (c. 1558 – ? 1638)
- William Brade (1560–1630) Active in Denmark and Germany
- William Cobbold (1560–1639) A single piece by him exists in Ravenscroft's 1621 collection.
- James Harding (c. 1560–1626) Also spelt Jeames Harden. Two keyboard fantasias, possibly arrangements, in a British Museum MS; a setting by William Byrd of a Gagliarda in the Fitzwilliam Virginal Book. Galiard by 'Mr. James' in Berlin State Library
- Peter Philips (1560–1628) Exiled to Flanders
- Thomas Robinson (c. 1560 – after 1609)
- Robert Hales (fl. 1583–1616) His only surviving song O Eyes, leave off your weeping was included in Robert Dowland's A Musicall Banquet of 1610.
- John Bull (1562–1628) Exiled to the Netherlands
- John Dowland (1563–1626)
- Giles Farnaby (c. 1563–1640)
- جون ميلتون (ح. 1563–1647) والد الشاعر جون ميلتون. Composed madrigals, one of which was printed in The Triumphs of Oriana, as well as anthems, Psalm settings, a motet, and some consort music including a 6-part In nomine
- John Danyel (1564 – after 1625) Also spelt Danyell. Brother of the poet Samuel Daniel (spellings of the names of the two brothers differ).
- Edward Johnson (fl. 1592/4) Contributed to Michael East's psalter and The Triumphs of Oriana and more
- Mallory (fl. c. 1580) Works survive in MS
- Michael Cavendish (c. 1565–1628)
- John Farmer (c. 1565–1605)
- George Kirbye (c. 1565–1634)
- William Leighton (c. 1565–1622)
- Leonard Woodson (c. 1565–1641), wrote verse anthems (nine are published in John Barnard’s First Book of Selected Church Musick, 1641). Other surviving pieces include instrumental consort works (four In Nomines a 5) and Mall Sims.
- Thomas Campion (1567–1620) Also spelt Campian. The only English composer to experiment with musique mesurée and the first to imitate the Florentine monodists
- John Hilton (died 1608) Probably father of John Hilton 'the younger' (1599–1657)
- Edward Gibbons (1568 – c. 1650) Brother of Orlando Gibbons
- Richard Gibbs (1568 – c. 1650) Also known as R. Gibbs. 'Allmaine' and 'Corant' in a Christ Church, Oxford MS
- Philip Rosseter (c. 1568–1623)
- Tobias Hume (c. 1569–1645) Responsible for the earliest known use of col legno in Western music
- Nicholas Strogers (fl. 1560–1575) Also spelt Strowger, Strowgers. Three (probably four) keyboard pieces in a Christ Church, Oxford, manuscript, and a Fantasia in the Fitzwilliam Virginal Book (No. 89); an In nomine exists in a Bodleian manuscript
- Edward Blancks (fl. c. 1590–1620) Also spelt Blanke, Blanks, Blanckes
- Thomas Bateson (c. 1570–1630)
- John Cooper (c. 1570–1626) Also spelt Coperario, Coprario
- Benjamin Cosyn (c. 1570–1652 or later) Also spelt Cosin, Cosens. Compiler of the manuscript Cosyn's Virginal Book
- Francis Cutting (fl. 1595)
- Francis Pilkington (c. 1570–1638) Lutenist
- William Tisdale (و. c. 1570) Also spelt Tisdall
- Henry Lichfild (died 1613) Madrigalist
1571–1580
- Thomas Lupo (1571–1627) Also known as Thomas Lupo The Elder. Composer of several works, but solid attribution of many works to him or another of his relatives is difficult
- John Ward (1571–1638)
- Daniel Bacheler (1572–1618)
- Alfonso Ferrabosco the younger (c. 1572–1628) Illegitimate son of Alfonso Ferrabosco the elder
- Martin Peerson (1572–1650) May be the same person as Martin Pearson. Four keyboard pieces in the Fitzwilliam Virginal Book. Many works also published
- Thomas Tomkins (1572–1656)
- Ellis Gibbons (1573–1603) Brother of Orlando Gibbons
- John Wilbye (1574–1638)
- John Bartlet (fl. 1606 to 1610)
- John Bennet (c. 1575 – after 1614)
- John Coprario (c. 1575–1626)
- William Simmes (c. 1575 – c. 1625)
- John Holmes (fl. from 1599; died 1629)
- William Holborne (fl. 1597)
- Thomas Greaves (fl. c. 1600)
- John Maynard (c. 1576/7 – between 1614 and 1633) Primarily known from one published work, The XIII Wonders of the World, published in London in 1611. It contains twelve songs, six duets for lute and viol. and seven pieces for lyra viol with optional bass viol.
- Thomas Weelkes (1576–1623)
- Richard Sumarte (d. after 1630)
- Henry Lichfild (fl. 1613 – after 1620)
- Robert Jones (c. 1577 – after 1615) Published five volumes of simple and melodious lute songs, and one of madrigals
- John Amner (1579–1641)
- Michael East (c. 1580–1648) Probably the son of Thomas East
- Thomas Hunt (fl. 1600)
- Robert Hall (? – ?) 16th and/or 17th century. Five keyboard pieces extant in the MS Priscilla Bunbury's Virginal Book
- John Hampton (fl. late 15th century – early 16th century) He has a single work, a setting of Salve regina, in the Eton Choirbook
- Richard Dering (c. 1580–1630)
- Thomas Ford (c. 1580–1648)
- Richard Nicholson (died 1639) Composed English and Latin church music, and consort songs, in humorous rather than melancholy vein, and contributed to The Triumphs of Oriana
- Thomas Vautor (و. c. 1580/90) Published a volume of five and six part madrigals in 1619. His best-known piece is Sweet Suffolk Owl
- Henry Youll (و. c. 1580/90) His Canzonets to Three Voyces, although clearly the work of an amateur, have charm and individuality
- George Handford (fl. c. 1609) Book of Ayresin MS bears a dedication to Prince Henry dated 1609, but was never published
1581–1611
- Robert Tailour (fl. 1615) Possibly Robert Taylor, also spelt Tailer, Taler, Taylour. Published Sacred Hymns, consisting of Fiftie select Psalms in 1615
- Robert Johnson (c. 1582–1633)
- Thomas Simpson (1582 – c. 1628) Also spelt Sympson. Active in Denmark
- Orlando Gibbons (1583–1625)
- Charles Coleman (died 1646)
- William Corkine (fl. 1610–1617)
- George Mason (fl. 1611 to 1618) Published (with John Earsden) The Ayres That Were Sung And Played, at Brougham Castle in Westmerland, in the Kings Entertainment... 1618. This included some of the few masque songs that survive from the period immediately after 1613
- Robert Ramsey (died 1644) Composed mythological and biblical dialogues, such as Dives and Abraham, Saul and the Witch of Endor, and Orpheus and Pluto
- John Adson (1587–1640)
- John Lugg (? 1587 – 165?) Also spelt Lugge. There survive nine plainsong settings, one hexachord, and three voluntaries for double organ in a Christ Church autograph MS, among others
- Nicholas Lanier (1588–1666) Also spelt Lanière
- Walter Porter (c. 1588–1659) Madrigalist. Publications include instrumental toccatas, sinfonias and ritornellos as well as vocal pieces
- John Tomkins (1589–1638) Half brother of Thomas Tomkins. John come kiss me now (variations) survives in a British Museum MS
- Richard Mico (1590–1661) Two 18th century arrangements for viols of keyboard pavans in a MS in the المتحف البريطاني survive
- Thomas Ravenscroft (c. 1590 – c. 1633) Published a book of psalms amongst others
- Robert Dowland (1591–1641) Son of John Dowland. Only three works are definitely ascribed to him: two lute pieces in the 'Varietie of Lute Lessons' and one in the 'Margaret Board Lutebook'.
- John Jenkins (1592–1678)
الفرنجة-الفرنسيون
1370–1450
- Johannes de Limburgia (c. 1370–1430) Also spelt Lymburgia; also called Johannes Vinandi
- Clement Liebert (fl. 1433–1454)
- يوهانس اوكگم (ح. 1410–1497)
- Johannes Regis (c. 1425 – c. 1496)
- Johannes Tinctoris (c. 1435–1511)
- Alexander Agricola (? 1446–1506)
- Johannes Martini (c. 1440–1497/98)
- Petrus de Domarto (fl.c. 1445–1455)
- Johannes de Stokem (c. 1445–1487 or 1501)
- Gaspar van Weerbeke (c. 1445 – after 1517)
- Johannes Pullois (died 1478) Active in the Low Countries and Italy
- Heinrich Isaac (c. 1450–1517)
- Josquin des Prez (c. 1450–1521)
- Matthaeus Pipelare (c. 1450 – c. 1515)
- Abertijne Malcourt (c. 1450 - c. 1510)
1451–1500
- Philip van Wilder (died 1554) Active in England
- Jean Japart (fl.c. 1474–1481) Active in Italy
- Jacob Obrecht (1457/58–1505)
- Jacobus Barbireau (1455–1491)
- Nycasius de Clibano (fl. 1457–1497)
- Jheronimus de Clibano (c. 1459–1503)
- Pierre de La Rue (c. 1460–1518) Most famous composer of the Grande chapelle of the Habsburg court
- Marbrianus de Orto (c. 1460–1529)
- Johannes Prioris (c. 1460?–c. 1514)
- Antonius Divitis (c. 1470–c. 1530)
- Johannes Ghiselin (fl. 1491–1507)
- Nicolas Champion (c. 1475–1533)
- Jacotin (died 1529) Also called Jacob Godebrye
- Noel Bauldeweyn (c. 1480 – after 1513)
- Jean Richafort (c. 1480–1547)
- Benedictus Appenzeller (1480 to 1488 – after 1558) Served Mary of Hungary for most of his career
- Pierre Moulu (c. 1485 – c. 1550) Active in France
- Pierre Passereau (fl. 1509–1547) popular composer of chansons in the 1530s
- Adrian Willaert (c. 1490–1562) Founder of the Venetian School; active in Italy; influential as a teacher as well as a composer
- Lupus Hellinck (c. 1494–1541)
- Nicolas Gombert (c. 1495 – c. 1560) Prominent contrapuntist of generation after Josquin; worked for Charles V
- Adrianus Petit Coclico (1499/1500 – after 1562)
1501–1550
- Gilles Reingot (fl. early 16th century)
- Arnold von Bruck (c. 1500–1554) Especially active in German-speaking areas during the early Reformation period
- Jacques Buus (c. 1500–1565) Active at Venice, and assisted in the development of the instrumental ricercar
- Thomas Crecquillon (c. 1505–1557), a member of Charles V's imperial chapel
- Tielman Susato (c. 1510/15 – after 1570) Also spelt Tylman; was also an influential music publisher
- Jheronimus Vinders (fl. 1525–1526) active at Ghent; influenced by Josquin
- Jacques Arcadelt (? 1505–1568) Most famous of the early madrigalists
- Jacquet de Berchem (c. 1505 – before 1567) Early madrigalist
- Cornelius Canis (c. 1500 to 1510–1561) Music director for Charles V, Holy Roman Emperor, in the 1540s and 1550s, after Nicolas Gombert
- Jean de Latre (c. 1505/1510–1569)
- Johannes Lupi (c. 1506–1539)
- Jacob Clemens non Papa (c. 1510/1515–c. 1555), also known as Jacques Clément
- Ghiselin Danckerts (c. 1510 – c. 1565) Active in Rome
- Pierre de Manchicourt (c. 1510–1564) Active in Spain
- Jan Nasco (c. 1510–1561) Active in northern Italy
- Dominique Phinot (c. 1510 – c. 1556) Active in Italy and southern France
- Nicolas Payen (c. 1512 – c. 1559) Maestro di capilla for Philip II of Spain after Cornelius Canis
- Hubert Naich (c. 1513 – c. 1546) Active in Rome
- Cypriano de Rore (c. 1515–1565)
- Hubert Waelrant (c. 1517–1595)
- Jean de Bonmarché (c. 1520/1525–1570)
- Perissone Cambio (c. 1520–c. 1562)
- Severin Cornet (c. 1520–1582) (de:Séverin Cornet)
- Philippe de Monte (1521–1603) Prolific composer of madrigals
- Simon Moreau (fl. 1553–1558)
- Jacobus Vaet (c. 1529–1567)
- Cornelis Symonszoon Boscoop (before 1531–1573)
- Jacobus de Kerle (1531/1532–1591)
- Orlande de Lassus (c. 1532–1594), also Orlando di Lasso, Roland de Lassus
- Giaches de Wert (1535–1596) Active in Italy
- Johannes Matelart (before 1538–1607), or Ioanne Matelart
- Jhan Gero (fl. 1540–1555) Active in Venice, Italy
- Jacob Regnart (1540s–1599)
- Andreas Pevernage (1542/3 – 1591)
- Antonino Barges (fl. 1546–1565) Active in Italy
- George de La Hèle (1547–1586) Active in the Habsburg chapels of Spain and the Low Countries
- Giovanni de Macque (c. 1549–1614) Active in Italy
1551–1574
- Emmanuel Adriaenssen (1554–1604)
- Rinaldo del Mel (c. 1554–c. 1598) Active in Italy
- Carolus Luython (1557–1620)
- Philippus Schoendorff (1558–1617)
- Philippe Rogier (c. 1561–1596) Active in Spain
- Jan Pieterszoon Sweelinck (1562–1621)
- Cornelis Verdonck (1563–1625)
- Peeter Cornet (1570/1580–1633)
- Géry de Ghersem (1573/1575–1630) Active in Spain and the Netherlands
- Claudio Pari (1574–after 1619) Active in Italy
الفرنسيون
1370–1450
- Richard Loqueville (died 1418)
- Baude Cordier (c. 1380–before 1440)
- Beltrame Feragut (c. 1385–c. 1450) Also known as Bertrand di Vignone
- Johannes Cesaris (fl. c. 1406–1417)
- Estienne Grossin (fl. 1418–1421)
- Johannes Fedé (c. 1415–1477?)
- Biquardus (fl. 1440–1450)
- Eloy d'Amerval (fl. 1455–1508)
- Firminus Caron (fl. c. 1460–c. 1475)
- Guillaume Faugues (fl. c. 1460–1475), or Fagus
- Jehan Fresneau (fl. 1468–1505)
- Philippe Basiron (c. 1449–1491)
- Loyset Compère (c. 1450–1518)
- Gilles Mureau (c. 1450–1512)
1451–1500
- Jean Mouton (c. 1459–1522)
- Antoine Brumel (c. 1460–1512/1513)
- Colinet de Lannoy (d. before 1497)
- Pietrequin Bonnel (fl. 1488–c. 1499)
- Carpentras (c. 1470–1548)
- Antoine de Févin (c. 1470–1511/12) Brother of Robert de Févin
- Pierrequin de Thérache (c. 1470–1528) active in Lorraine
- Jean Braconnier ('fl. from 1478; died 1512), also known as Lourdault
- Philippe Verdelot (c. 1475 – before 1552) Active in Italy
- Ninot le Petit (fl. c. 1500–1520)
- Pierre Vermont (c. 1495 – between 1527 and 1533)
- Antoine de Longueval (fl. 1498–1525)
- Nicolle des Celliers de Hesdin (died 1538)
- Jean l'Héritier (c. 1480–after 1551) Also spelt Heretier, Lhéritier, Lirithier
- Jacquet of Mantua (1483–1559)
- Clément Janequin (c. 1485–1558)
- Sandrin (c. 1490 – c. 1560) Also known as Pierre Regnault
- Claudin de Sermisy (c. 1490–1562)
- Jean Conseil (c. 1498–1534) Active in Italy
- Robert de Févin (fl. late 15th century – early 16th century) Brother of Antoine de Févin
- Mathieu Gascongne (fl. 1517–1518)
1501–1550
- Pierre Attaingnant (c. 1494 - ?)
- Garnier (fl. 1538–1542)
- Firmin Lebel (early 16th century – 1573) Active in Rome
- Hilaire Penet (? 1501 – 15??)
- Pierre Certon (fl. from 1529; died 1572)
- Loys Bourgeois (c. 1510/1515–1559)
- Jacques Du Pont (c. 1510 – after 1546) Madrigalist active in Italy
- Guillaume Le Heurteur (fl. 1530–1545)
- Jean Maillard (c. 1510 – c. 1570)
- Guillaume Morlaye (c. 1510 – c. 1558)
- Jean Guyot de Châtelet (c. 1512–1588)
- Claude Goudimel (c. 1514/1520–1572)
- Thoinot Arbeau (1519-1595)
- Pierre Cadéac (fl. 1538–1556)
- Pierre Clereau (fl. 1539–1570)
- Godard (fl. 1536–1560) Possibly Robert Godard, an organist at Beauvais Cathedral
- Claude Gervaise (fl. 1540–1560)
- Didier Lupi Second (c. 1520 – after 1559)
- Lambert Courtois (c. 1520 – after 1583)
- Adrian Le Roy (c. 1520–1598)
- Simon Boyleau (fl. c. 1544–after 1586)
- Anthoine de Bertrand (c. 1530/1540–c. 1581)
- Guillaume Boni (c. 1530–1594)
- Guillaume Costeley (c. 1530–1606)
- Nicolas de La Grotte (1530 – c. 1600)
- Claude Le Jeune (1530–1600)
- Jehan Chardavoine (1537-1580)
- Paschal de l'Estocart (1539?–after 1584)
- Nicolas Millot (fl. 1559–1589)
- Joachim Thibault de Courville (fl. from c. 1567; died 1581)
- Eustache Du Caurroy (1549–1609)
- Charles Tessier (و. c. 1550) Active in England and Germany
1551–1600
- Fabrice Caietain (fl. 1570–1578)
- Jacques Champion (before 1555–1642) known as La Chapelle
- Jacques Mauduit (1557–1627)
- Julien Perrichon (1566 – c. 1600) Also a lutenist.
- Marin Marsenne (1588-1648)
- Étienne Moulinié (1599–1676)
الألمان
1350–1400
- Hugo von Montfort (1357–1423)
- Oswald von Wolkenstein (1376/77–1445)
1401–1450
- Conrad Paumann (c. 1410–1473)
- Heinrich Finck (1444/1445–1527)
- Adam von Fulda (c. 1445–1505)
- Hans Judenkünig (c. 1450–1526), or Judenkönig
- Arnolt Schlick (c. 1450 – c. 1525)
1451–1500
- Paul Hofhaimer (1459–1537)
- Sebastian Virdung (c. 1465)
- Pierre Alamire (c. 1470–1536) Active in the Low Countries
- Thomas Stoltzer (c. 1480–1526)
- Hans Buchner (1483–1538)
- مارتن لوثر (1483-1546)
- Hans Kotter (c. 1485–1541)
- Martin Agricola (1486–1556)
- Georg Rhau (1488–1548)
- Arnold von Bruck (c. 1490–1554)
- Benedictus Ducis (c. 1492–1544)
- Leonhard Kleber (c. 1495–1556)
- Lorenz Lemlin (c. 1495 – c. 1549)
- Johann Walter (1496–1570)
- Hans Gerle (c. 1498–1570)
- Wolfgang Schmeltzl (c. 1500 to 1505 – c. 1564)
1501–1550
- Hans Neusiedler (1508–1563)
- Georg Forster (c. 1510–1568)
- Caspar Othmayr (1515–1553)
- Jobst von Brandt (1517–1570)
- Sigmund Hemmel (c. 1520–1565)
- Hermann Finck (1527–1558)
- Elias Nikolaus Ammerbach (c. 1530–1597)
- Matthäus Waissel (c. 1540–1602) (de:Matthäus Waissel)
- Thomas Mancinus (1550 – c. 1612)
1551–1600
- Johannes Eccard (1553–1611)
- Leonhard Lechner (c. 1553–1606)
- Johannes Nucius (c. 1556–1620)
- Hieronymus Praetorius (1560–1629)
- Elias Mertel (c. 1561–1626)
- Andreas Raselius (c. 1562–1602) (de:Andreas Raselius)
- Hans Leo Hassler (1564–1612)
- Christoph Demantius (1567–1643)
- Michael Praetorius (c. 1571–1621)
- Moritz von Hessen-Kassel (1572-1632)
- Andreas Hakenberger (1574–1627)
- Heinrich Schütz (1585-1672)
- Johann Schein (1586–1630)
- Samuel Scheidt (1587–1654)
- Johann Crüger (1598–1662)
الإيطاليون
1350–1470
- Zacara da Teramo (1350/60–1413/16)
- Paolo da Firenze (c. 1355 - c. 1436; aka Paolo Tenorista)
- Giovanni Mazzuoli (Giovanni degli Organi) (1360–1426) Also known as Jovannes de Florentia, Giovanni degli Organi & Giovanni di Niccol
- Piero Mazzuoli (Son of Giovanni Mazzuoli, whose compositions are all found in the San Lorenzo palimpsest)
- Antonio da Cividale (fl.c. 1392–1421) Also known as Antonius de Civitate Austrie
- Antonius Romanus (fl. 1400–1432)
- Bartolomeo da Bologna (fl. 1405–1427)
- Grazioso da Padova (fl. 1390? - 1410?) also known as Gratiosus de Padua
- Nicolaus Zacharie (c. 1400 or before – 1466)
- Johannes de Quadris (c. 1410 – ? 1457)
- Guglielmo Ebreo da Pesaro (c. 1420–1484) Dance master
- Antonius Janue (fl.c. 1460)
- Franchinus Gaffurius (1451–1522)
- Giacomo Fogliano (1468 – 10 April 1548)
- Marchetto Cara (c. 1470 – ? 1525)
- Bartolomeo Tromboncino (c. 1470 – c. 1535)
1471–1500
- Bartolomeo degli Organi (1474–1539)
- Vincenzo Capirola (1474–after 1548)
- Filippo de Lurano (c. 1475–c. 1520)
- Francesco Spinacino (late 15th century–after 1507)
- Antonio Caprioli (fl. c. 1500)
- Joan Ambrosio Dalza (fl. 1508)
- Gasparo Alberti (c. 1489–1560)
- Andrea Antico da Montona (c. 1480–after 1538)
- Marco Dall'Aquila (c. 1480–after 1538)
- Maistre Jhan (c. 1485–1538) Early madrigalist, active at Ferrara
- Francesco Patavino (fl. c. 1500) (it:Francesco Patavino)
- Bernardo Pisano (1490–1548) Possibly the earliest composer of madrigals, though not in name
- Sebastiano Festa (1490-5–1524) Early composer of madrigals; possibly related to Costanzo Festa
- Marco Antonio Cavazzoni (c. 1490 - c.1560)
- Pietro Paolo Borrono (c. 1490–after 1563)
- Franciscus Bossinensis (fl. 1509–1511)
- Francesco de Layolle (1492–c. 1540) Florentine composer, in the employ of the آل مديتشي; music teacher to sculptor بنڤنوتو تشليني
- Costanzo Festa (c. 1495–1545) Early composer of madrigals; member of Sistine Chapel choir
- Francesco Canova da Milano (1497–1543)
- Mattio Rampollini (1497–c. 1553)
- Albert de Rippe (c.1500–1551) Also known as Alberto da Ripa and da Mantova
- Giovanni Thomaso Cimello (c. 1510–after 1579), or Giovanthomaso Cimello
1501–1525
- Francesco Corteccia (1502–1571)
- Ambrose Lupo (1505–1591) Also known as Ambrosio Lupo, de Almaliach and Lupus Italus. Active in England
- Francesco Viola (died 1568). Maestro di cappella at Ferrara after Rore.
- Paolo Aretino (1508–1584) Also known as Paolo Antonio del Bivi
- Alfonso dalla Viola (c. 1508 – c. 1573) Also an instrumentalist; active in Ferrara
- Antonio Gardano (1509–1569) Music printer
- Luigi Dentice (c. 1510?–1566)
- Vincenzo Ruffo (c. 1510–1587)
- Claudio Veggio (c. 1510 – 15??)
- Giovanni Contino (c. 1513–1574) Maestro di cappella in Brescia; probable teacher of Luca Marenzio
- Nicolao Dorati (c. 1513–1593) Also a trombonist; active at Lucca
- Domenico Ferrabosco (1513–1574) Madrigalist, highly regarded by Alfred Einstein; father of Alfonso Ferrabosco
- Giovanni Domenico da Nola (c. 1515–1592)
- Giandomenico Martoretta (c. 1515 - 15??) Calabrian madrigalist, active in Sicily
- Agostino Agostini (died 1569) Father of Lodovico Agostini
- Gioseffo Zarlino (1517–1590)
- Andrea Gabrieli (1532/1533–1585), uncle of Giovanni Gabrieli
- Francesco Cellavenia (fl. 1538–1563)
- Giovanni Paolo Paladini (fl.c. 1540–1560)
- Giovanni Animuccia (c. 1520–1571)
- Vincenzo Galilei (c. 1520–1591) Father of composer Michelagnolo Galilei and astronomer and physicist Galileo Galilei
- Francesco Portinaro (c. 1520 – after 1577) Madrigalist, native of Padua
- Hoste da Reggio (c. 1520–1569) Madrigalist, active at Milan and Bergamo
- Ippolito Ciera (fl. 1546–1564) Minor madrigalist, active at Treviso; follower of Willaert
- Girolamo Parabosco (c. 1524–1577) Minor member of the Venetian School
- Girolamo Cavazzoni (c. 1525 – after 1577)
- Giocoso Gorzanis (c. 1525 – after 1575)
- Giovanni Pierluigi da Palestrina (c. 1525–1594)
1526–1550
- Annibale Padovano (1527–1575)
- Baldassare Donato (1525/1530–1603)
- Costanzo Porta (c. 1529–1601)
- Cesare Negri (before 1536–after 1604) Dancemaster
- Giovanni Battista Conforti (fl. c. 1550)
- Fabrizio Caroso (c. 1530–after 1600)
- Giorgio Mainerio (c. 1530/1540–1582)
- Giulio Fiesco (fl. 1550–1570) (madrigalist, active at Ferrara)
- Gianmatteo Asola (c. 1532–1609)
- Claudio Merulo (1533–1604)
- Francesco Soto de Langa (1534–1619)
- Ippolito Chamaterò (1535/1540–after 1592) Active in several cities in northern Italy; composed both sacred and secular music
- ماركانطونيو إنجنييري (1535/1536–1592) Madrigalist and teacher of Monteverdi; active at Cremona
- Rocco Rodio (c. 1535–after 1615)
- Annibale Stabile (c. 1535–1595)
- Pietro Taglia (fl. c. 1555–1565) Madrigalist in Milan; follower of Cipriano de Rore
- Antonio Valente (fl. 1565–1580)
- Pietro Vinci (c. 1535–1584) Madrigalist; founder of the Sicilian school
- Annibale Zoilo (c. 1537–1592)
- Stefano Felis (c. 1538?–1603)
- Fabrizio Dentice (1539?–1581)
- Giovanni Dragoni (c. 1540–1598)
- Filippo Azzaiolo (fl. 1557–1569)
- Maddalena Casulana (c. 1540–c. 1590)
- Giovanni Ferretti (c. 1540–after 1609)
- Gioseffo Guami (1542–1611), also known as Gioseffo da Lucca
- Giovanni Leonardo Primavera (1540–1585)
- Alessandro Striggio (c. 1540–1592) Musician to the آل مديتشي; composer of the colossal 60-voice Missa sopra Ecco sì beato giorno
- Tiburzio Massaino (before 1550–after 1608)
- Vincenzo Bellavere (c. 1540/1541–1587)
- Francesco Rovigo (1540/1541–1597) Composed liturgical music and madrigals; active at Mantua and Graz
- Alfonso Ferrabosco the elder (1543–1588) Active in England
- Giovanni Maria Nanino (1543/1544–1607) Also spelt Nanini. Brother of Giovanni Bernardino Nanino
- Francesco Guami (c. 1544–1602) Brother of Gioseffo Guami; active in Germany and Italy
- Ascanio Trombetti (1544–1590)
- Gioseppe Caimo (c. 1545–1584) Active at Milan; madrigalist and organist
- Luzzasco Luzzaschi (c. 1545–1607) Late madrigalist at Ferrara
- Francesco Soriano (c. 1548–1621)
- Girolamo Dalla Casa (fl. from 1568; died 1601)
- Ippolito Baccusi (c. 1550–1609)
- Emilio de' Cavalieri (c. 1550–1602)
- Cesario Gussago (c. 1550–1612)
- Pomponio Nenna (c. 1550–1613)
- Riccardo Rognoni (c. 1550–c. 1620)
- David Sacerdote (1550–1625) Earliest known Jewish composer of polyphonic music, active at Mantua
- Ruggiero Trofeo (c. 1550–1614)
- Orazio Vecchi (1550–1605)
- Girolamo Conversi (fl. c. 1572–1575)
1551–1586
- Giulio Caccini (1551–1618) One of the founders of opera
- Benedetto Pallavicino (c. 1551–1601)
- Girolamo Belli (1552 – c. 1620)
- Luca Marenzio (c. 1553–1599)
- Lodovico Agostini (1534–1590) Illegitimate son of Agostino Agostini
- Paolo Bellasio (1554–1594)
- Cosimo Bottegari (1554–1620)
- Girolamo Diruta (c. 1554 – after 1610)
- Giovanni Giacomo Gastoldi (c. 1554–1609)
- Gabriele Villani (c. 1555–1625)
- Giovanni Croce (c. 1557–1609)
- Alfonso Fontanelli (1557–1622)
- Giovanni Gabrieli (1557–1612), nephew of Andrea Gabrieli
- Giovanni Bassano (c. 1558–1617)
- Scipione Stella (1558/1559–1622)
- Felice Anerio (c. 1560–1614) Brother of Giovanni Francesco Anerio
- Giulio Belli (c. 1560 – c. 1621)
- Dario Castello (c. 1560 – c. 1640)
- Scipione Dentice (1560–1635)
- Carlo Gesualdo (1560–1613)
- Ruggiero Giovannelli (c. 1560–1625)
- Antonio Il Verso (c. 1560–1621)
- Stefano Rossetto (fl. 1560–1580) Active in Italy and Germany
- Leone Leoni (ca 1560 — 1627), maestro di cappella at Vicenza
- Jacopo Peri (1561–1633)
- Francisco de Peraza (c. 1564 – c. 1600)
- Erasmo Marotta (1565–1641) Sicilian composer
- Paola Massarenghi (born 1565; fl. 1585)
- Ascanio Mayone (1565–1627)
- Giovanni Pietro Flaccomio (c. 1565 - 1617) Sicilian composer, chapel master at the court of فليپه الثالث من إسپانيا (de:Giovanni Pietro Flaccomio)
- Alessandro Piccinini (1566–1638)
- Lucia Quinciani (c. 1566 – fl. 1611)
- Lorenzo Allegri (1567–1648)
- Giovanni Francesco Anerio (c. 1567 – buried 1630) Brother of Felice Anerio
- كلاوديو مونتڤردي (1567–1643)
- Massimo Troiano (fl. 1567 to 1570 – after 1570)
- Adriano Banchieri (1568–1634)
- Ottavio Vernizzi (1569–1649)
- Diomedes Cato (c. 1570 – after 1615) Worked all his life in Poland
- Giovanni Paolo Cima (1570–1622)
- Simone Molinaro (c. 1570–after 1633)
- Salamone Rossi (1570–1630) Jewish
- Claudia Sessa (c. 1570 – between 1613 and 1619) (ca:Claudia Sessa)
- Francesco Usper (c. 1570–1641) Also known as Spongia
- Salvatore Sacco (1572 – c. 1622)
- Cesarina Ricci (c. 1573 – fl. 1597)
- Giovanni Bernardino Nanino (1560–1623) Brother of Giovanni Maria Nanino
- Giulio Cesare Martinengo (1564 or 1568–1613)
- Michelagnolo Galilei (1575–1631) Active in Bavaria and Poland. Son of composer Vincenzo Galilei, brother of astronomer and physicist Galileo Galilei
- Stefano Venturi del Nibbio (fl. 1592–1600); active in Florence. Collaborated with Giulio Caccini on the early opera, Il rapimento di Cefalo
- Vittoria Aleotti (c. 1575 – after 1620) Believed to be the same person as Raffaella Aleotti (c. 1570 – after 1646)
- Caterina Assandra (1580–1632)
- Adreana Basile (c. 1580 – c. 1640)
- Gregorio Allegri (1582–1652), brother of Domenico Allegri
- Sigismondo d'India (c. 1582–1629)
- Antonio Cifra (1584–1629)
- Francesco Rognoni (c. 1585 – before 1626)
- Domenico Allegri (1586-1629), brother of Gregorio Allegri
- Stefano Landi (1586-1643)
الپولنديون
- Jerzy Liban z Legnicy (1464 – بعد 1546)
- Mikołaj z Chrzanowa (1485–1555)
- Sebastian z Felsztyna (also known as Sebastian Herburt) (c. 1490–1543)
- Jan z Lublina (late 15th century – 1540)
- Wacław z Szamotuł (c. 1520 – c. 1560)
- Cyprian Bazylik (c. 1535–c. 1600)
- Mikołaj Gomółka (c. 1535 – c. 1609)
- Krzysztof Borek (? – 1573)
- Marcin Leopolita (c. 1540 – c. 1584) Also known as Marcin ze Lwowa
- Jakub Polak (c. 1545–1605) Also known as Jacob Polonais, Jakub Reys, Jacques le Polonois and Jacob de Reis. Active in France
- Nicolaus Cracoviensis (also known as Mikołaj z Krakowa) (first half of the 16th century)
- Tomasz Szadek (c. 1550 – after 1611) (nl:Tomasz Szadek pl:Tomasz Szadek)
- Krzysztof Klabon (c. 1550 – after 1616)
- Marcin Wartecki (second half of 16th century)
- Wojciech Długoraj (c. 1557 – after 1619)
- Petrus de Drusina (c. 1560–1611)
- Diomedes Cato (before 1570 – c. 1603)
الإسپان
1370–1450
- Johannes Cornago (c. 1400–after 1475)
- Juan de Urrede (c. 1430–after 1482), or Johannes de Wreede
1451–1510
- Juan de Triana (fl. c. 1460–1500)
- Francisco de la Torre (fl. 1483–1504)
- Juan de Anchieta (1462–1523)
- Juan del Encina (1468 – c. 1529)
- Francisco de Peñalosa (c. 1470–1528)
- Andreas De Silva (c. 1475/1480–after 1520)
- Mateo Flecha the elder (1481?–1553?), or Mateu Fletxa el Vell
- Juan Pérez de Gijón (fl. c. 1460–1500)
- Alonso de Mondéjar (fl. 1502–1516), or Mondexar
- Pedro de Pastrana (c. 1490–after 1558)
- Luis de Milán (c. 1500–after 1560)
- Cristóbal de Morales (c. 1500–1553)
- Luis de Narváez (c. 1500 – between 1550 and 1560)
- Bartolomé de Escobedo (c. 1505–1563)
- Juan Bermudo (c. 1510 – c. 1565)
- Juan Vásquez (c. 1500–c. 1560)
- Antonio de Cabezón (c. 1510–1566)
- Alonso Mudarra (c. 1510–1580)
- Diego Ortiz (c. 1510–c. 1570)
- Luis Venegas de Henestrosa (c. 1510–1570)
1511–1570
- Tomás de Santa María (c. 1515–1570)
- Joan Brudieu (c. 1520–1591)
- Rodrigo de Ceballos (c. 1525/1530–1581)
- Enríquez de Valderrábano (fl. 1547)
- Francisco Guerrero (1528–1599)
- Leonardo Meldart Fiamengo (fl. c. 1550–1600)
- Juan Navarro (c. 1530–1580)
- Miguel de Fuenllana (fl. 1553–1578)
- Vicente Espinel (1550–1624)
- Juan Navarro (c. 1550–c. 1610), active in Mexico
- Mateo Flecha the younger (c. 1530–1604), or Mateu Fletxa el Jove
- Hernando Franco (1532–1585), active in Guatemala and Mexico
- Hernando de Cabezón (1541–1602)
- Ginés de Boluda (c. 1545–c. 1606)
- Ginés Pérez de la Parra (c. 1548–1600)
- Tomás Luis de Victoria (1548–1611)
- Bernardo Clavijo del Castillo (c. 1549–1626), active in Palermo, Sicily and later in Salamanca. Published motets in 1588
- Ambrosio Cotes (c. 1550–1603)
- Sebastián Raval (c. 1550–1604)
- Alonso Lobo (c. 1555–1617)
- Sebastián Aguilera de Heredia (1561–1627)
- Juan Esquivel Barahona (c. 1563–after 1624?)
- Joan Pau Pujol (1570–1626)
التشيك
- Kryštof Harant z Polžic a Bezdružic (1564–1621)
- Jan Trojan Turnovský (c. 1550 - 1606)
- Simon Bar Jona Madelka (c. 1530-1550 - c. 1598)
- Jiří Rychnovský (1529 - 1616)
- Jan Simonides Montanus (1507 - 1587) - active in Kutná Hora
- Pavel Spongopaeus Jistebnický (c. 1550 - 1619)
- Ondřej Chrysoponus Jevíčský (1495 - 1592)
فترة الباروك
انظر قائمة ملحني الباروك وموسيقى الباروك.
1550–1600
- Emilio de' Cavalieri (c. 1550–1602)
- Riccardo Rognoni (c. 1550-c. 1620)
- Giulio Caccini (1551–1618)
- Giovanni Gabrieli (c. 1554/1557–1612)
- Jacques Champion "La Chapelle" (before 1555–1642)
- Manuel Rodrigues Coelho (c. 1555–c. 1635)
- Paolo Quagliati (c. 1555–1628)
- Johannes Nucius (c. 1556–1620)
- Alfonso Fontanelli (1557–1622)
- Giovanni Bassano (c. 1558–1617)
- Richard Allison (1560/1570?–1610?)
- Felice Anerio (1560–1614)
- Giulio Belli (c. 1560–1621 or later)
- William Brade (1560–1630)
- Diomedes Cato (c. 1560/1565–1618)
- Camillo Lambardi (c. 1560–1634)
- Giovanni Bernardino Nanino (c. 1560–1623)
- Peter Philips (c. 1560–1628)
- Hieronymus Praetorius (1560–1629)
- Thomas Robinson (c. 1560–after 1609)
- Lodovico Grossi da Viadana (c. 1560–1627)
- Sebastian Aguilera de Heredia (1561–1627)
- Jacopo Peri (1561–1633)
- Francesco Usper, or Francesco Sponga (1561–1641)
- John Bull (1562/1563–1628)
- Jan Pieterszoon Sweelinck (1562–1621)
- Jean Titelouze (1562/1563–1633)
- John Dowland (1563–1626)
- Giles Farnaby (c. 1563–1640)
- Hans Leo Hassler (1564–1612)
- Kryštof Harant z Polžic a Bezdružic (1564–1621)
- Gregor Aichinger (c. 1565–1628)
- Duarte Lobo (c. 1565–1646)
- Ascanio Mayone (c. 1565–1627)
- Francis Pilkington (c. 1565–1638)
- Manuel Cardoso (1566–1650)
- Gaspar Fernandes, or Fernández (1566–1629)
- Alessandro Piccinini (1566–1638)
- Lucia Quinciani (born c. 1566; fl. 1611)
- Giovanni Francesco Anerio (c. 1567–1630)
- Thomas Campion (1567–1620)
- Christoph Demantius (1567–1643)
- Nicolas Formé (1567–1638)
- Girolamo Giacobbi (1567–1629)
- Joachim van den Hove (c. 1567–1620)
- René Mesangeau (fl. 1567–1638)
- كلاوديو مونتڤردي (1567–1643)
- Philip Rosseter (1567/1568–1623)
- Adriano Banchieri (1568–1634)
- Bartolomeo Barbarino (c. 1568–1617 or later)
- Joan Baptista Comes (1568–1643)
- Christian Erbach (1568/1573–1635)
- Tobias Hume (1569–1645)
- Giovanni Paolo Cima (c. 1570–1622)
- Peeter Cornet (c. 1570/1580–1633)
- Pierre Guédron (c. 1570–c. 1620)
- Paul Peuerl (1570–1625)
- Joan Pau Pujol (1570–1626)
- Salamone Rossi (c. 1570–1630)
- Claudia Sessa (c. 1570–c. 1617/1619)
- Giovanni Battista Fontana (c. 1571–c. 1630)
- Thomas Lupo (1571–1627)
- Filipe de Magalhães (c. 1571–1652)
- Martin Peerson (1571/1573–1651)
- Giovanni Picchi (1571/1572–1643)
- Michael Praetorius (c. 1571–1621)
- John Ward (1571–1638)
- Daniel Bacheler (1572–1619)
- Thomas Tomkins (1572–1656)
- Cesarina Ricci de Tingoli (born c. 1573, fl. 1597)
- Claudio Pari (1574–after 1619)
- Francesco Rasi (1574–1621)
- John Wilbye (1574–1638)
- Vittoria Aleotti (c. 1575–after 1620)
- Abundio Antonelli (c. 1575?–c. 1629)
- Robert Ballard (c. 1575–1645)
- Estêvão de Brito (1575–1641)
- John Coprario, or John Cooper (c. 1575–1626)
- Ignazio Donati (c. 1575–1638)
- Daniel Farrant (c. 1575–1651)
- Alfonso Ferrabosco the younger (c. 1575–1628)
- Michelagnolo Galilei (1575–1631)
- Ennemond Gaultier, le Vieux Gaultier (1575–1651)
- Johann Groh (c. 1575–1627?) (de:Johann Groh (Komponist))
- Léonard de Hodémont (c. 1575–1639)
- Esteban López Morago, or Estêvão Lopes Morago (c. 1575–after 1630)
- Giovanni Priuli (c. 1575–1626)
- Mateo Romero, or Mathieu Rosmarin (c. 1575–1647)
- William Simmes (c. 1575–c. 1625)
- Giovanni Maria Trabaci (c. 1575–1647)
- Thomas Weelkes (1576–1623)
- Stefano Bernardi (c. 1577–1637)
- Antonio Brunelli (1577–1630)
- Sulpitia Cesis (و. 1577; fl. 1619)
- Agostino Agazzari (1578–1640)
- Melchior Franck (c. 1579–1639)
- Adriana Basile (c. 1580–c. 1640)
- Domenico Brunetti (c. 1580–1646)
- Andrea Cima, or Giovanni Andrea Cima (c. 1580–after 1627)
- Jacques Cordier (c. 1580–before 1655)
- Richard Dering (c. 1580–1630)
- Michael East (1580–1648)
- Thomas Ford (c. 1580–1648)
- Johannes Hieronymus Kapsberger, or Giovanni Girolamo Kapsperger (c. 1580–1651)
- Johann Stobaeus (1580–1646)
- Vincenzo Ugolini (c. 1580–1638)
- Bellerofonte Castaldi (c. 1581–1649)
- Johannes Jeep (1581/1582–1644)
- Johann Staden (1581–1634)
- Gregorio Allegri (1582–1652)
- Severo Bonini (1582–1663)
- Marco da Gagliano (1582–1643)
- Sigismondo d'India (c. 1582–1629)
- Thomas Ravenscroft (c. 1582–c. 1635)
- Thomas Simpson (1582–1628) ([6])
- Giovanni Valentini (c. 1582–1649)
- Paolo Agostino, or Agostini (c. 1583–1629)
- Girolamo Frescobaldi (1583–1643)
- Orlando Gibbons (1583–1625)
- Robert Johnson (c. 1583–1634)
- Mogens Pedersøn (c. 1583–1623)
- Nicolas Vallet (c. 1583–c. 1642)
- Michael Altenburg (1584–1640)
- Antonio Cifra (1584–1629)
- Francisco Correa de Arauxo (1584–1654)
- Daniel Friderici (1584–1638)
- Walter Rowe (c. 1584–1671) (de:Walter Rowe)
- Louis Constantin (c. 1585–1657)
- Nicolò Corradini (c. 1585–1646)
- Andrea Falconieri (1585/1586–1656)
- Peter Hasse (c. 1585–1640)
- Heinrich Schütz (1585–1672)
- Antoine Boësset, Sieur de Villedieu (1586–1643)
- Alessandro Grandi (1586–1630)
- Stefano Landi (1586/1587–1639)
- Jacob Praetorius (1586–1651)
- Claudio Saracini (1586–1630)
- Johann Schein (1586–1630)
- Paul Siefert (1586–1666)
- John Adson (c. 1587–1640)
- Francesca Caccini (1587–c. 1640)
- Ivan Lukačić (c. 1587–1648)
- Samuel Scheidt (1587–1654)
- Francesco Colombini (1588–1671) (de:Francesco Colombini)
- Johann Andreas Herbst (1588–1666)
- Nicholas Lanier (1588–1666)
- Guilielmus Messaus (1589–1640)
- Francesco Turini (1589–1656)
- Caterina Assandra (c. 1590–after 1618)
- Giovanni Pietro Berti (c. 1590?–1638) (no:Giovanni Pietro Berti)
- Dario Castello (c. 1590–c. 1658)
- Andreas Chyliński, or Andrzej Chyliński (c. 1590–after 1635)
- Jacob van Eyck (c. 1590–1657)
- Juan Gutiérrez de Padilla (c. 1590–1664)
- Adam Jarzębski (c. 1590–c. 1648)
- Manuel Machado (c. 1590–1646)
- Johann Schop (c. 1590–1667)
- Johannes Thesselius (c. 1590?–1643)
- Alba Trissina (c. 1590?–1638 or after)
- Lucrezia Orsina Vizzana (1590–1662)
- Robert Ramsey (1590s–1644)
- Nicolò Borbone, or Borboni (c. 1591–1641)
- Settimia Caccini (1591–1638?)
- Robert Dowland (c. 1591–1641)
- Isaac Posch (1591?–c. 1623) (de:Isaak Posch)
- Guillaume Bouzignac (before 1592–after 1641)
- Jacques Gaultier (c. 1592–after 1652)
- John Jenkins (1592–1678)
- Domenico Mazzocchi (1592–1665)
- Melchior Schildt (1592/1593–1667)
- Claudia Rusca (1593–1676)
- Gottfried Scheidt (1593–1661)
- Johann Ulrich Steigleder (1593–1635)
- Francesco Manelli (1594–1667)
- Biagio Marini (1594–1663)
- Orazio Michi, "Orazio dell'Arpa" (c. 1594–1641) (it:Orazio Michi dell'Arpa)
- Tarquinio Merula (1594/1595–1665)
- Antonio Maria Abbatini (c. 1595–1680)
- Giovanni Battista Buonamente (c. 1595–1642)
- Henry Lawes (1595–1662)
- John Okeover, or Oker (c. 1595–1663)
- Bartolomé de Selma y Salaverde (c. 1595–after 1638) (de:Bartolomeo de Selma y Salaverde)
- Heinrich Scheidemann (c. 1595–1663)
- Constantijn Huygens (1596–1687)
- Giovanni Rovetta (c. 1596–1668) (de:Giovanni Rovetta)
- Andreas Düben (1597–1662)
- Virgilio Mazzocchi (1597–1646)
- Charles Racquet (1597–1664)
- Luigi Rossi (c. 1597–1653)
- Johann Crüger (1598–1662)
- Giovanni Battista Fasolo (c. 1598–c. 1664/1665)
- Pierre Gaultier d'Orleans (1599–1681)
- John Hilton the younger (c. 1599–1657)
- Étienne Moulinié (1599–1676)
- Thomas Selle (1599–1663)
- Juan Arañés (fl. 1624–1649; d. c. 1649)
- Orazio Bassani, "Orazio della Viola" (d. 1615) (fr:Orazio Bassani)
- Giovanni Battista Grillo (d. 1622)
- Giovanni Maria Nanino (1543 or 1544-1607)
- Marcantonio Negri (d. 1624)
- Giovanni Battista Riccio (fl. 1609–1621)
- Francesco Rognoni Taeggio (d. c. 1626)
- Giuseppe Scarani (fl. 1628–1641)
- Adam z Wągrowca (d. 1629)
- Mikołaj Zieleński (fl. 1611)
1600–1650
- Mlle Bocquet (early 17th century–after 1660)
- Alessandro Poglietti (early 17th century–1683)
- Luigi Battiferri (c. 1600/1610–c. 1682)
- Manuel Correia (c. 1600–1653)
- Bonaventura Rubino (c. 1600–1668)
- Girolamo Fantini (c. 1600–1675) (it:Girolamo Fantini)
- Simon Ives (1600–1662)
- Nicolaus à Kempis (c. 1600–1676)
- Adam Václav Michna z Otradovic (c. 1600–1676)
- Marcin Mielczewski (c. 1600–1651)
- Carlos Patiño (1600–1675)
- Martino Pesenti (c. 1600–c. 1648) (de:Martino Pesenti)
- Giovanni Felice Sances (c. 1600–1679)
- Marco Scacchi (c. 1600–1681/1687)
- Delphin Strungk (1600/1601–1694)
- Jacques Champion de Chambonnières (1601/1602–1672)
- Michelangelo Rossi (c. 1601–1656)
- Francesco Cavalli (1602–1676)
- Chiara Margarita Cozzolani (1602–c. 1678)
- William Lawes (1602–1645)
- Marco Marazzoli (c. 1602–1662)
- Christopher Simpson (c. 1602/1606–1669)
- Orazio Tarditi (1602–1677) ([7])
- Benedetto Ferrari (c. 1603?–1681)
- Francesco Foggia (1603–1688)
- Denis Gaultier, Gaultier le jeune (1603–1672)
- خواو الرابع من البرتغال (1603–1656)
- Caspar Kittel (1603–1639) (de:Kaspar Kittel)
- Natale Monferrato (c. 1603–1685)
- Diego Pontac (1603–1654) (es:Diego Pontac)
- Marco Uccellini (1603/1610–1680)
- Heinrich Albert (1604–1651)
- François Dufault (1604–1670)
- Bonifatio Gratiani, or Bonifazio Graziani (1604/1605–1664) (de:Bonifazio Graziani)
- Charles d'Assoucy (1605–1677)
- Orazio Benevoli (1605–1672)
- Antonio Bertali (1605–1669)
- Francesca Campana (c. 1605/1610–1665)
- Giacomo Carissimi (1605–1674)
- Francesco Sacrati (1605–1650)
- Johann Vierdanck (c. 1605–1646)
- William Child (1606–1697)
- Michel de La Guerre (c. 1606–1679)
- Aldebrando Subissati (1606–1677) (de:Aldebrando Subissati)
- Urbán de Vargas (1606–1656)
- Philipp Friedrich Böddecker (1607–1683) (de:Philipp Friedrich Böddecker)
- Sigmund Theophil Staden (1607–1655)
- Ferdinand III, Holy Roman Emperor (1608–1657)
- Leonora Duarte (1610–1678)
- Henri Du Mont (1610–1684)
- Jacques de Gouy (c. 1610–after 1650)
- Nicolas Hotman (c. 1610–1663)
- George Jeffreys (c. 1610–1685)
- Michel Lambert (1610–1696)
- Sébastien Le Camus (c. 1610–1677) ([8])
- Nicolas Métru (1610–after 1663)
- João Lourenço Rebelo (1610–1661)
- William Young (c. 1610–1662) ([9])
- Leonora Baroni (1611–1670)
- Pablo Bruna (1611–1679)
- Andreas Hammerschmidt (1611/1612–1675)
- Wolfgang Ebner (1612–1665) (fr:Wolfgang Ebner)
- Elisabeth Sophie, Duchess of Brunswick-Lüneburg (1613–1676)
- Wilhelm Karges (1613/1614–1699)
- Thomas Mace (c. 1613–1709?) ([10], de:Thomas Mace)
- Louis de Mollier (c. 1613–1688) ([11])
- Giovanni Antonio Rigatti (c. 1613–1648) (de:Giovanni Antonio Rigatti)
- Jean-Baptiste Boësset, Sieur de Dehault (1614–1685)
- Philipp Friedrich Buchner (1614–1669) (de:Philipp Friedrich Buchner)
- Juan Hidalgo de Polanco (1614–1685)
- Marc'Antonio Pasqualini (1614–1691)
- Franz Tunder (1614–1667)
- Heinrich Bach (1615–1692)
- Angelo Michele Bartolotti (c. 1615–1696)
- Francesco Corbetta (c. 1615–1681)
- Christopher Gibbons (1615–1676)
- Francisco Lopez Capillas (c. 1615–1673)
- Maurizio Cazzati (1616–1678)
- Kaspar Förster (the younger) (1616–1673)
- Johann Jakob Froberger (1616–1667)
- Johann Erasmus Kindermann (1616–1655)
- Jacques de Saint-Luc (1616–c. 1710)
- Matthias Weckmann (c. 1616–1674)
- Carlo Caproli (c. 1617–c. 1692) (it:Carlo Caproli)
- Nicolaus Hasse (c. 1617–1672) (de:Nicolaus Hasse)
- Francisco Martins (c. 1617?–1680) ([12])
- Joan Cererols (1618–1680)
- Abraham van den Kerckhoven (c. 1618–c. 1701)
- José Marín (1618–1699)
- Pierre Robert (c. 1618–1699)
- Giulio Cesare Arresti (1619–1701) (de:Giulio Cesare Arresti)
- Anthoni van Noordt (c. 1619–1675)
- Johann Rosenmüller (1619–1684)
- Barbara Strozzi (1619–1677)
- Juan García de Zéspedes (c. 1619–1678)
- Johannes Baptista Dolar, also Janez Krstnik Dolar or Jan Křtitel Tolar (c. 1620–1673)
- Adam Drese (c. 1620–1701)
- Giovanni Battista Granata (1620/1621–1687)
- Isabella Leonarda (1620–1704)
- Johann Heinrich Schmelzer (c. 1620–1680)
- Georg Arnold (1621–1676)
- Albertus Bryne (1621–1668)
- Matthew Locke (c. 1621–1677)
- Georg Neumark (1621–1681)
- Heinrich Schwemmer (1621–1696)
- Ercole Bernabei (1622–1687)
- Jean Lacquemant, known as DuBuisson (c. 1622–1680) (fr:Jean Lacquemant)
- Gaspar de Verlit (1622–1682)
- Dietrich Becker (c. 1623–c. 1679)
- Antonio Cesti (1623–1669)
- Jacopo Melani (1623–1676)
- John Banister (c. 1624/1630–1679)
- David Pohle (1624–1695) (de:David Pohle)
- Francesco Provenzale (1624–1704)
- François Roberday (1624–1680)
- Johann Rudolf Ahle (1625–1673)
- Jacques Gallot (c. 1625–1696)
- Marco Giuseppe Peranda (c. 1625–1675) (de:Marco Giuseppe Peranda, [13])
- Wolfgang Carl Briegel (1626–1712)
- Louis Couperin (c. 1626–1661)
- Christian Flor (1626–1697) (de:Christian Flor)
- Giovanni Legrenzi (1626–1690)
- Charles Mouton (1626–1710)
- Lucas Ruiz de Ribayaz (1626–1667?)
- Nicolas Gigault (c. 1627–1707)
- Johann Caspar Kerll (1627–1693)
- Christoph Bernhard (1628–1692)
- Robert Cambert (c. 1628–1677)
- Samuel Capricornus (1628–1665) (de:Samuel Capricornus)
- Constantin Christian Dedekind (1628–1715) (de:Constantin Christian Dedekind, [14])
- Gustav Düben (1628–1690)
- Paul Hainlein (1628–1686) (de:Paul Hainlein)
- Jean-Henri d'Anglebert (1629–1691)
- Lelio Colista (1629–1680)
- Mary Dering (1629–1704)
- Andreas Hofer (1629–1684)
- Johann Michael Nicolai (1629–1685) ([15], de:Johann Michael Nicolai)
- Cristóbal Galán (c. 1630–1684)
- Filipe da Madre de Deus (c. 1630–c. 1688 or later)
- Carlo Pallavicino (c. 1630–1688)
- Giovanni Antonio Pandolfi Mealli (c. 1630?–1669/1670)
- Antonio Sartorio (1630–1680)
- Vincenzo Albrici (1631–1696) (de:Vincenzo Albrici)
- Thomas Baltzar (c. 1631–1663)
- Nicolas Lebègue (1631–1702)
- Sebastian Anton Scherer (1631–1712)
- Francesco Antonio Urio (1631/32 – c. 1719)
- جان-باتيست لولي (1632–1687)
- Guillaume-Gabriel Nivers (1632–1714)
- Giovanni Battista Vitali (1632–1692)
- Jean-Nicolas Geoffroy (1633–1694)
- Sebastian Knüpfer (1633–1676)
- Pavel Josef Vejvanovský (c. 1633/1639–1693)
- Clamor Heinrich Abel (1634–1696)
- Antonio Draghi (c. 1634–1700)
- Carlo Grossi (c. 1634–1688)
- Adam Krieger (1634–1666)
- Andrés de Sola (1634–1696) (es:Andrés de Sola)
- Pietro Simone Agostini (c. 1635–1680) (it:Pietro Simone Agostini)
- Lambert Chaumont (c. 1635–1712)
- Daniel Danielis (1635–1696) (fr:Daniel Danielis)
- Johann Wilhelm Furchheim (c. 1635–1682) (de:Johann Wilhelm Furchheim)
- Miguel de Irízar (1635–1684)
- Joannes Florentius a Kempis (1635–after 1711)
- Paul I, Prince Esterházy of Galántha (1635–1713)
- Augustin Pfleger (1635–1686)
- Jacek Różycki (c. 1635–1704)
- Angelo Berardi (c. 1636–1694)
- Giovanni Battista Degli Antonii, or Degli Antoni (c. 1636?–after 1696)
- Esaias Reusner (1636–1679)
- Dieterich Buxtehude (c. 1637–1707)
- Giovanni Paolo Colonna (1637–1695)
- Johann Georg Ebeling (1637?–1676) ([16])
- Giovanni Maria Pagliardi (1637–1702) (it:Giovanni Maria Pagliardi)
- Bernardo Pasquini (1637–1710)
- Diogo Dias Melgás (1638–1700)
- Giovanni Buonaventura Viviani (1638–c. 1693)
- Pietro Degli Antonii (1639–1720) (de:Pietro degli Antonii)
- António Marques Lésbio (1639–1709)
- Alessandro Melani (1639–1703)
- Johann Christoph Pezel (1639–1694)
- Juan García de Salazar (1639–1710)
- Alessandro Stradella (1639–1682)
- Amalia Catharina, Countess of Erbach (1640–1697)
- Pedro de Araújo (و. c. 1640?; fl. 1662–1705)
- Antonia Bembo (c. 1640–1720)
- Giovanni Battista Draghi (c. 1640–1708)
- Carolus Hacquart (c. 1640–1701?)
- Leopold I, Holy Roman Emperor (1640–1705)
- Paolo Lorenzani (1640–1713)
- André Raison (1640s–1719)
- Carl Rosier (1640–1725) (de:Carl Rosier)
- Monsieur de Sainte-Colombe (c. 1640–c. 1700)
- Gaspar Sanz (1640–1710)
- Nicolaus Adam Strungk (1640–1700)
- Esther Elizabeth Velkiers (c. 1640–after 1685)
- Wolfgang Caspar Printz (1641–1717) (de:Wolfgang Caspar Printz)
- Johann Friedrich Alberti (1642–1710)
- Johann Christoph Bach (1642–1703)
- Giovanni Maria Bononcini (1642–1678)
- Benedictus Buns, or Benedictus a Sancto Josepho (1642–1716)
- Michelangelo Falvetti (1642–1692)
- Friedrich Funcke (1642–1699)
- Marc-Antoine Charpentier (1643–1704)
- Jan Adam Reincken (1643?–1722)
- Ignazio Albertini (1644–1685)
- Heinrich Ignaz Franz von Biber (1644–1704)
- Juan Bautista José Cabanilles (1644–1712)
- Maria Cattarina Calegari (1644–1675)
- Johann Samuel Drese (c. 1644–1716)
- Johann Wolfgang Franck (1644–1710)
- Tomás de Torrejón y Velasco (1644–1728)
- Johann Georg Conradi (1645–1699) (de:Johann Georg Conradi, [17])
- August Kühnel (1645–c. 1700)
- Johann Löhner (1645–1705) (it:Johann Lohner)
- Carlo Ambrogio Lonati (c. 1645–1710) (de:Carlo Ambrogio Lonati)
- Christian Ritter (c. 1645–c. 1725) (de:Christian Ritter, [18])
- Andreas Werckmeister (1645–1706)
- Juan de Araujo (1646–1712)
- Johann Fischer (1646–1716)
- Rupert Ignaz Mayr (1646–1712) (de:Rupert Ignaz Mayr)
- René Pignon Descoteaux (c. 1646–1728)
- Johann Theile (1646–1724)
- Pelham Humfrey (1647–1674)
- Antonio Teodoro Ortells (1647–1702) (es:Antonio Teodoro Ortells)
- Michael Wise (c. 1647–1687)
- Johann Michael Bach (1648–1694)
- Johann Melchior Caesar (c. 1648–1692) ([19], de:s)
- Giovanni Maria Capelli (1648–1726) (it:Giovanni Maria Capelli)
- David Funck (1648?–after 1690) ([20])
- Johann Schelle (1648–1701)
- Poul Christian Schindler (1648–1740)
- John Blow (1649–1708)
- Jacques Boyvin (1649–1706)
- Pieter Bustijn (c. 1649–1729)
- Pascal Collasse (1649–1709)
- Michel Farinel (1649–1726) (de:Michel Farinel)
- Francisco Guerau (1649–1717/1722)
- Andreas Kneller (1649–1724)
- Johann Philipp Krieger (1649–1725)
- Johann Valentin Meder (1649–1719)
- Bartholomäus Aich (fl. 1648)
- Gioanpietro Del Buono (fl. 1641–1644; d. 1657) (fr:Gioan Pietro Del Buono)
- Gervise Gerrard (16??–16??)
- Bernardo Gianoncelli (fl. early 17th century; d. before 1650)
- Louis Grabu (fl. 1665–1693)
- Nicola Matteis (fl. c. 1670–1698; d. after 1713)
- Peter Mohrhardt, or Morhard (fl. from 1662; d. 1685) ([21], de:Peter Mohrhardt)
- Bartłomiej Pękiel (d. c. 1670)
- Bernardo Sabadini (fl. from 1662; d. 1718)
- Louis Saladin (fl. c. 1670)
- August Verdufen, or Werduwen (17th century) ([22])
- Bernardo Storace (fl. 1664)
1650–1700
- Cataldo Amodei (c. 1650–c. 1695)
- Giovanni Battista Bassani (c. 1650–1716)
- Giovanni Battista Brevi (c. 1650–1725)
- Christian Geist (c. 1650–1711)
- Johann Anton Losy von Losinthal, or Comte d'Logy (c. 1650–1721)
- Guillaume Minoret (c. 1650–1717/1720)
- Juan Francisco de Navas (c. 1650–1719)
- Antonio de Salazar (c. 1650–1715)
- Stanisław Sylwester Szarzyński (c. 1650–c. 1720)
- Pietro Torri (1650–1737) (it:Pietro Torri)
- Robert de Visée (c. 1650–1732/1733)
- Johann Jacob Walther (1650–1717)
- Johann Georg Ahle (1651–1706)
- Petronio Franceschini (1651–1680)
- Domenico Gabrielli (1651/1659–1690)
- Gilles Jullien (c. 1651/1653–1703)
- Johann Krieger (1651–1735)
- Jean-François Lalouette (1651–1728) (de:Jean-François Lalouette)
- David Petersen (c. 1651–1737)
- Ferdinand Tobias Richter (1651–1711)
- William Turner (1651–1740)
- Johann Philipp Förtsch (1652–1732)
- Romanus Weichlein (1652–1706) (de:Romanus Weichlein)
- John Abell (1653–after 1724)
- أركانجلو كورلي (1653–1713)
- Georg Muffat (1653–1704)
- Johann Pachelbel (1653–1706)
- Carlo Francesco Pollarolo (c. 1653–1723)
- Johann Christoph Rothe (1653–1700)
- Agostino Steffani (1653–1728)
- Marc'Antonio Ziani (c. 1653–1715)
- Pietro Antonio Fiocco (1654–1714)
- Servaes de Koninck (c. 1654–c. 1701)
- Christian Liebe (1654–1708) (de:Christian Liebe)
- Vincent Lübeck (1654–1740)
- Pablo Nassarre (c. 1654–c. 1730)
- Ludovico Roncalli (1654–1713)
- Sébastien de Brossard (1655–1730)
- Ruggiero Fedeli (c. 1655–1722) ([23])
- Juan Serqueira de Lima (c. 1655?–c. 1726)
- Johann Caspar Ferdinand Fischer (1656–1746)
- Marin Marais (1656–1728)
- Jean-Baptiste Moreau (1656–1733)
- James Paisible, or Jacques Paisible (c. 1656–1721)
- Georg Reutter (1656–1738)
- Thomas Tudway (c. 1656–1726) ([24])
- Johann Paul von Westhoff (1656–1705)
- Philipp Heinrich Erlebach (1657–1714)
- Michel-Richard de Lalande, or Delalande (1657–1726)
- Gaetano Greco (c. 1657–c. 1728)
- Giuseppe Ottavio Pitoni (1657–1743)
- Damian Stachowicz (1658–1699) (pl:Damian Stachowicz)
- جيوسيبي توريلي (1658–1709)
- Maria Francesca Nascinbeni (born 1658; fl. 1674)
- Sybrandus van Noordt (1659–1705) ([25])
- هنري پورسل (1659–1695)
- Francesco Antonio Pistocchi (1659–1726)
- Theodor Schwartzkopff (1659–1732) ([26])
- Antonio Veracini (1659–1745)
- Henrico Albicastro, or Johann Heinrich von Weissenburg (c. 1660–after 1730)
- Rosa Giacinta Badalla (c. 1660–c. 1710)
- Francesco Ballaroti (c. 1660–1712) ([27])
- Bartolomeo Bernardi (c. 1660–1732) (de:Bartolomeo Bernardi)
- André Campra (1660–1744)
- Jerónimo de Carrión (1660–1721)
- Sebastián Durón (1660–1716)
- Gottfried Finger (1660–1730)
- Johann Joseph Fux (1660–1741)
- Friedrich Gottlieb Klingenberg (c. 1660?–1720)
- Johann Kuhnau (1660–1722)
- Johann Sigismund Kusser (1660–1727)
- Gaspard Le Roux (c. 1660–1707)
- Monsieur de Sainte-Colombe le fils (the younger) (c. 1660–c. 1720) ([28])
- ألساندرو سكارلاتي (1660–1725)
- Johannes Schenck (1660–c. 1712)
- Christian Friedrich Witt (c. 1660–1717)
- Ignazio Pollice or Pulici (fl. 1684–1705)
- Georg Böhm (1661–1733)
- Henri Desmarest (1661–1741)
- Francesco Gasparini (1661–1727)
- Giacomo Antonio Perti (1661–1756)
- Giovanni Lorenzo Lulier (c. 1662?–1700)
- Angiola Teresa Moratori Scanabecchi (1662–1708)
- Pirro Capacelli Albergati (1663–1735)
- Johann Nicolaus Hanff (1663–1711)
- Franz Xaver Murschhauser (1663–1738)
- Nicolas Siret (1663–1754)
- Tomaso Antonio Vitali (1663-1745)
- Friedrich Wilhelm Zachau, or Zachow (1663–1712)
- Nicolas Bernier (1664–1734)
- Georg Dietrich Leyding, or Leiding (1664–1710)
- Louis Lully (1664–1734)
- Michele Mascitti (c. 1664–1760) (it:Michele Mascitti)
- Georg Österreich (1664–1735)
- Johann Christoph Pez (1664–1716)
- Daniel Purcell (1664–1717)
- Johann Speth (1664–after 1719)
- Filippo Amadei, "Pippo del Violoncello" (c. 1665–c. 1725)
- Benedikt Anton Aufschnaiter (1665–1742)
- Nicolaus Bruhns (1665–1697)
- Grzegorz Gerwazy Gorczycki (c. 1665/1667–1734)
- Élisabeth Jacquet de La Guerre (1665–1729)
- جان-باتيست لولي الأصغر (1665–1743)
- Giovanni Maria Ruggieri (c. 1665–c. 1725)
- José de Torres y Martínez Bravo (1665–1738)
- Francisco Valls (1665–1747)
- Gaetano Veneziano (1665–1716) (it:Gaetano Veneziano)
- Domenico Zanatta (c. 1665–1748) ([29])
- Attilio Ariosti (1666–1729)
- Johann Heinrich Buttstett (1666–1727)
- Alphonse d'Eve (1666–1727) ([30])
- Michelangelo Faggioli (1666–1733) ([31])
- Jean-Féry Rebel (1666–1747)
- Francesco Scarlatti (1666–c. 1741)
- Bernardo Tonini (c. 1666–after 1727)
- Georg Bronner (1667–1720) ([32])
- Antonio Lotti (c. 1667–1740)
- Jean-Louis Lully (1667–1688)
- Michel Pignolet de Montéclair (1667–1737)
- Johann Christoph Pepusch (1667–1752)
- فرانسوا كوبران (1668–1733)
- John Eccles (1668–1735)
- Jean Gilles (1668–1705)
- Giorgio Gentili (c. 1668–after 1731) (de:Giorgio Gentili)
- Georg von Bertouch (1668–1743)
- Johann Nicolaus Bach (1669–1753)
- Louis Marchand (1669–1732)
- Alessandro Marcello (1669–1747)
- Andreas Armsdorff (1670–1699)
- Giovanni Battista Bononcini (1670–1747)
- Giuseppe Boniventi (1670/1673–1727) (it:Giuseppe Boniventi, [33])
- Christian Ludwig Boxberg (1670–1729)
- Arnold Brunckhorst (1670–1725)
- Louis de Caix d'Hervelois (c. 1670–c. 1760)
- Antonio Caldara (1670/1671–1736)
- Turlough Ó Carolan (1670–1738)
- Charles Dieupart (c. 1670–c. 1740)
- Henry Eccles (1670–1742)
- David Kellner (1670–1748)
- Richard Leveridge (1670–1758)
- Jean-Baptiste Volumier, or Woulmyer (1670–1728) (de:Jean-Baptiste Volumier)
- Johann Hugo von Wilderer (1670/1671–1724) (de:Johann Hugo von Wilderer)
- توماسو ألبينوني (1671–1751)
- Giuseppe Aldrovandini (1671–1707)
- Azzolino della Ciaja, or della Ciaia (1671–1755)
- Gaspard Corrette (c. 1671–before 1733)
- Antoine Forqueray (1671–1745)
- Charles-Hubert Gervais (1671–1744)
- Robert Valentine, also known as Roberto Valentino (c. 1671–1747) (it:Robert Valentine)
- Carlo Agostino Badia (1672–1738)
- Francesco Antonio Bonporti (1672–1749)
- André Cardinal Destouches (1672–1749)
- Nicolas de Grigny (1672–1703)
- Francesco Mancini (1672–1737)
- Georg Caspar Schürmann (1672/1673–1751)
- Petrus Hercules Brehy, or Pierre-Hercule Bréhy (1673–1737) ([34])
- Antonio de Literes (1673–1747)
- Santiago de Murcia (1673–1739)
- Jeremiah Clarke (c. 1674–1707)
- Reinhard Keiser (1674–1739)
- Pierre Dumage (c. 1674–1751)
- Jacques-Martin Hotteterre (1674–1763)
- Evaristo Felice Dall'Abaco (1675–1742)
- Michel de La Barre (c. 1675–1745)
- Louis de La Coste, or Lacoste (c. 1675–c. 1750)
- Pietro Paolo Laurenti (1675–1719) (it:Pietro Paolo Laurenti)
- Giovanni Porta (c. 1675–1755)
- Obadiah Shuttleworth (c. 1675?–1734)
- Francesco Venturini (c. 1675–1745) (de:Francesco Venturini)
- Johann Bernhard Bach (1676–1749)
- Louis-Nicolas Clérambault (1676–1749)
- Giacomo Facco (1676–1753)
- Wolff Jakob Lauffensteiner (1676–1754)
- Giuseppe Maria Orlandini (1676–1760)
- John Weldon (1676–1736)
- Johann Ludwig Bach (1677–1731)
- Antonio Maria Bononcini (1677–1726)
- Giovanni Carlo Maria Clari (1677–1754)
- Johann Wilhelm Drese (1677–1745)
- Francesco Nicola Fago (1677–1745)
- Jean-Baptiste Morin (1677–1745)
- Christian Petzold (1677–1733)
- William Croft (1678–1727)
- Ferdinando Antonio Lazzari (1678–1754)
- Giovanni Antonio Piani, or Jean-Antoine Desplanes (1678–1760) (de:Giovanni Antonio Piani)
- أنطونيو ڤيڤالدي (1678–1741)
- Manuel de Zumaya (c. 1678–1755)
- Georg Friedrich Kauffmann (1679–1735)
- Domenico Sarro (1679–1744)
- Pietro Filippo Scarlatti (1679–1750)
- Johann Christian Schieferdecker (1679–1732) (de:Johann Christian Schieferdecker)
- Jan Dismas Zelenka (1679–1745)
- Toussaint Bertin de la Doué (c. 1680–1743)
- William Corbett (1680–1748)
- Giuseppe Fedeli, or Joseph Saggione (c. 1680–c. 1745)
- Jean-Adam Guilain (c. 1680–after 1739)
- Jean-Baptiste Loeillet of London (1680–1730)
- Françoise-Charlotte de Senneterre Ménétou (born 1680; fl. 1691)
- Jean-Baptiste Stuck (1680–1755)
- Emanuele d'Astorga (1681–1736)
- Carl Heinrich Biber (1681–1749)
- Francesco Bartolomeo Conti (1681–1732)
- Johann Mattheson (1681–1764)
- Anne Danican Philidor (1681–1728)
- Giovanni Reali (c. 1681–after 1727)
- گيورگ فيليپ تلمان (1681–1767)
- Giuseppe Valentini (1681–1753)
- Giacobbe Cervetto (c. 1682–1783)
- Jean-François Dandrieu (c. 1682–1738)
- Jean-Joseph Mouret (1682–1738)
- Valentin Rathgeber (1682–1750)
- Pietro Baldassare (c. 1683–after 1768)
- John Baston (born c. 1683; fl. 1708–1739)
- Roque Ceruti (c. 1683–1760) ([35])
- Christoph Graupner (1683–1760)
- Johann David Heinichen (1683–1729)
- جان-فيليپ رامو (1683–1764)
- Giovanni Veneziano (1683–1742) (it:Giovanni Veneziano)
- François d'Agincourt (1684–1758)
- François Bouvard (c. 1684–1760)
- Bohuslav Matěj Černohorský (1684–1742)
- Francesco Durante (1684–1755)
- Francesco Manfredini (1684–1762)
- Johann Jacob de Neufville (1684–1712) (de:Johann Jacob de Neufville)
- Johann Theodor Römhild, or Roemhildt (1684–1756) (de:Johann Theodor Roemhildt)
- Johann Gottfried Walther (1684–1748)
- Giuseppe Matteo Alberti (1685–1751)
- يوهان سباستيان باخ (1685–1750)
- François Campion (c. 1685–1747) ([36])
- Louis-Antoine Dornel (c. 1685–1765)
- Lodovico Giustini (1685–1743)
- گيورگ فريدريش هاندلl (1685–1759)
- Václav Gunther Jacob (1685–1734) ([37])
- Jacques Loeillet (1685–1748)
- Roland Marais (c. 1685–c. 1750)
- Wilhelm Hieronymus Pachelbel (c. 1685–1764)
- دومنيكو سكارلاتي (1685–1757)
- Pietro Giuseppe Gaetano Boni (c. 1686–after 1741) ([38])
- Jean-Joseph Fiocco (1686–1746)
- Benedetto Marcello (1686–1739)
- Nicola Porpora (1686–1768)
- Giovanni Battista Somis (1686–1763)
- Johann Adam Birkenstock (1687–1733)
- Henry Carey (1687–1743)
- Willem de Fesch (1687–1761)
- Johann Ernst Galliard (1687–1749)
- Francesco Geminiani (1687–1762)
- Johann Georg Pisendel (1687–1755)
- Jean Baptiste Senaillé (1687–1730)
- Sylvius Leopold Weiss (1687–1750)
- Michele Falco (c. 1688–after 1732) (it:Michele Falco)
- Johann Friedrich Fasch (1688–1758)
- Jacob Klein (1688–1748) ([39])
- Jean-Baptiste Loeillet de Ghent (1688–1720)
- Thomas Roseingrave (1688–1766)
- Domenico Zipoli (1688–1726)
- Jacques Aubert (1689–1753)
- William Babell (c. 1689–1723)
- Joseph Bodin de Boismortier (1689–1755)
- Jan Josef Ignác Brentner (1689–1742)
- Pietro Gnocchi (1689–1775)
- Francesco Barsanti (1690–1772)
- Jean Daniel Braun (c. 1690?–c. 1740) (de:Jean Daniel Braun)
- Giuseppe Antonio Brescianello (c. 1690–1758)
- Pierre-Gabriel Buffardin (1690–1768)
- Fortunato Chelleri (1690–1757)
- François Colin de Blamont (1690–1760)
- Giovanni Antonio Giai, or Giay, Giaj (1690–1764)
- Johann Tobias Krebs (1690–1762)
- Gottlieb Muffat (1690–1770)
- Jacques-Christophe Naudot (c. 1690–1762)
- Charles Theodore Pachelbel (1690–1750)
- Jean-Baptiste Quentin (c. 1690?–1742) (de:Jean-Baptiste Quentin)
- Manuel José de Quirós (c. 1690?–1765)
- Gottfried Heinrich Stölzel (1690–1749)
- Francesco Maria Veracini (1690–1768)
- Leonardo Vinci (c. 1690–1730)
- Robert Woodcock (c. 1690–1728)
- Francesco Feo (1691–1761)
- Jan Francisci (1691–1758)
- Conrad Friedrich Hurlebusch (1691–1765)
- Geminiano Giacomelli or Jacomelli (1692–1740)
- Giovanni Alberto Ristori (1692–1753)
- Giuseppe Tartini (1692–1770)
- Unico Wilhelm van Wassenaer (1692–1766)
- Laurent Belissen (1693–1762)
- Šimon Brixi (1693–1735)
- Gregor Joseph Werner (1693–1766)
- Louis-Claude Daquin (1694–1772)
- Johann Samuel Endler (1694–1762) (de:Johann Samuel Endler)
- Pierre-Claude Foucquet (1694–1772)
- Leonardo Leo (1694–1744)
- Antonín Reichenauer (1694–1730) (de:Antonín Reichenauer)
- Johan Helmich Roman (1694–1758)
- Giuseppe Sammartini (1695–1750)
- Pietro Locatelli (1695–1764)
- Marie-Anne-Catherine Quinault (1695–1791)
- Ernst Gottlieb Baron (1696–1760)
- Pierre Février (1696–1760)
- Maurice Greene (1696–1755)
- Johann Melchior Molter (1696–1765)
- Johann Caspar Vogler (1696–1763)
- Andrea Zani (1696–1757)
- Josse Boutmy (1697–1779)
- Cornelius Heinrich Dretzel (1697–1775)
- Adam Falckenhagen (1697–1754)
- Johann Christian Hertel (1697/1699–1754) (de:Johann Christian Hertel)
- Jean-Marie Leclair l'aîné (1697–1764)
- Giuseppe de Majo (1697–1771)
- Giovanni Benedetto Platti (1697–1763)
- Johann Pfeiffer (1697–1761)
- Johann Joachim Quantz (1697–1773)
- Francesco Antonio Vallotti (1697–1780)
- Pietro Auletta (c. 1698–1771)
- Antonio Bioni (1698–1739)
- Riccardo Broschi (c. 1698–1756)
- François Francoeur (1698–1787)
- Nicola Bonifacio Logroscino (1698–c. 1764)
- Gaetano Maria Schiassi (1698–1754) (de:Gaetano Maria Schiassi)
- Jean-Baptiste Forqueray le fils (1699–1782)
- Joseph Gibbs (1699–1788)
- Johann Adolph Hasse (1699–1783)
- Juan Francés de Iribarren (1699–1767)
- Jan Zach (1699–1773)
- Domenico Della Bella (fl. c. 1700–1715)
- Michielina Della Pietà (fl. c. 1701–1744)
- Charles Dollé (fl. 1735–1755; d. after 1755)
- Giovanni Giorgi (fl. from 1719; d. 1762)
- Caterina Benedicta Grazianini (born 17th century; fl. from 1705)
- Maria Margherita Grimani (و. before 1700; fl. 1713–1718)
- Benoit Guillemant (fl. 1746–1757)
- Richard Jones (late 17th century–1744)
- Gottfried Lindemann (fl. 1713–1741; d. 1741)
- Le Sieur de Machy (d. after 1692)
- Jacques Morel (fl. c. 1700–1749)
- Antonio Orefice (fl. 1708–1734) (it:Antonio Orefice)
- Mrs Philarmonica (fl. 1715)
- Julie Pinel (fl. 1710–1737)
- Marieta Morosina Priuli (fl. 1665)
- Camilla de Rossi (fl. 1707–1710)
- Giovanni Zamboni (later 17th century–after 1718)
الفترة الكلاسيكية
انظر قائمة المؤلفين الموسيقيين الكلاسيكيين والموسيقى الكلاسيكية.
هذه قائمة بمؤلفي العصر الكلاسيكي، من 1730 حتى 1820. مؤلفون رواد من العصر الكلاسيكي يتضمنون Carl Philipp Emanuel Bach, Johann Stamitz, Joseph Haydn, Johann Christian Bach, Antonio Salieri, Muzio Clementi, Wolfgang Amadeus Mozart ،Luigi Boccherini. مؤلفون رواد من كل من العصور الكلاسيكية وأوائل الموسيقى الرومانسية يشملون
Ludwig van Beethoven و Franz Schubert.
مرحلة الانتقال من الباروك إلى الكلاسيكية (ولدوا قبل Early Galante era composers – (1710)
مؤلفون في الفترة الانتقالية في الباروك/الكلاسيكي، أحيانا ينظر إليها كبداية Galante eraوتشمل التالي مدونون في قائمة حسب تاريخ الميلاد:
- Lodovico Giustini (1685–1743)
- Domenico Scarlatti (1685–1757)
- Johann Friedrich Fasch (1688-1758)
- Joseph Bodin de Boismortier (1689–1755)
- Johann Adolf Hasse (1699–1783)
- Mlle Guédon de Presles (c. 1700–1754)
- Michel Blavet (1700–1768)
- Jean-Baptiste Masse (c. 1700–c. 1756)
- Giovanni Battista Sammartini (1700/1701–1775)
- Johan Agrell (1701–1765)
- François Rebel (1701–1775)
- Alessandro Besozzi (1702–1775)
- Johann Ernst Eberlin (1702–1762)
- Johann Gottlieb Graun (c. 1702–1771)
- Carl Heinrich Graun (1704–1759)
- Giovanni Battista Pescetti (c. 1704–c. 1766)
- Carlos Seixas (1704–1742)
- Johann Peter Kellner (1705–1772)
- Antonio Brioschi (fl. c. 1725–c. 1750)
- Santa della Pietà (fl. c. 1725–after 1774)
- Andrea Bernasconi (c. 1706–1784)
- Carlo Cecere (1706–1761)
- Baldassare Galuppi (1706–1785)
- Jean Barrière (1707–1747)
- Johann Baptist Georg Neruda (c. 1707–c. 1780)
- Domenico Paradies or Pietro Domenico Paradisi (1707–1791)
- Egidio Duni (1708–1775)
- Johann Gottlieb Janitsch (1708–1763)
- Georg Reutter (the younger) (1708–1772)
- Franz Benda (1709–1786)
- Jean-Noël Hamal (1709–1778) (fr:Jean-Noël Hamal)
- Franz Xaver Richter (1709–1789)
- Christoph Schaffrath (1709–1763)
- Princess Wilhelmine of Prussia (1709–1758)
مؤلفون من أوائل العصر الكلاسيكي/أواخر العصر Galante era ( ولدوا في 1710 -1730)
مؤلفون أثناء أوائل العصر الكلاسيكي أحيانا ينظر إليهم كاستمرار لGalante era يشملون المؤلفين التاليين مدونين حسب تاريخ الميلاد:
- Joseph Abaco, or dall'Abaco (1710–1805)
- Domenico Alberti (1710–1740)
- Thomas Arne (1710–1778)
- Wilhelm Friedemann Bach (1710–1784)
- Carlo Graziani (c. 1710–1787) (it:Carlo Graziani)
- Giovanni Battista Pergolesi (1710–1736)
- Giuseppe Bonno (1711–1788)
- William Boyce (1711–1779)
- Gaetano Latilla (1711–1788)
- Ignaz Holzbauer (1711–1783)
- Davide Perez (1711–1778)
- Barbara of Portugal (1711–1758)
- Domènech Terradellas (1711/1713–1751)
- Frederick the Great (1712–1786)
- Jean-Jacques Rousseau (1712–1778)
- John Stanley (1712–1786)
- Jean-Baptiste Canavas l'aîné, or Giovanni Battista Canavasso (1713–1784)
- Luise Adelgunda Gottsched (1713–1762)
- Johann Ludwig Krebs (1713–1780)
- Carl Philipp Emanuel Bach (1714–1788)
- Johan Daniel Berlin (1714–1787) (no:Johan Daniel Berlin)
- Per Brant (1714–1767) (sv:Per Brant)
- Joseph Canavas, or Giuseppe Canavasso (1714–1776) ([40])
- Christoph Willibald Gluck (1714–1787)
- Gottfried August Homilius (1714–1785)
- Niccolò Jommelli (1714–1774)
- Girolamo Abos (1715–1760)
- Pasquale Cafaro (1715/1716–1787)
- Johann Friedrich Doles (1715–1797)
- Jacques Duphly (1715–1789)
- Charles-Joseph van Helmont (1715–1790) (de:Charles-Joseph van Helmont)
- James Nares (1715–1783)
- Georg Christoph Wagenseil (1715–1777)
- Georg Matthias Monn (1716–1750)
- Hinrich Philip Johnsen (1717–1779) (sv:Henrik Philip Johnsen)
- Antonio Maria Mazzoni (1717–1785)
- Johann Wenzel Anton Stamitz (1717–1757)
- Wenzel Raimund Birck (1718–1763)
- Placidus von Camerloher (1718–1782) (de:Placidus von Camerloher)
- Nicola Conforto (1718–1793)
- Mlle Duval (1718–after 1775)
- Giuseppe Scarlatti (1718/1723–1777)
- Elisabeth de Haulteterre (fl. 1737–1768)
- Johan Nicolaas Lentz (c. 1719–1782) (nl:Johan Nicolaas Lentz)
- Leopold Mozart (1719–1787)
- William Walond (1719–1768) ([41])
- Johann Friedrich Agricola (1720–1774)
- Johann Christoph Altnickol (1720–1759)
- Carlo Antonio Campioni (1720–1788)
- Gioacchino Cocchi (1720–1804)
- Bernhard Joachim Hagen (1720–1787)
- Adolph Carl Kunzen (1720–1781) (de:Adolf Karl Kunzen)
- Maria Teresa Agnesi Pinottini (1720–1795)
- Joan Baptista Pla (c. 1720–1773)
- Quirino Gasparini (1721–1778)
- Pieter Hellendaal (1721–1799)
- Johann Philipp Kirnberger (1721–1783)
- John Garth (1721–1810)
- Sebastián Ramón de Albero y Añaños (1722–1756) (es:Sebastián de Albero)
- Georg Benda, or Jiří Antonín Benda (1722–1795)
- Pietro Nardini (1722–1793)
- Carl Friedrich Abel (1723–1787)
- Christian Ernst Graf (1723–1804) (nl:Christian Ernst Graf)
- Anna Amalia Princess of Prussia (1723–1787)
- Giovanni Marco Rutini (1723–1797)
- Francesco Uttini (1723–1795)
- Claude Balbastre (1724–1799)
- Giovanni Battista Cirri (1724–1724)
- Maria Antonia Walpurgis, Princess of Bavaria, Electress of Saxony (1724–1780)
- Domenico Fischietti (c. 1725–c. 1810)
- Antonio Lolli (1725–1802)
- Johann Becker (1726–1803)
- Miss Davis (c. 1726–after 1755)
- Karl Kohaut (1726–1784)
- François-André Danican Philidor (1726–1795)
- Joseph Starzer (1726–1787) (de:Josef Starzer)
- Joseph Anton Steffan, or Josef Antonín Štěpán (1726–1797)
- Pasquale Anfossi (1727–1797)
- Pierre Montan Berton (1727–1780)
- Johann Gottlieb Goldberg (1727–1756)
- Friedrich Hartmann Graf (1727–1795) (de:Friedrich Hartmann Graf)
- Henry Harington (1727–1816) ([42])
- Johann Wilhelm Hertel (1727–1789)
- François Martin (1727–1757) (de:François Martin (Komponist))
- Tommaso Traetta (1727–1779)
- Armand-Louis Couperin (1727–1789)
- Franz Asplmayr (1728–1786)
- Pietro Alessandro Guglielmi (1728–1804)
- Johann Adam Hiller (1728–1804)
- Niccolò Piccinni (1728–1800)
- Johann Gottfried Müthel (1728–1788)
- Hermann Raupach (1728–1778)
- Anton Cajetan Adlgasser (1729–1777)
- Florian Leopold Gassmann (1729–1774)
- Francesco Saverio Giai, or Giaj (1729–1801) ([43], [44])
- Pierre van Maldere (1729–1768)
- Pierre-Alexandre Monsigny (1729–1817)
- František Xaver Pokorný (1729–1794)
- Giuseppe Sarti (1729–1802)
- Antonio Soler (1729–1783)
- Francesco Zappa (dates of birth and death unknown; active 1763-1788)
مؤلفون وسط العصر الكلاسيكي (1730 - 1750)
- Pasquale Errichelli (1730–1785)
- Antonín Kammel (1730–1788)
- Giovanni Meneghetti (c. 1730–1794)
- Georg von Pasterwitz (1730–1803)
- Antonio Sacchini (1730–1786)
- Christian Cannabich (1731–1798)
- František Xaver Dušek (1731–1799)
- Elisabetta de Gambarini (1731–1765)
- Gaetano Pugnani (1731–1798)
- Carlo Giuseppe Toeschi (1731–1788) (de:Karl Joseph Toeschi)
- Pierre Vachon (1731–1803)
- Johann Christoph Friedrich Bach (1732–1795)
- František Xaver Brixi (1732–1771)
- Giuseppe Demachi (1732–c. 1791)
- Thomas Erskine, Earl of Kellie (1732–1781)
- Johann Christian Kittel (1732–1809)
- Joseph Haydn (1732–1809)
- Gian Francesco de Majo, or "Ciccio" (1732–1770)
- Josina van Aerssen, or Josina van Boetzelaer (1733–1787)
- Thomas Sanders Dupuis (1733–1796)
- Anton Fils, or Filtz (1733–1760)
- Johann Christian Fischer (1733–1800)
- Thomas Linley the elder (1733–1795)
- Giacomo Tritto (1733–1824)
- Franz Ignaz Beck (1734–1809)
- Jean-Jacques Beauvarlet Charpentier (1734–1794)
- Benjamin Cooke (1734–1793)
- François-Joseph Gossec (1734–1829)
- Karl von Ordóñez (1734–1786)
- Jean-Baptiste Rey (1734–1810)
- Luka Sorkočević (1734–1789)
- Ignazio Spergher (1734–1808) (it:Ignazio Spergher)
- Johann Christian Bach (1735–1782)
- John Bennett (c. 1735–1784)
- Giovanni Battista Cervellini (1735–1801) (it:Giovanni Battista Cervellini)
- John Collett (c. 1735?–1775) ([45])
- Johann Gottfried Eckard (1735–1809)
- Mme Papavoine (born c. 1735; fl. 1755–61)
- Anton Schweitzer (1735–1787)
- Johann Schobert (c. 1735–1767)
- Ernst Wilhelm Wolf (1735–1792)
- Johann Georg Albrechtsberger (1736–1809)
- Hélène-Louise Demars (born c. 1736)
- Carl Friedrich Christian Fasch (1736–1800)
- Ignaz Fränzl (1736–1811)
- Johann Christoph Kellner (1736–1803)
- Antonio Tozzi (1736–1812)
- Michael Haydn (1737–1806)
- Philippe-Jacques Meyer (1737–1819) ([46])
- Josef Mysliveček (1737–1781)
- Friedrich Schwindl (1737–1786) (de:Friedrich Schwindl)
- Tommaso Giordani (c. 1738–1806)
- Philip Hayes (1738–1797)
- William Herschel (1738–1822)
- Leopold Hofmann (1738–1793)
- Jean-François Tapray (1738–1819) (fr:Jean-François Tapray)
- Anna Bon di Venezia (c. 1739–after 1767)
- Carl Ditters von Dittersdorf (1739–1799)
- Johann Baptist Vanhal (1739–1813)
- Anna Amalia, Duchess of Saxe-Weimar-Eisenach (1739–1807)
- Mlle Guerin (born c. 1739, fl. 1755)
- Agata della Pietà (fl. c. 1740–c. 1800)
- Michael Arne (1740/1741–1786)
- Samuel Arnold (1740–1802)
- Joseph Corfe (1740–1820) ([47])
- Ernst Eichner (1740–1777)
- Luigi Gatti (1740–1817)
- Guillaume Lasceux (1740–1831) (fr:Guillaume Lasceux)
- Elisabeth Olin (1740–1828)
- Giovanni Paisiello (1740-1816)
- Samuel Webbe the elder (1740–1816)
- Johann André (1741–1799)
- François Hippolyte Barthélemon (1741–1808)
- André Ernest Modeste Grétry (1741–1813)
- Franz Xaver Hammer (1741–1817)
- Honoré Langlé (1741–1807) (fr:Honoré Langlé, de:Honoré Langlé)
- Andrea Luchesi (1741–1801)
- Jean Paul Egide Martini (1741–1816)
- Johann Gottlieb Naumann (1741–1801)
- Giovanni Paisiello (1741–1816)
- Václav Pichl (1741–1804)
- Henri-Joseph Rigel (1741–1799)
- Giacomo Rust (1741–1786)
- Luigi Tomasini (1741–1808) (it:Luigi Tomasini)
- Anton Zimmermann (1741–1781) (de:Anton Zimmermann (Komponist))
- Jean-Baptiste Davaux (1742–1822) (de:Jean-Baptiste Davaux)
- Romanus Hoffstetter (1742–1815)
- Jean-Baptiste Krumpholz (1742–1790)
- Simon Le Duc (Leduc) (1742–1777) (fr:Simon Le Duc)
- Vasily Pashkevich (1742–1797)
- Anton Ferdinand Tietz (1742–1811)
- Maria Carolina Wolf (1742–1820)
- Luigi Boccherini (1743–1805)
- Carlo Franchi (c. 1743–after 1779)
- Giuseppe Gazzaniga (1743–1818)
- Franz Nikolaus Novotny (1743–1773)
- João Pedro de Almeida Mota (1744–1817)
- Anne Louise Brillon de Jouy (1744–1824)
- Gaetano Brunetti (1744–1798)
- Marianne von Martínez (1744–1812)
- Yekaterina Sinyavina (died 1784)
- Joseph Bengraf, or József Bengráf (1745–1791) ([48])
- Maksym Berezovsky (c. 1745–1777)
- Joseph Bologne, Chevalier de Saint-Georges (1745–1799)
- João de Sousa Carvalho (1745–c. 1799)
- Georg Druschetzky (1745–1819)
- Johann Peter Salomon (1745–1815)
- Maddalena Laura Sirmen (1745–1818)
- Carl Stamitz (1745–1801)
- Ferdinando Gasparo Turrini (1745–1820) (it:Ferdinando Gasparo Turrini)
- Jan Nepomuk Vent, or Johann Wendt (1745–1801) (nl:Jan Nepomuk Vent)
- Marie Emmanuelle Bayon Louis (1746–1825)
- William Billings (1746–1800)
- Giuseppe Cambini (1746–c. 1825)
- James Hook (1746–1827)
- Ludwig Wenzel Lachnith (1746–1820)
- Johann Friedrich Peter (1746–1813)
- Giovanni Punto, or Jan Václav Stich (1746–1803)
- Joseph Quesnel (1746–1809)
- Ivan Mane Jarnović, or Giovanni Mane Giornovichi (1747–1804)
- Ivan Khandoshkin (1747–1804)
- Leopold Kozeluch (1747–1818)
- Justin Morgan (1747–1798)
- Carl Marianus Paradeiser (1747–1775)
- Johann Abraham Peter Schulz (1747–1800)
- Joachim Albertini, or Gioacchino Albertini (1748–1812)
- Francesco Azopardi (1748–1809)
- Josef Fiala (1748–1816)
- Emanuel Aloys Förster (1748–1823)
- Christian Gottlob Neefe (1748–1798)
- Theodor von Schacht (1748–1823)
- William Shield (1748–1829)
- Joseph Schuster (1748–1812)
- Henriette Adélaïde Villard Beaumesnil (1748–1813)
- Domenico Cimarosa (1749–1801)
- Jean-Louis Duport (1749–1819)
- Jean-Frédéric Edelmann (1749–1794)
- Johann Nikolaus Forkel (1749–1818)
- Antonín Kraft (c. 1749–1820)
- Georg Joseph Vogler (1749–1814)
- Polly Young, also known as Maria Barthélemon (1749–1799)
- Marija Zubova (1749–1799)
مؤلفون من أواخر العصر الكلاسيكي 1750–1770)
- Vincenta Da Ponte (fl. second half 18th century)
- Elizabeth Anspach (1750–1828)
- Elizabeth Joanetta Catherine von Hagen (1750–1809/1810)
- Antonio Rosetti (c. 1750–1792)
- Antonio Salieri (1750–1825)
- John Stafford Smith (1750–1836)
- Johannes Matthias Sperger (1750–1812)
- Johann Franz Xaver Sterkel (1750–1817)
- Jean Balthasar Tricklir (1750–1813)
- Dmitry Bortniansky (1751–1825)
- Bartolomeo Campagnoli (1751–1827)
- Giuseppe Giordani, also known as Giordanello (1751–1798)
- Jan Křtitel Kuchař (1751–1829)
- Jean-Baptiste Lemoyne (1751–1796)
- Maria Anna Mozart (1751–1829)
- Mary Ann Pownall (1751–1796)
- Corona Schröter (1751–1802)
- William Smethergell (1751–1836) ([49])
- Mary Ann Wrighten (1751–1796)
- Francesco Bianchi (1752–1810)
- Muzio Clementi (1752–1832)
- Georg Friedrich Fuchs (1752–1821) (de:Georg Friedrich Fuchs)
- Justin Heinrich Knecht (1752–1817)
- Leopold Kozeluch (1752–1818)
- Ludwig August Lebrun (1752–1790)
- John Marsh (1752–1828)
- Josef Reicha (1752–1795)
- Johann Friedrich Reichardt (1752–1814)
- Juliane Reichardt, or Juliane Benda Reichardt (1752–1783)
- Jane Savage (1752/3–1824)
- Niccolò Antonio Zingarelli (1752–1837)
- Jean-Baptiste Bréval (1753–1823)
- Nicolas Dalayrac (1753–1809)
- Franz Anton Dimmler (1753–1827)
- Christian Friedrich Ruppe (1753–1826) (nl:Christian Friedrich Ruppe)
- Johann Baptist Schenk (1753–1836)
- Johann Samuel Schroeter, or Schröter (1753–1788) (de:Johann Samuel Schroeter)
- Pedro Étienne Solère (1753–1817) (nl:Pedro Étienne Solère)
- Johan Wikmanson (1753–1800)
- Franz Anton Hoffmeister (1754–1812)
- Vicente Martín y Soler (1754–1806)
- Etienne Ozi (1754–1813)
- Anton Stamitz (1754–1798 or 1809)
- Peter Winter (1754–1825)
- Michèl Yost (1754–1786)
- Maria Theresia Ahlefeldt (1755–1810)
- Mateo Pérez de Albéniz (1755–1831)
- Giuseppe Antonio Capuzzi (1755–1818)
- Giuseppe Ferlendis (1755–1802)
- Federigo Fiorillo (1755–c. 1823) (de:Federigo Fiorillo, [50])
- Antoine-Frédéric Gresnick (1755–1799)
- Mary Linwood (1755–1845)
- John Christopher Moller (1755–1803)
- Jean-Pierre Solié (1755–1812)
- Giovanni Battista Viotti (1755–1824)
- Franz Grill (c. 1756–1793) (de:Franz Grill)
- Francesca Lebrun also Franziska Danzi Lebrun (1756–1791)
- Thomas Linley the younger (1756–1778)
- Wolfgang Amadeus Mozart (1756–1791)
- Joseph Martin Kraus (1756–1792)
- Alexander Reinagle (1756–1809)
- Vincenzo Righini (1756–1812)
- Mikhail Sokolovsky (1756–after 1795)
- Daniel Gottlob Türk (1756–1813)
- Paul Wranitzky, also Pavel Vranický (1756–1808)
- Antonio Calegari (1757–1828) (it:Antonio Calegari)
- Ignaz Pleyel (1757–1831)
- Alessandro Rolla (1757–1841)
- Harriett Abrams (1758–1821)
- Josepha Barbara Auernhammer (1758–1820)
- Frédéric Blasius, or Matthäus Blasius (1758–1829)
- Benedikt Schack, or Benedikt Žák (1758–1826)
- Carl Friedrich Zelter (1758–1832)
- Marianna von Auenbrugger (1759–1782)
- Wilhelm Friedrich Ernst Bach (1759–1845)
- François Devienne (1759–1803)
- Johann Christian Friedrich Haeffner (1759–1833)
- Franz Krommer (1759–1831)
- Maria Theresa von Paradis (1759–1824)
- Maria Rosa Coccia (1759–1833)
- Sophia Maria Westenholz (1759–1838)
- Luigi Cherubini (1760–1842)
- Johann Ladislaus Dussek (1760–1812)
- Francesco Gardi (1760/1765–c. 1810) (it:Francesco Gardi)
- Jean-François Le Sueur, or Lesueur (1760–1837)
- Franz Christoph Neubauer (1760–1795) (de:Franz Christoph Neubauer)
- Angelo Tarchi (1760–1814)
- Gaetano Valeri (1760–1822) (it:Gaetano Valeri)
- Johann Rudolf Zumsteeg (1760–1802)
- Marie-Elizabeth Cléry (1761–after 1795)
- Yevstigney Fomin (1761–1800)
- Pierre Gaveaux (1761–1825)
- Friedrich Ludwig Aemilius Kunzen (1761–1817)
- Erik Tulindberg (1761–1814)
- Antonín Vranický, or Anton Wranitzky (1761–1820)
- Adelheid Maria Eichner (1762–1787)
- Jane Mary Guest (1762–1846)
- Jakob Haibel (1762–1826)
- Friedrich Franz Hurka (1762–1805) (de:Friedrich Franz Hurka)
- Jérôme-Joseph de Momigny (1762–1842)
- Marcos António da Fonseca Portugal (1762–1830)
- Stephen Storace (1762–1796)
- Franz Tausch (1762–1817) (de:Franz Tausch)
- Ann Valentine (1762–1842)
- Franz Danzi (1763–1826)
- Johann Sebastian Demar (1763–1832) (fr:Sébastien Demar)
- Domenico Dragonetti (1763–1846)
- Giacomo Gotifredo Ferrari (1763–1842) (it:Giacomo Gotifredo Ferrari)
- Adalbert Gyrowetz (1763–1850)
- Jean-Xavier Lefèvre (1763–1829)
- Johann Simon Mayr (1763–1845)
- Étienne Méhul (1763–1817)
- Niccolò Moretti (1763–1821) (it:Niccolò Moretti)
- Matthew Camidge (1764–1844)
- Franz Lauska (1764–1825)
- Valentino Fioravanti (1764–1837)
- Helene de Montgeroult (1764–1836)
- John Addison (c. 1765–1844)
- Thomas Attwood (1765–1838)
- Anton Eberl (1765–1807)
- Joseph Leopold Eybler (1765–1846)
- Friedrich Heinrich Himmel (1765–1814)
- Jakub Jan Ryba (1765–1815)
- Daniel Steibelt (1765–1823)
- Rodolphe Kreutzer (1766–1831)
- Anne-Marie Krumpholtz (1766–1813)
- Ignaz Anton Ladurner (1766–1839) (fr:Ignaz Ladurner)
- Franz Xaver Süssmayr (1766–1803)
- Joseph Weigl (1766–1846)
- Samuel Wesley (1766–1837)
- Caroline Wuiet (1766–1835)
- Henri Montan Berton (1767–1844)
- Amélie-Julie Candeille (1767–1834)
- Ferdinand Fränzl (1767–1833)
- José Maurício Nunes Garcia (1767–1830)
- August Eberhard Müller (1767–1817)
- Wenzel Müller (1767–1835)
- Andreas Romberg (1767–1821)
- Bernhard Romberg (1767–1841)
- Johannes Spech (1767?–1836)
- Artemy Vedel (1767-1808)
- Johann Georg Heinrich Backofen (1768–1830?)
- Carlos Baguer (1768–1808)
- Elizabeth Billington (c.1768–1818)
- Benjamin Carr (1768–1831)
- Margarethe Danzi (1768–1800)
- Carel Anton Fodor (1768–1846)
- Carl Andreas Goepfert (Göpfert) (1768–1818)
- Filippo Gragnani (1768–1820)
- Louis-Emmanuel Jadin (1768–1853)
- Samuel Webbe the younger (1768–1843) ([51], s:Webbe, Samuel)
- Bonifazio Asioli (1769–1832) (it:Bonifazio Asioli, [52])
- Cecilia Maria Barthélemon (c. 1769–1840)
- Maria Theresa Bland (c. 1769–1838)
- Kateřina Veronika Anna Dusíkova (1769–1833)
- Józef Elsner (1769–1854)
- Giuseppe Farinelli (1769–1836)
- Francesco Gnecco (1769–c. 1810) (it:Francesco Gnecco)
- Johann Georg Lickl (1769–1843)
- Alexey Nikolayevich Titov (1769–1827)
- Madame Ravissa (fl. c. 1778–1783)
مؤلفون في المرحلة الكلاسيكية/المرحلة الرومانسية الانتقالية (1770-1800)
- João José Baldi (1770–1816)
- Ludwig van Beethoven (1770–1827)
- Ferdinando Carulli (1770–1841)
- Édouard Du Puy (1770–1822)
- Peter Hänsel (1770–1831)
- James Hewitt (1770–1827)
- Anton Reicha (1770–1836)
- Christian Heinrich Rinck (1770–1846)
- Jan August Vitásek (1770–1839)
- Adam Valentin Volckmar (1770–1851) ([53])
- Friedrich Witt (1770–1836)
- Johann Baptist Cramer (1771–1858)
- Mme Delaval (fl. 1791–1802)
- Ferdinando Paer (1771–1839)
- Ján Josef Rösler or Johann Joseph Rösler (1771–1813) (de:Johann Joseph Rösler)
- Antonio Casimir Cartellieri (1772–1807)
- Lucile Grétry (1772–1790)
- Louis Ferdinand, Prince of Prussia (1772–1806)
- Maria Frances Parke (1772–1822)
- François-Louis Perne (1772–1832)
- Josef Triebensee (1772–1846)
- Johann Wilhelm Wilms (1772–1847)
- Sophie Bawr (1773–1860)
- Pietro Generali (1773–1832)
- Wenzeslaus Matiegka (1773–1830) (de:Wenzel Matiegka)
- Joseph Wölfl (1773–1812)
- Pierre Rode (1774–1830)
- Gaspare Spontini (1774–1851)
- Václav Tomášek (1774–1850)
- Christoph Ernst Friedrich Weyse (1774–1842)
- Johann Anton André (1775–1842)
- François-Adrien Boieldieu (1775–1834)
- João Domingos Bomtempo (1775–1842)
- Maria Brizzi Giorgi (1775–1822)
- Bernhard Crusell (1775–1838)
- Sophia Corri Dussek (1775–1847)
- Margaret Essex (1775–1807)
- François de Fossa (1775–1849)
- Sophie Gail (1775–1819)
- Nicolas Isouard (1775–1818)
- José Ángel Lamas (1775–1814)
- Maria Hester Park (1775–1822)
- Ernst Theodor Amadeus Hoffmann (1776–1822)
- Hyacinthe Jadin (1776–1800)
- Joseph Küffner (1776–1856)
- Philipp Jakob Riotte (1776–1856)
- Ignaz von Seyfried (1776–1841)
- Ludwig Berger (1777–1839)
- Pauline Duchambge (1778–1858)
- Johann Nepomuk Hummel (1778–1837)
- Sigismund Neukomm (1778–1858)
- Fernando Sor (1778–1839)
- Joachim Nicolas Eggert (1779–1813)
- William Knyvett (1779–1856)
- Louise Reichardt (1779–1826)
- Luigi Antonio Calegari (1780–1849)
- Conradin Kreutzer (1780–1849)
- Louis François Dauprat (1781–1868)
- Anton Diabelli (1781–1858)
- Mauro Giuliani (1781–1829)
- Anthony Philip Heinrich (1781–1861)
- Sophie Lebrun (1781–1863)
- François Joseph Naderman (1781–1835)
- Daniel Auber (1782–1871)
- John Field (1782–1837)
- Niccolò Paganini (1782–1840)
- Charlotta Seuerling (1782–1828)
- Friedrich Dotzauer (1783–1860)
- Teresa Belloc-Giorgi (1784–1855)
- Martin-Joseph Mengal (1784–1851)
- Francesco Morlacchi (1784–1841)
- George Onslow (1784–1853)
- Ferdinand Ries (1784–1838)
- Louis Spohr (1784–1859)
- Alexandre Pierre François Boëly (1785–1858)
- Bettina Brentano (1785–1859)
- Catherina Cibbini-Kozeluch (1785–1858)
- Isabella Colbran (1785–1845)
- George Pinto (1785–1806)
- Fanny Krumpholtz Pittar (1785–1815)
- Marie Bigot (1786–1820)
- Henry Rowley Bishop (1786–1855)
- Friedrich Kuhlau (1786–1832)
- Pietro Raimondi (1786–1853)
- Le Sénéchal de Kerkado (c. 1786–after 1805)
- Carl Maria von Weber (1786–1826)
- Alexander Alyabyev (1787–1851)
- Michele Carafa (1787–1872)
- Johann Peter Pixis (1788–1874)
- Simon Sechter (1788–1867)
- Elena Asachi (1789–1877)
- Nicolas Bochsa (1789–1856)
- Frederic Ernest Fesca (1789–1826)
- Maria Agata Szymanowska (1789–1831)
- Harriet Browne (1790–1858)
- Carl Czerny (1791–1857)
- Louis Joseph Ferdinand Herold (1791–1833)
- Giacomo Meyerbeer (1791–1864)
- Franz Xaver Mozart (1791–1844)
- Carlo Evasio Soliva (1791–1853)
- Jan Václav Voříšek (1791–1825)
- Gioachino Rossini (1792–1868)
- Gertrude van den Bergh (1793–1840)
- Bernhard Klein (1793–1832)
- Caroline Ridderstolpe (1793–1878)
- Amalie, Princess of Saxony (1794–1870)
- Ignaz Moscheles (1794–1870)
- Olivia Buckley (born mid-1790s–after 1845)
- Saverio Mercadante (1795–1870)
- Franz Berwald (1796–1868)
- Helene Liebmann (1796–1835)
- Carl Loewe (1796–1869)
- Mathilda d'Orozco (1796–1863)
- Giovanni Pacini (1796–1867)
- Emilie Zumsteeg (1796–1857)
- Gaetano Donizetti (1797–1848)
- Franz Schubert (1797–1828)
- Annette von Droste-Hülshoff (1797–1848)
- Antonio Rolla (1798–1837)
- Maria Frederica von Stedingk (1799–1868)
الفترة الرومانسية
انظر قائمة المؤلفين الموسيقيين الرومانسيين والموسيقى الرومانسية.
الرومانسية المبكرة
الاسم | وُلد | توفى | الجنسية | الهوامش |
---|---|---|---|---|
Vincenzo Bellini | 1801 | 1835 | Italian | opera composer, known for I Puritani, Norma and La sonnambula among others |
Jean-Baptiste Duvernoy | 1802 | 1880 | French | composer and pianist |
Eliza Flower | 1803 | 1846 | English | composer |
Adolphe Adam | 1803 | 1856 | French | composer best known for his ballet score Giselle |
هكتور برليوز | 1803 | 1869 | French | composer famous for his programmatic symphony, the Symphonie Fantastique |
Henri Herz | 1803 | 1888 | Austrian | composer and pianist |
Franz Lachner | 1803 | 1890 | German | composer and conductor, brother of Ignaz Lachner |
Mikhail Glinka | 1804 | 1857 | Russian | nationalist composer, wrote operas such as A Life for the Tsar |
يوهان شتراوس الأول | 1804 | 1849 | نمساوي | مؤلف موسيقى راقصة، اشتهر لتأليفه مارش رادتسكي |
Fanny Mendelssohn | 1805 | 1847 | German | sister of فيلكس مندلسون, composer and pianist, known mainly for her vocal compositions and chamber music |
Leopold von Zenetti | 1805 | 1892 | Austrian | composer, known mainly for being one of Anton Bruckner's masters |
Johann Friedrich Franz Burgmüller | 1806 | 1874 | German | composer and pianist, brother of Norbert Burgmüller |
Ignaz Lachner | 1807 | 1895 | German | conductor, composer and organist, a prolific composer, notable for his chamber music such as his string quartets and trios |
Michael William Balfe | 1808 | 1870 | Irish | conductor and composer, remembered for his opera The Bohemian Girl |
Sebastián Iradier | 1809 | 1865 | Spanish | composer best known for La Paloma |
فيلكس مندلسون | 1809 | 1847 | German | brother of Fanny Mendelssohn, conductor, music-director, composer and pianist, known for his Violin Concerto and the Wedding March from A Midsummer Night's Dream, also wrote five symphonies including the Symphony No. 4, Italian, and several piano pieces, including the famous Songs without Words. |
فريدريك شوپان | 1810 | 1849 | Polish | composer and virtuoso pianist, his output includes nocturnes, ballade, scherzos, etudes, and a number of Polish dances such as mazurkas, polonaises, and waltzes (including the Minute Waltz) |
Ferenc Erkel | 1810 | 1893 | Hungarian | composer of grand opera |
Norbert Burgmüller | 1810 | 1836 | German | composer, praised by روبرت شومان |
روبرت شومان | 1810 | 1856 | German | composer and pianist, husband of Clara Schumann, a significant lieder writer, a prolific composer, wrote many short piano pieces, four symphonies, concerti and chamber music |
Wilhelm Taubert | 1811 | 1891 | German | Pianist, Composer and Conductor whose early works received praise from فيلكس مندلسون |
فرانز ليست | 1811 | 1886 | Hungarian | composer and a virtuoso pianist, wrote a number of tone poems and extended piano technique, famous for his Hungarian Rhapsodies and other solo piano works, one of the most influential and distinguished pianist composers of the Romantic era |
Ferdinand Hiller | 1811 | 1885 | German | composer, conductor, writer and music-director, close friend of فيلكس مندلسون |
Ambroise Thomas | 1811 | 1896 | French | composer, best known for the operas Mignon and Hamlet |
Sigismond Thalberg | 1812 | 1871 | Swiss | composer and one of the most distinguished pianists of the Romantic era |
Louis Antoine Jullien | 1812 | 1860 | French | eccentric conductor and composer of light music, king of promenade concerts in England |
Emilie Mayer | 1812 | 1883 | German | composer of symphonies, overtures, lieder and chamber works |
Friedrich von Flotow | 1812 | 1883 | German | composer, chiefly remembered for his opera Martha |
Stephen Heller | 1813 | 1888 | Hungarian | composer, highly effected the late-Romantic composers |
Alexander Dargomyzhsky | 1813 | 1869 | Russian | composer |
Alexandre Dubuque | 1812 | 1898 | French | Russian-resident composer, known for teaching |
Charles-Valentin Alkan | 1813 | 1888 | French | composer and virtuoso pianist |
Ernst Haberbier | 1813 | 1869 | German | composer |
جوسپه ڤردي | 1813 | 1901 | Italian | major opera composer, best known for Nabucco, Rigoletto, La Traviata and Aida |
ريتشارد ڤاگنر | 1813 | 1883 | German | major opera composer (Der Ring des Nibelungen, Lohengrin, Tristan und Isolde, Parsifal among others), also famous for the widely used Bridal Chorus in marriages. |
Giuseppe Lillo | 1814 | 1863 | Italian | composer, best known for his operas amongst which is worth noting Odda di Bernaver and Caterina Howard |
Adolf von Henselt | 1814 | 1889 | German | composer and pianist |
Robert Volkmann | 1815 | 1883 | German | composer, companion of يوهانس برامز |
William Sterndale Bennett | 1816 | 1875 | English | composer, conductor, and editor |
Émile Prudent | 1817 | 1863 | French | pianist and composer |
Károly Thern | 1817 | 1886 | Hungarian | composer, conductor and teacher |
Niels Gade | 1817 | 1890 | Danish | composer, violinist and organist |
Charles Gounod | 1818 | 1893 | French | composer, best known for his operas Faust and Roméo et Juliette |
Jacques Offenbach | 1819 | 1880 | French | opera and operetta composer, known for The Tales of Hoffmann and Orpheus in the Underworld |
Franz von Suppé | 1819 | 1895 | Austrian | composer and conductor notable for his operettas |
Stanisław Moniuszko | 1819 | 1872 | Polish | composer, best known as the Father of Polish National Opera |
كلارا شومان | 1819 | 1896 | German | composer and pianist, wife of روبرت شومان, one of the leading pianists of the Romantic era |
الرومانسية المتوسطة
الاسم | وُلد | توفى | الجنسية | الهوامش |
---|---|---|---|---|
Henri Vieuxtemps | 1820 | 1881 | Belgian | composer and violinist |
Giovanni Bottesini | 1821 | 1889 | Italian | conductor, composer and double bass virtuoso |
Emilie Hammarskjöld | 1821 | 1854 | Swedish | composer, concert pianist and organist |
Joachim Raff | 1822 | 1882 | German | Swiss-born composer, best known for eleven symphonies, most of them program music |
César Franck | 1822 | 1890 | French | Belgian-born composer, noted for his Symphony, also a significant composer for the organ |
Édouard Lalo | 1823 | 1892 | French | composer remembered for his Symphonie Espagnole for violin and orchestra and his Cello Concerto |
Theodor Kirchner | 1823 | 1903 | German | composer and pianist, he wrote over 1,000 piano pieces. |
Anton Bruckner | 1824 | 1896 | Austrian | composer of nine large-scale symphonies (one incomplete) and two more unacknowledged |
Bedřich Smetana | 1824 | 1884 | Czech | nationalist composer, perhaps best known for his cycle of symphonic poems, Má vlast and his opera The Bartered Bride |
Carl Reinecke | 1824 | 1910 | German | composer, conductor and pianist, best known for his attachment to classical forms and conducted Gewandhausorchester for nearly 35 years |
Jean-Baptiste Arban | 1825 | 1889 | French | virtuoso cornetist, wrote the "Grande méthode complète pour cornet à pistons et de saxhorn" now referred to as the "Trumpeter's Bible" |
يوهان شتراوس الثاني | 1825 | 1899 | نمساوي | مؤلف موسيقي اشتهر بلقب "الدانوب الأزرق]] وأوپرا أوپريت الخفاش، وهو ابن المؤلف الموسيقي يوهان شتراوس الأول والشقيق الأكبر للمؤلفين الموسيقيين يوزف شتراوش وإدوارد شتراوس |
Ivar Hallström | 1826 | 1901 | Swedish | opera composer |
يوزف شتراوس | 1827 | 1870 | Austrian | مؤلف موسيقي وشقيق يوهان شتراوس الثاني |
Adolphe Blanc | 1828 | 1885 | French | composer of chamber music |
Anton Rubinstein | 1829 | 1894 | Russian | conductor, composer and pianist |
Louis Moreau Gottschalk | 1829 | 1869 | American | composer famous for performing his own romantic piano works |
Karl Goldmark | 1830 | 1915 | Hungarian | composer |
Hans von Bülow | 1830 | 1894 | German | conductor, composer and virtuoso pianist |
Jan Gerard Palm | 1831 | 1906 | Curaçao born composer, best known for his mazurkas, waltzes, danzas, tumbas, fantasies, and serenades. | |
August Söderman | 1832 | 1876 | Swedish | composer, best known for his lieder and choral works |
Alexander Borodin | 1833 | 1887 | Russian | chemist and nationalist composer, wrote the opera Prince Igor, and part of the The Mighty Five. |
يوهانس برامز | 1833 | 1897 | German | composer; his most influential works include the four symphonies, Violin Concerto (Brahms), two piano concertos, and Double Concerto in A minor for Violin, Cello and Orchestra (1887), aside from his other orchestral works, numerous chamber music and piano music pieces and lieder. |
Amilcare Ponchielli | 1834 | 1886 | Italian | opera composer known for La Gioconda |
Julius Reubke | 1834 | 1858 | German | piano and organ composer, known for Sonata on the 94th Psalm |
كامي سان-سانس | 1835 | 1921 | French | music critic, composer, pianist and an exceptional organist, renowned for his Organ Symphony, numerous concert pieces, pieces of chamber music, mélodies, Danse Macabre and The Carnival of the Animals |
Henryk Wieniawski | 1835 | 1880 | Polish | composer and violinist, famous for two concertos and character pieces of exceptional difficulty |
إدوارد شتراوش | 1835 | 1916 | نمساوي | مؤلف موسيقي والشقيق الأصغر للمؤلف الموسيقي يوهان شتراوس الثاني ويوزف شتراوش |
César Cui | 1835 | 1918 | Russian | army officer, music critic, composer in The Mighty Five |
Friedrich Baumfelder | 1836 | 1916 | German | piano, choral, and orchestra composer, in his day known for his 'Tirocinium musicae' and today known for his 'Melody in F major' |
Léo Delibes | 1836 | 1891 | one of the first significant ballet composers since the Baroque music, known for Coppélia, Sylvia, and Lakmé | |
Bertha Tammelin | 1836 | 1915 | Swedish | composer, concert pianist and opera singer |
Julius Weissenborn | 1837 | 1888 | German | bassoonist, composer and music teacher, famous for his Practical Bassoon School |
Émile Waldteufel | 1837 | 1915 | French | composer of light music |
Mily Balakirev | 1837 | 1910 | Russian | nationalist composer and leader of the The Mighty Five |
جورج بيزيه | 1838 | 1875 | French | composer of the opera Carmen |
Max Bruch | 1838 | 1920 | German | composer, known for his Violin Concerto No. 1, Scottish Fantasy, and Kol Nidrei for cello and orchestra |
مودست موسورگسكي | 1839 | 1881 | Russian | nationalist composer known for his intensely nationalist works including his opera Boris Godunov, and Pictures at an Exhibition, part of Russian Five |
John Knowles Paine | 1839 | 1906 | American | first native-born American composer to acquire fame for his large-scale orchestral music |
الرومانسية المتأخرة
الاسم | وُلد | توفى | الجنسية | الهوامش |
---|---|---|---|---|
پيوتر إليتش تشايكوڤسكي | 1840 | 1893 | Russian | composer, known for his ballets (The Nutcracker, Swan Lake, "Sleeping Beauty"), his operas (Eugene Onegin), the 1812 Overture, his First Piano Concerto, his Violin Concerto and his symphonies |
Johan Svendsen | 1840 | 1911 | Norwegian | composer, conductor and violinist |
Emmanuel Chabrier | 1841 | 1894 | French | composer who influenced موريس راڤل, Les Six, Jean Françaix and many other French composers, known for the opera L'étoile |
أنتونين دڤورجاك | 1841 | 1904 | Czech | composer, known for the "New World" Symphony |
Arrigo Boito | 1842 | 1918 | Italian | composer and librettist, known as a composer for his opera Mefistofele |
Jules Massenet | 1842 | 1912 | French | composer best known for his operas Manon and Werther and the Méditation for violin from the opera Thaïs |
Felipe Pedrell | 1842 | 1922 | Spanish | composer of opera, zarzuela and church music who taught and influenced Isaac Albéniz, Enrique Granados and Manuel de Falla |
Arthur Sullivan | 1842 | 1900 | English | composer known for his operettas in collaboration with W. S. Gilbert |
Émile Bernard | 1843 | 1902 | French | composer and organist known for his Divertissement for Doubled Wind Quintet |
David Popper | 1843 | 1913 | Bohemian | composer and virtuoso cellist known for his 40 etudes, 4 concerti and Hungarian Rhapsody for cello and orchestra |
Edvard Grieg | 1843 | 1907 | Norwegian | composer known for his Piano Concerto, Lyric Pieces for the piano, and incidental music to Peer Gynt |
نيكولاي ريمسكي-كورساكوڤ | 1844 | 1908 | Russian | composer and member of The Five, best known for Flight of the Bumblebee from The Tale of Tsar Saltan, Scheherazade, and the Capriccio Espagnol |
Pablo de Sarasate | 1844 | 1908 | Spanish | virtuoso violinist and composer |
Charles-Marie Widor | 1844 | 1937 | French | composer, known for his works for the organ |
Ion Ivanovici | 1845 | 1902 | Romanian | composer, known for his Danube Waves waltz |
گابرييل فوريه | 1845 | 1924 | French | composer, known for his chamber music and a قداس جنائزي among other pieces |
Ignaz Brüll | 1846 | 1907 | Austrian | composer and pianist |
Robert Fuchs | 1847 | 1927 | Austrian | composer and music teacher |
Philipp Scharwenka | 1847 | 1917 | German-Polish | composer and music teacher, brother of Xaver Scharwenka |
Henri Duparc | 1848 | 1933 | French | composer, noted for seventeen mélodies |
Hubert Parry | 1848 | 1918 | English | composer, wrote choral song Jerusalem |
Ernesto Köhler | 1849 | 1907 | Italian | flautist and composer, known by flautists for his instructional work Progress in Flute Playing |
Xaver Scharwenka | 1850 | 1924 | German-Polish | composer, pianist and music teacher, brother of Philipp Scharwenka |
Vincent d'Indy | 1851 | 1931 | French | composer, teacher of Erik Satie and Darius Milhaud among others |
Francisco Tárrega | 1852 | 1909 | Spanish | composer and virtuoso classical guitarist, known as the 'Father of modern classical guitar playing' |
Hans Huber | 1852 | 1921 | Swiss | composer |
Ciprian Porumbescu | 1853 | 1883 | Romanian | composer |
Engelbert Humperdinck | 1854 | 1921 | German | opera composer influenced by ريتشارد ڤاگنر, famous for Hänsel und Gretel |
Leoš Janáček | 1854 | 1928 | Czech | composer, known for his operas Káťa Kabanová and Jenůfa and orchestral pieces Sinfonietta and Taras Bulba |
Alfredo Catalani | 1854 | 1893 | Italian | composer, known for the operas Loreley and La Wally |
Moritz Moszkowski | 1854 | 1925 | German | Jewish composer-pianist who wrote prolifically for the piano, also composed a piano concerto and a violin concerto |
John Philip Sousa | 1854 | 1932 | American | composer, "The March King" |
Ernest Chausson | 1855 | 1899 | French | composer influenced by Franck and Wagner, seen as a bridge from them to Claude Debussy |
Julius Röntgen | 1855 | 1932 | German-Dutch | composer influenced by Brahms, close friend to Grieg |
Sergei Taneyev | 1856 | 1915 | Russian | composer, pianist and music teacher |
Edward Elgar | 1857 | 1934 | English | composer, known for his Enigma Variations, Pomp and Circumstance Marches, concertos for violin and cello, two symphonies, and oratorio The Dream of Gerontius. |
Cécile Chaminade | 1857 | 1944 | French | composer and pianist |
Ruggero Leoncavallo | 1858 | 1919 | Italian | opera composer known almost exclusively for پالياتشي |
Giacomo Puccini | 1858 | 1924 | Italian | major opera composer, known for his verismo style operas including La bohème, Madama Butterfly, Tosca, and Turandot. |
Sergei Lyapunov | 1859 | 1924 | Russian | composer and pianist |
مؤلفوالعصر الرومانسي/المرحلة الانتقالية للقرن العشرين ولدوا (1860–80)
Name | Date born | Date died | Nationality | Comments |
---|---|---|---|---|
Isaac Albéniz | 1860 | 1909 | Spanish | composer, known for nationalist piano works such as Iberia and a 'set of 12 piano pieces' |
Gustave Charpentier | 1860 | 1956 | French | composer best known for his opera Louise |
Gustav Mahler | 1860 | 1911 | Austrian | composer, one of the most important late-Romantic/early-Modernist composers, his works include nine innovative large-scale and sometimes programmatic symphonies, and many lieder |
Edward MacDowell | 1860 | 1908 | American | composer best known for his piano concertos and piano suites, his works include his most popular short piece, "To a Wild Rose" |
Hugo Wolf | 1860 | 1903 | Austrian | composer of lieder, influenced by Richard Wagner |
Anton Arensky | 1861 | 1906 | Russian | composer, pianist and music teacher |
Claude Debussy | 1862 | 1918 | French | composer, one of the most prominent figures working within the field of Impressionist music, known for his compositions Clair de Lune (from Suite bergamasque), Deux Arabesques, and many others |
Frederick Delius | 1862 | 1934 | English | composer, used chromaticism in many of his compositions |
Gabriel Pierné | 1863 | 1937 | French | composer, conductor, and organist |
Pietro Mascagni | 1863 | 1945 | Italian | opera composer, known for Cavalleria rusticana |
Ricardo Castro | 1864 | 1907 | Mexican | composer, works include piano music |
Richard Strauss | 1864 | 1949 | German | composer, known for Also sprach Zarathustra ("Thus Spoke Zarathustra"), wrote many tone poems, operas and lieder |
Paul Dukas | 1865 | 1935 | French | composer, known for his piece of program music The Sorcerer's Apprentice |
Alexander Glazunov | 1865 | 1936 | Russian | composer, influenced by Wagner and Liszt |
Carl Nielsen | 1865 | 1931 | Danish | composer, renowned for his six symphonies and concerti |
Jean Sibelius | 1865 | 1957 | Finnish | nationalist composer of seven symphonies, known for the symphonic poem Finlandia and Violin Concerto |
Erik Satie | 1866 | 1925 | French | composer and pianist |
Ferruccio Busoni | 1866 | 1924 | Italian | composer and pianist, known for his opera Turandot and his many transcriptions and arrangements of Johann Sebastian Bach |
Samuel Maykapar | 1867 | 1938 | Russian | composer |
Umberto Giordano | 1867 | 1948 | Italian | opera composer |
Enrique Granados | 1867 | 1916 | Spanish | composer and pianist, known for his piano works and chamber music |
Wilhelm Peterson-Berger | 1867 | 1942 | Swedish | composer, wrote symphonies, operas, vocal and piano music |
Amy Beach | 1867 | 1944 | American | composer and pianist |
Vittorio Monti | 1868 | 1922 | Italian | composer, violinist, and conductor |
Zygmunt Stojowski | 1869 | 1946) | Polish | composer and pianist |
Julius Conus | 1869 | 1942 | Russian | composer and violinist |
Franz Lehár | 1870 | 1948 | Hungarian | composer, mainly known for his operettas |
Guillaume Lekeu | 1870 | 1894 | Belgian | (Wallon) composer, known for his violin sonata |
Henry Kimball Hadley | 1871 | 1937 | American | composer and conductor, composed the opera Cleopatra's Night |
Oreste Ravanello | 1871 | 1938 | Italian | composer, known for works for choir, and for organ |
Alexander Zemlinsky | 1871 | 1942 | Austrian | composer and music teacher, his students include Schoenberg and Korngold |
Ralph Vaughan Williams | 1872 | 1958 | English | composer, his works include nine symphonies, Fantasia on Greensleeves, and other orchestral poems |
Hugo Alfvén | 1872 | 1960 | Swedish | composer, known for Swedish Rhapsody, works include choral music, and five symphonies |
Alexander Scriabin | 1872 | 1915 | Russian | composer and pianist, known for his harmonically adventurous piano sonatas and theatrical, orchestral works |
Sergei Rachmaninoff | 1873 | 1943 | Russian | composer, conductor and virtuoso pianist, wrote three symphonies, four piano concertos, Rhapsody on a Theme of Paganini and solo piano music |
Max Reger | 1873 | 1916 | German | prolific composer, known for his Variations and Fugue on a Theme by Mozart |
Arnold Schoenberg | 1874 | 1951 | Austrian | composer, whose early works (e.g. "Verklarte Nacht") are influenced by Mahler, but subsequently developed atonalism and serialism with such watershed works as "Moses und Aron" |
Gustav Holst | 1874 | 1934 | English | composer who is best known for his large orchestral piece "The Planets" |
Franz Schmidt | 1874 | 1939 | Austrian | composer, influenced by Bruckner and Brahms |
Reynaldo Hahn | 1874 | 1947 | Venezuelan | |
Maurice Ravel | 1875 | 1937 | French | composer, despite a limited number of compositions, famous for his virtuosic piano music such as "Gaspard de la nuit", and orchestral showpieces most notably "Bolero", his musical style strongly influenced by the Russian Five |
Reinhold Glière | 1875 | 1956 | Russian | composer, his works reflect Romantic era |
Mieczysław Karłowicz | 1876 | 1909 | Polish | composer, his style is of late Romantic era and nationalist character |
Manuel de Falla | 1876 | 1946 | Spanish | composer, best known for The Three-Cornered Hat |
Ermanno Wolf-Ferrari | 1876 | 1948 | Italian | composer and music teacher, known for his comic operas |
Ernő Dohnányi | 1877 | 1960 | Hungarian | conductor, composer and pianist |
Franz Schreker | 1878 | 1934 | Austrian | conductor, composer and music teacher, primarily a composer of operas |
Ottorino Respighi | 1879 | 1936 | Italian | composer, known for symphonic poems The Fountains of Rome and The Pines of Rome |
Nikolai Medtner | 1880 | 1951 | Russian | composer, known for his piano sonatas, Fairy Tales and songs |
القرن 20
انظر قائمة مؤلفي الموسيقى الكلاسيكية في القرن 20 حسب تاريخ الميلاد والموسيقى الكلاسيكية في القرن 20
الاسم | وُلد | توفى | الجنسية | أشهر أعماله | الهوامش | |||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Charles Dancla | 1817 | 1907 | French | Solo de concours no. 7, Op. 224 | رومانسية | |||||||
Maria Anna Stubenberg | 1821 | 1912 | German | |||||||||
Kornél Ábrányi | 1822 | 1903 | Hungarian | رومانسية | ||||||||
Luigi Arditi | 1822 | 1903 | Italian | |||||||||
Wilhelm Kuhe | 1823 | 1912 | German | |||||||||
Marie Siegling | 1824 | 1919 | American | |||||||||
Kate Loder | 1825 | 1904 | English | رومانسية | ||||||||
Richard Hol | 1825 | 1904 | Dutch | organ music[vague] | رومانسية | |||||||
John Baptiste Calkin | 1827 | 1905 | English | رومانسية | ||||||||
François-Auguste Gevaert | 1828 | 1908 | Belgian | رومانسية | ||||||||
Albert Dietrich | 1829 | 1908 | German | رومانسية | ||||||||
Jacques Blumenthal | 1829 | 1908 | German | رومانسية | ||||||||
Otto Goldschmidt | 1829 | 1907 | German | رومانسية | ||||||||
Karl Goldmark | 1830 | 1915 | Hungarian | Ein Wintermärchen; Aus Jugendtagen | ||||||||
Hans Bronsart von Schellendorff | 1830 | 1913 | German | |||||||||
Benjamin Dwight Allen | 1831 | 1914 | German | |||||||||
Mathilde Hannah von Rothschild | 1832 | 1924 | German | |||||||||
Caspar Joseph Brambach | 1833 | 1902 | German | |||||||||
Charles-Wilfrid de Bériot | 1833 | 1914 | French | |||||||||
George Becker | 1834 | 1928 | German - Swiss | |||||||||
Peter Benoit | 1834 | 1901 | Flemish | |||||||||
Kārlis Baumanis | 1835 | 1905 | Latvian | |||||||||
كامي سان-سانس | 1835 | 1921 | French | |||||||||
Felix Draeseke | 1835 | 1913 | German | |||||||||
Susan McFarland Parkhurst | 1836 | 1918 | American | |||||||||
Johanne Amalie Fenger | 1836 | 1913 | Danish | |||||||||
Pauline-Marie-Elisa Thys | 1836 | 1909 | French | |||||||||
Friedrich Baumfelder | 1836 | 1916 | German | |||||||||
Mily Balakirev | 1837 | 1910 | Russian | Islamey | ||||||||
Carlotta Ferrari | 1837 | 1907 | Italian | |||||||||
Otto Winter Hjelm | 1837 | 1931 | Norwegian | |||||||||
Heinrich Urban | 1837 | 1901 | German | |||||||||
Théodore Dubois | 1837 | 1924 | French | |||||||||
Emile Waldteufel | 1837 | 1915 | French | |||||||||
Sidney Lambert | 1838 | 1905 | American | |||||||||
Joseph Callaerts | 1838 | 1901 | Belgian | |||||||||
Max Bruch | 1838 | 1920 | German | Concerto for Clarinet, Viola, and Orchestra in E minor, Op. 88 | رومانسية | |||||||
Theodora Cormontan | 1840 | 1922 | Norwegian American | |||||||||
François Borne | 1840 | 1920 | French | |||||||||
Elfrida Andrée | 1841 | 1929 | Swedish | Swedish Masses Nos. 1 and 2 | ||||||||
أنتونين دڤورجاك | 1841 | 1904 | Czech | Armida (opera), "Zpěv z Lešetínského kováře" (song) | رومانسية, folk-influenced | |||||||
Louise Héritte-Viardot | 1841 | 1918 | French | |||||||||
Henri Gobbi | 1841 | 1920 | Hungarian | |||||||||
Alphonse Duvernoy | 1842 | 1907 | French | |||||||||
Arrigo Boito | 1842 | 1918 | Italian | Nerone | ||||||||
Jules Massenet | 1842 | 1912 | French | Piano Concerto; Le jongleur de Notre-Dame; Thérèse; Don Quichotte; Cigale | ||||||||
Edvard Grieg | 1843 | 1907 | Norwegian | Lyrische Stücke, Op. 71; Slåtter, Op. 73; Four Psalms, Op. 74 | ||||||||
Émile Bernard | 1843 | 1902 | French | Nocturne, for piano and orchestra, Op. 51; String Quartet, Op. 52 | ||||||||
Josefina Brdlíková | 1843 | 1910 | Czech | |||||||||
David Popper | 1843 | 1913 | Bohemian | |||||||||
Stephanie Wurmbrand-Stuppach | 1843 | 1919 | Hungarian | |||||||||
Oliveria Prescott | 1843 | 1919 | English | |||||||||
Louis Diémer | 1843 | 1919 | French | |||||||||
Ján Levoslav Bella | 1843 | 1936 | Slovak | |||||||||
Marguerite Olagnier | 1844 | 1906 | French | |||||||||
Eugène Gigout | 1844 | 1925 | French | |||||||||
Charles-Marie Widor | 1844 | 1937 | French | |||||||||
گابرييل فوريه | 1845 | 1924 | French | Prométhée; Pénélope; Masques et bergamasques | ||||||||
August Bungert | 1845 | 1915 | German | |||||||||
Anton Jörgen Andersen | 1845 | 1926 | Norwegian | |||||||||
Leopold Auer | 1846 | 1930 | Hungarian | |||||||||
Ella Adayevskaya | 1846 | 1926 | Russian | |||||||||
Luigi Denza | 1846 | 1922 | Italian | |||||||||
Riccardo Drigo | 1846 | 1930 | Italian | |||||||||
Marie Jaëll | 1846 | 1925 | French | |||||||||
Ignacio Cervantes | 1847 | 1905 | Cuban | |||||||||
Joachim Andersen | 1847 | 1909 | Danish | |||||||||
Philipp Scharwenka | 1847 | 1917 | German | |||||||||
Agnes Zimmermann | 1847 | 1925 | German | |||||||||
Agathe Backer-Grøndahl | 1847 | 1907 | Norwegian | |||||||||
Francis Chassaigne | 1847 | 1922 | Belgian-born French | |||||||||
Chiquinha Gonzaga | 1847 | 1935 | Brazilian | |||||||||
Alexander Mackenzie | 1847 | 1935 | Scottish | The Cricket on the Hearth | رومانسية | |||||||
Frances Allitsen | 1848 | 1912 | English | |||||||||
Henri Duparc | 1848 | 1933 | French | |||||||||
Richard Eilenberg | 1848 | 1927 | German | |||||||||
Max Erdmannsdörfer | 1848 | 1905 | German | |||||||||
Hubert Parry | 1848 | 1918 | English | Jerusalem | ||||||||
Johann Baptist Singenberger | 1848 | 1924 | Swiss-American | historicist | ||||||||
Nanna Liebmann | 1849 | 1935 | Danish | |||||||||
Roberta Geddes-Harvey | 1849 | 1930 | Canadian | |||||||||
Catalina Berroa | 1849 | 1911 | Cuban | |||||||||
Iver Holter | 1850 | 1941 | Norwegian | |||||||||
Tomás Bretón | 1850 | 1923 | Spanish | |||||||||
Richard Barth | 1850 | 1923 | German | |||||||||
Xaver Scharwenka | 1850 | 1924 | German | |||||||||
Alfredo Keil | 1850 | 1907 | Portuguese | |||||||||
Victor Bendix | 1851 | 1926 | Danish | Piano Concerto in G minor | ||||||||
Gabrielle Ferrari | 1851 | 1921 | French-Italian | |||||||||
Mary Grant Carmichael | 1851 | 1935 | English | |||||||||
Ludvig Hegner | 1851 | 1923 | Danish | |||||||||
André Wormser | 1851 | 1926 | French | |||||||||
Jan Blockx | 1851 | 1912 | Danish | |||||||||
Vincent d'Indy | 1851 | 1931 | French | String Quartet No. 3; Symphony No. 2 in B♭; Jour d'été à la montagne | ||||||||
Frederic Hymen Cowen | 1852 | 1935 | British | Operas | رومانسية | |||||||
Helena Munktell | 1852 | 1919 | Swedish | رومانسية | ||||||||
Frederick Corder | 1852 | 1932 | English | رومانسية | ||||||||
Josef Bayer | 1852 | 1913 | Austrian | operettas | رومانسية | |||||||
Charles Villiers Stanford | 1852 | 1924 | Irish | Six Irish Rhapsodies | رومانسية | |||||||
Charles Malherbe | 1853 | 1911 | French | رومانسية | ||||||||
Teresa Carreño | 1853 | 1917 | Venezuelan | رومانسية | ||||||||
Arthur Foote | 1853 | 1937 | American | رومانسية | ||||||||
Leoš Janáček | 1854 | 1928 | Czech | Sinfonietta; Taras Bulba; Káťa Kabanová; The Cunning Little Vixen; The Makropoulos Affair; Glagolitic Mass, 2 string quartets | folk-influenced | |||||||
Arturo Buzzi-Peccia | 1854 | 1943 | Italian | songs and piano works[vague] | ||||||||
George Whitefield Chadwick | 1854 | 1931 | American | |||||||||
Julie Rivé-King | 1854 | 1937 | American | |||||||||
Bernard Zweers | 1854 | 1924 | Dutch | |||||||||
Oscar Fetrás | 1854 | 1931 | German | |||||||||
Gerónimo Giménez | 1854 | 1923 | Spanish | |||||||||
Moritz Moszkowski | 1854 | 1925 | German-Polish | |||||||||
Károly Aggházy | 1855 | 1918 | Hungarian | |||||||||
Arnold Mendelssohn | 1855 | 1933 | German | chorale cantatas, three operas | ||||||||
Julius Röntgen | 1855 | 1932 | German | |||||||||
Anatoly Lyadov | 1855 | 1914 | Russian | |||||||||
Helen Hopekirk | 1856 | 1945 | Scottish-American | |||||||||
Kateřina Emingerová | 1856 | 1934 | Czech | |||||||||
Mary Elizabeth Turner Salter | 1856 | 1938 | American | |||||||||
Robert Fischhof | 1856 | 1918 | Austrian | |||||||||
Felix Mottl | 1856 | 1911 | Austrian | |||||||||
Eva Dell'Acqua | 1856 | 1930 | Belgian | |||||||||
André Gedalge | 1856 | 1926 | French | |||||||||
Gilda Ruta | 1856 | 1932 | Italian | |||||||||
Natalia Janotha | 1856 | 1932 | Polish | |||||||||
Christian Sinding | 1856 | 1941 | Norwegian | رومانسية | ||||||||
Cécile Chaminade | 1857 | 1944 | French | Concertino for Flute | ||||||||
Frederic Cliffe | 1857 | 1931 | English | Ode to the North-East Wind | رومانسية | |||||||
Berta Bock | 1857 | 1945 | Romanian | |||||||||
Rudolf Dellinger | 1857 | 1910 | German | |||||||||
Árpád Doppler | 1857 | 1927 | Hungarian-German | |||||||||
Alfred Bruneau | 1857 | 1934 | French | |||||||||
Ethel R. Harraden | 1857 | 1917 | English | |||||||||
Rosalind Ellicott | 1857 | 1924 | English | |||||||||
Edward Elgar | 1857 | 1934 | English | Symphony No. 1; No. 2; Violin Concerto; Cello Concerto; The Dream of Gerontius; Pomp and Circumstance Marches | رومانسية | |||||||
Heinrich Berté | 1858 | 1924 | Austrian-Hungarian | Der Glücksnarr | ||||||||
Catherine van Rennes | 1858 | 1940 | Dutch | |||||||||
Richard Franck | 1858 | 1938 | German | |||||||||
Lucien-Léon Guillaume Lambert | 1858 | 1945 | French | |||||||||
Siegfried Alkan | 1858 | 1941 | German | |||||||||
Stella Stocker | 1858 | 1925 | American | |||||||||
Mélanie Bonis | 1858 | 1937 | French | |||||||||
Guy d'Hardelot | 1858 | 1936 | French | |||||||||
Giacomo Puccini | 1858 | 1924 | Italian | La fanciulla del West; Turandot | رومانسية | |||||||
Catharinus Elling | 1858 | 1942 | Norwegian | Symphony in A major, String Quartet in D major | رومانسية | |||||||
Ethel Smyth | 1858 | 1944 | English | |||||||||
Eugène Ysaÿe | 1858 | 1931 | Belgian | |||||||||
Victor Herbert | 1859 | 1924 | Irish - American | The Magic Knight (opera); The Red Mill (musical comedy); A Suite of Serenades | ||||||||
Narcisa Freixas | 1859 | 1926 | Catalan | |||||||||
Teresa Tanco Cordovez de Herrera | 1859 | 1946 | Colombian | |||||||||
Laura Sedgwick Collins | 1859 | 1927 | American | |||||||||
Ida Georgina Moberg | 1859 | 1947 | Finnish | Symphony for orchestra | ||||||||
Ellen Riley Wright | 1859 | 1904 | English | |||||||||
Hedwige Chrétien | 1859 | 1944 | French | |||||||||
Gerard von Brucken Fock | 1859 | 1935 | Dutch | De wederkomst van Christus | ||||||||
Hope Temple | 1859 | 1938 | Irish | |||||||||
Susie Frances Harrison | 1859 | 1935 | Canadian | |||||||||
Mikhail Ippolitov-Ivanov | 1859 | 1935 | Russian | |||||||||
Vincenza Garelli della Morea | 1859 | 1924 | Italian | |||||||||
Sergei Lyapunov | 1859 | 1924 | Russian | |||||||||
Isaac Albéniz | 1860 | 1909 | Spanish | Iberia | رومانسية | |||||||
Emil von Řezníček | 1860 | 1945 | Austrian | Symphonies | ||||||||
Valborg Aulin | 1860 | 1928 | Swedish | |||||||||
Gustave Charpentier | 1860 | 1956 | French | Julien | ||||||||
Felix Woyrsch | 1860 | 1944 | German | |||||||||
William Wallace | 1860 | 1940 | Scottish | |||||||||
Pietro Floridia | 1860 | 1932 | Italian | |||||||||
Celeste de Longpré Heckscher | 1860 | 1928 | American | |||||||||
گوستاف مالر | 1860 | 1911 | Austrian | Symphony No. 5, No. 6, and No. 9; Das Lied von der Erde; Kindertotenlieder | رومانسية; modernism | |||||||
إگناتسي يان پادرفسكي | 1860 | 1941 | Polish | piano works[vague] | ||||||||
Anton Arensky | 1861 | 1906 | Russian | orchestral works[vague] | ||||||||
Václav Suk | 1861 | 1933 | Czech-born Russian | |||||||||
Georgy Catoire | 1861 | 1926 | Russian | |||||||||
Florence Everilda Goodeve | 1861 | 1915 | English | |||||||||
Rudolf Raimann | 1861 | 1913 | Hungarian | operas | رومانسية | |||||||
Marco Enrico Bossi | 1861 | 1925 | Italian | |||||||||
Wilhelm Berger | 1861 | 1911 | German | Symphony No. 2 in B minor, op. 80; Variations and Fugue on an Original Theme, op. 97; Serenade for Twelve Winds, op. 102 | رومانسية | |||||||
Claude Debussy | 1862 | 1918 | French | Clair de lune; Syrinx; La mer; Pelléas et Mélisande; Préludes | Impressionism | |||||||
Frederick Delius | 1862 | 1934 | English | A Village Romeo and Juliet; On Hearing the First Cuckoo in Spring | Impressionism | |||||||
Mona McBurney | 1862 | 1932 | British | |||||||||
Conrad Ansorge | 1862 | 1930 | German | |||||||||
Georgi Conus | 1862 | 1933 | Russian | |||||||||
Edward German | 1862 | 1936 | English | Merrie England; A Princess of Kensington; Tom Jones | ||||||||
Alberto Williams | 1862 | 1952 | Argentine | Poema del Iguazú, nine symphonies | Folk-influenced, modermism, impressionism, nationalism, بعد الڤاگنرية | |||||||
Arthur De Greef | 1862 | 1940 | Belgian | Concerto for Piano and Orchestra No. 1 in C minor, Concerto for Piano and Orchestra No. 2 in B flat minor,Sonata in C minor for 2 Pianos | ||||||||
Walter Damrosch | 1862 | 1950 | German-born American | Sonata for violin and piano | ||||||||
Dora Bright | 1862 | 1951 | English | Piano concerto No. 1 in A minor (1888); Piano concerto No. 2 in D minor (1892); Fantasia in G minor (1892) | ||||||||
Florence Aylward | 1862 | 1950 | English | |||||||||
Meliton Balanchivadze | 1862 | 1937 | Georgian | |||||||||
Maurice Emmanuel | 1862 | 1938 | French | |||||||||
Alphons Diepenbrock | 1862 | 1921 | Dutch | |||||||||
Hugo Becker | 1863 | 1941 | German | Cello Concerto | ||||||||
Charles Bordes | 1863 | 1909 | French | |||||||||
Enrique Fernández Arbós | 1863 | 1939 | Spanish | |||||||||
Abbie Gerrish-Jones | 1863 | 1929 | American | |||||||||
Cornélie van Oosterzee | 1863 | 1943 | Dutch | |||||||||
Felix Blumenfeld | 1863 | 1931 | Russian | |||||||||
Izabella Kuliffay | 1863 | 1945 | Hungarian | Magyar suite | ||||||||
Maria Chefaliady-Taban | 1863 | 1932 | Romanian | |||||||||
Helen Francis Hood | 1863 | 1949 | American | |||||||||
Pietro Mascagni | 1863 | 1945 | Italian | Amica | Verismo | |||||||
Gabriel Pierné | 1863 | 1937 | French | Cydalise et le Chèvre-pied; Ramuntcho | ||||||||
Eugen d'Albert | 1864 | 1932 | Russian | Tiefland | رومانسية | |||||||
Hugh Blair | 1864 | 1932 | English | Magnificat; Nunc Dimittis for double choir | ||||||||
Hjalmar Borgstrøm | 1864 | 1925 | Norwegian | Piano Concerto in C, op.22, Violin Concerto in G major op.25, Piano Quintet in F op.31, Symphony in C, op.5, String Quartet in C, op.6 | ||||||||
Ricardo Castro | 1864 | 1907 | Mexican | |||||||||
Louis Glass | 1864 | 1936 | Danish | |||||||||
Alexander Gretchaninov | 1864 | 1956 | Russian | |||||||||
Peter Griesbacher | 1864 | 1933 | German | historicist | ||||||||
Johan Halvorsen | 1864 | 1935 | Norwegian | Norwegian rhapsodies, three symphonies | رومانسية, French influence | |||||||
Guy Ropartz | 1864 | 1955 | French | Le Pays | Impressionism | |||||||
ريتشارد شتراوس | 1864 | 1949 | German | An Alpine Symphony; Der Rosenkavalier; Oboe Concerto; Salome; Metamorphosen | رومانسية | |||||||
Giovanni Tebaldini | 1864 | 1952 | Italian | historicist | August de Boeck | 1865 | 1937 | Belgian | ||||
Eduardo di Capua | 1865 | 1917 | Italian | |||||||||
Paul Dukas | 1865 | 1935 | French | La Péri (ballet) | ||||||||
Alexander Glazunov | 1865 | 1936 | Russian | Symphony No. 4 and No. 5; The Seasons (ballet); Violin Concerto; Saxophone Concerto | رومانسية | |||||||
Borghild Holmsen | 1865 | 1938 | Norweigian | |||||||||
Albéric Magnard | 1865 | 1914 | French | Guercoeur | ||||||||
Carl Nielsen | 1865 | 1931 | Danish | Symphony No. 4; No. 5; Maskarade; Clarinet Concerto | ||||||||
Paul Gilson | 1865 | 1942 | Belgian | |||||||||
جان سيبليوس | 1865 | 1957 | Finnish | Symphony No. 2, No. 5, and No. 7; Violin Concerto | ||||||||
Francesco Cilea | 1866 | 1950 | Italian | L'arlesiana; Adriana Lecouvreur | ||||||||
Ferruccio Busoni | 1866 | 1924 | Italian | Fantasia contrappuntistica; Turandot Suite; Piano Concerto | ||||||||
Vladimir Rebikov | 1866 | 1920 | Russian | Children's piano music | ||||||||
Erik Satie | 1866 | 1925 | French | Piano music | Minimalism, طليعي | |||||||
Clara Anna Korn | 1866 | 1941 | American | Piano Concerto | ||||||||
Laura Lemon | 1866 | 1924 | Canadian | |||||||||
Tor Aulin | 1866 | 1914 | Swedish | |||||||||
Caro Roma | 1866 | 1937 | American | |||||||||
Gustave Doret | 1866 | 1943 | Swiss | |||||||||
Margherita Galeotti | 1867 | 1912 | Italian | Piano Trio in D minor | ||||||||
Karel Navrátil | 1867 | 1936 | Czech | |||||||||
Amy Elsie Horrocks | 1867 | 1920 | English | |||||||||
Amy Beach | 1867 | 1944 | American | |||||||||
Umberto Giordano | 1867 | 1948 | Italian | Siberia; Madame Sans-Gêne; La cena delle beffe | Verismo | |||||||
Enrique Granados | 1867 | 1916 | Spanish | Goyescas (piano suite); Goyescas | ||||||||
Fini Henriques | 1867 | 1940 | Danish | |||||||||
Charles Koechlin | 1867 | 1950 | French | |||||||||
Wilhelm Peterson-Berger | 1867 | 1942 | Swedish | Frösöblomster | Romantic nationalism | |||||||
Scott Joplin | ca. 1867/1868? | 1917 | American | Treemonisha | Ragtime | |||||||
Granville Bantock | 1868 | 1946 | British | Omar Khayyám, Hebridean Symphony | رومانسية, often with an exotic flavour | |||||||
Hermann Bischoff | 1868 | 1936 | German | |||||||||
Carl Frühling | 1868 | 1937 | Austrian | Suite in F major, op. 36 | ||||||||
Tokichi Setoguchi | 1868 | 1941 | Japanese | |||||||||
Annie Patterson | 1868 | 1934 | Irish | |||||||||
František Drdla | 1868 | 1944 | Czech | |||||||||
Alberto Jonás | 1868 | 1943 | Spanish | |||||||||
Signe Lund | 1868 | 1950 | Norwegian | Valse de Concert Op.40 | ||||||||
Oskar Merikanto | 1868 | 1924 | Finnish | |||||||||
Vittorio Monti | 1868 | 1922 | Italian | Csárdás | ||||||||
Jan Brandts Buys | 1868 | 1933 | Dutch-Austrian | |||||||||
Lodewijk Mortelmans | 1868 | 1952 | Belgian | |||||||||
Maria Antonietta Picconi | 1869 | 1926 | Italian | |||||||||
Vassily Brandt | 1869 | 1923 | Russian | |||||||||
Joséphine Boulay | 1869 | 1925 | French | |||||||||
Julius Conus | 1869 | 1942 | Russian | |||||||||
Armas Järnefelt | 1869 | 1958 | Finnish | |||||||||
John N. Klohr | 1869 | 1956 | American | Billboard March | ||||||||
Hans Pfitzner | 1869 | 1949 | German | Palestrina | ||||||||
Albert Roussel | 1869 | 1937 | French | Symphony No. 3 and No. 4; Bacchus et Ariane (ballet) | Neoclassicism | |||||||
Henry Eichheim | 1870 | 1942 | American | |||||||||
Leopold Godowsky | 1870 | 1938 | Polish | Studies on Chopin's Études; Passacaglia; Triakontameron | ||||||||
Alfred Hill | 1870 | 1960 | Australian | |||||||||
Mon Schjelderup | 1870 | 1934 | Norwegian | Sonata in B minor, Op. 12 | ||||||||
Ludvík Čelanský | 1870 | 1931 | Czech | |||||||||
Franz Lehár | 1870 | 1948 | Hungarian | operettas | ||||||||
Viktor Kalinnikov | 1870 | 1927 | Russian | |||||||||
Vítězslav Novák | 1870 | 1949 | Czech | |||||||||
Arthur Pryor | 1870 | 1942 | American | |||||||||
Florent Schmitt | 1870 | 1958 | French | |||||||||
Oscar Straus | 1870 | 1954 | Austrian | Ein Walzertraum; The Chocolate Soldier | ||||||||
Charles Tournemire | 1870 | 1939 | French | L'Orgue Mystique | ||||||||
Cornelis Dopper | 1870 | 1939 | Dutch | |||||||||
Louis Vierne | 1870 | 1937 | French | |||||||||
Hélène-Frédérique de Faye-Jozin | 1871 | 1942 | French | |||||||||
Adolphe Biarent | 1871 | 1916 | Belgian | |||||||||
Leon Jessel | 1871 | 1942 | German | The Parade of the Tin Soldiers | ||||||||
Wilhelm Stenhammar | 1871 | 1927 | Swedish | Symphony No. 2 | رومانسية | |||||||
Alexander von Zemlinsky | 1871 | 1942 | Austrian | Lyric Symphony; operas | رومانسية | |||||||
Hugo Alfvén | 1872 | 1960 | Swedish | Symphony No. 4: From the Outermost Skerries; Midsummer Vigil | رومانسية | |||||||
Stanislav Binički | 1872 | 1942 | Serbian | Marš na Drinu | ||||||||
Julius Fučík | 1872 | 1916 | Czech | Entrance of the Gladiators | ||||||||
Eyvind Alnæs | 1872 | 1932 | Norwegian | two symphonies, Piano Concerto | ||||||||
Rubin Goldmark | 1872 | 1936 | American | |||||||||
Lorenzo Perosi | 1872 | 1956 | Italian | Il Giudizio Universale (oratorio) | historicist | |||||||
Alexander Scriabin | 1872 | 1915 | Russian | The Poem of Ecstasy; Prometheus: The Poem of Fire; piano sonatas Nos. 4–10 | Mysticism | |||||||
رالف فون وليامز | 1872 | 1958 | English | A Sea Symphony; A London Symphony; Sinfonia antartica; Fantasia on a Theme by Thomas Tallis; Fantasia on Greensleeves; The Lark Ascending | Impressionism, folk-influenced | |||||||
Joseph Jongen | 1873 | 1953 | Belgian | Symphonie Concertante for organ and orchestra | ||||||||
Lucien Capet | 1873 | 1928 | French | Poème for violin and orchestra | ||||||||
María de las Mercedes Adam de Aróstegui | 1873 | 1957 | Cuban | |||||||||
Leo Fall | 1873 | 1925 | Austrian | operettas | رومانسية | |||||||
Dimitri Arakishvili | 1873 | 1953 | Georgian | |||||||||
هنري رابو | 1873 | 1949 | French | |||||||||
سيرجي رخمانينوف | 1873 | 1943 | Russian | Piano Concerto No. 2 and No. 3; Rhapsody on a Theme of Paganini; Symphony No. 2; Prelude in C-sharp minor | رومانسية | |||||||
Arnold Safroni-Middleton | 1873 | 1950 | British | |||||||||
Jean Roger-Ducasse | 1873 | 1954 | French | |||||||||
Emma Lomax | 1873 | 1963 | English | |||||||||
Nikolai Tcherepnin | 1873 | 1945 | Russian | |||||||||
Max Reger | 1873 | 1916 | German | organ music, Variations and Fugue on a Theme by Mozart, Hebbel Requiem | رومانسية | |||||||
Katharine Emily Eggar | 1874 | 1961 | English | |||||||||
Pol Albrecht | 1874 | 1975 | Luxembourgian | |||||||||
Charles Ives | 1874 | 1954 | American | The Unanswered Question; Central Park in the Dark; Variations on America; Three Places in New England; Concord Sonata | طليعي, folk-influenced | |||||||
Gustav Holst | 1874 | 1934 | English | The Planets; Beni Mora; Egdon Heath | ||||||||
Ernest Austin | 1874 | 1947 | English | Symphony | Atonaliity, رومانسية, folk-influenced, Impressionism | |||||||
Giulio Bas | 1874 | 1929 | Italian | organ works[vague] | ||||||||
Serge Koussevitzky | 1874 | 1951 | Russian | |||||||||
Franz Schmidt | 1874 | 1939 | Austrian | The Book with Seven Seals | ||||||||
Arnold Schoenberg | 1874 | 1951 | Austrian | Gurre-Lieder; Verklärte Nacht; Variations for Orchestra; Pierrot Lunaire; Five Pieces for Orchestra; Violin Concerto | رومانسية, later Expressionism and Serialism; founder of the Second Viennese School | |||||||
Josef Suk | 1874 | 1935 | Czech | Asrael Symphony; A Winter's Tale | ||||||||
Franco Alfano | 1875 | 1954 | Italian | |||||||||
Julián Carrillo | 1875 | 1965 | Mexican | 13th sound | Microtonal music | |||||||
Samuel Coleridge-Taylor | 1875 | 1912 | English | The Song of Hiawatha (cantata) | ||||||||
Mikalojus Konstantinas Čiurlionis | 1875 | 1911 | Lithuanian | |||||||||
Reinhold Glière | 1875 | 1956 | Russian | Horn Concerto; The Red Poppy | رومانسية | |||||||
Alexander Goldenweiser | 1875 | 1961 | Russian | |||||||||
Jenő Huszka | 1875 | 1960 | Hungarian | |||||||||
Dobri Hristov | 1875 | 1941 | Bulgarian | |||||||||
Ernesto de Curtis | 1875 | 1937 | Italian | |||||||||
Fritz Kreisler | 1875 | 1962 | Austrian | Caprice Viennois; Liebesfreud; Liebesleid; Schön Rosmarin | ||||||||
Erkki Melartin | 1875 | 1937 | Finnish | |||||||||
موريس راڤل | 1875 | 1937 | French | Daphnis et Chloé; Valses nobles et sentimentales; Rapsodie espagnole; Tzigane; Piano Concerto; Bolero; piano music | Impressionism, Neoclassicism | |||||||
Hakon Børresen | 1876 | 1954 | Danish | The Royal Guest | رومانسية | |||||||
Havergal Brian | 1876 | 1972 | English | Gothic Symphony | ||||||||
Lucia Contini Anselmi | 1876 | 1913 | Italian | |||||||||
John Alden Carpenter | 1876 | 1951 | American | |||||||||
Mieczysław Karłowicz | 1876 | 1909 | Polish | Stanislaw i Anna Oświęcimovie Lithuanian Rhapsody; Symphony in E Minor; Violin Concerto | رومانسية | |||||||
Manuel de Falla | 1876 | 1946 | Spanish | The Three-Cornered Hat; Nights in the Gardens of Spain | Impressionism, Neoclassicism | |||||||
Carl Ruggles | 1876 | 1971 | American | Sun-Treader | ||||||||
Mikhail Savoyarov | 1876 | 1941 | Russian | The Drunken Moon, Trumpeters, Because of the Ladies | chansonnier, light music, jazz-influenced | |||||||
Ermanno Wolf-Ferrari | 1876 | 1948 | Italian | Several comic operas | ||||||||
Alexander Goedicke | 1877 | 1957 | Russian | |||||||||
Yevgeny Gunst | 1877 | 1950 | Russian | |||||||||
Russell Alexander | 1877 | 1915 | American | |||||||||
Sergei Bortkiewicz | 1877 | 1952 | Russian (Ukrainian-born) | |||||||||
Ernő Dohnányi | 1877 | 1960 | Hungarian | Variations on a Nursery Tune | رومانسية | |||||||
Vladimir Tsybin | 1877 | 1949 | Russian | |||||||||
Sigfrid Karg-Elert | 1877 | 1933 | German | organ and harmonium works[vague] | ||||||||
Mykola Leontovych | 1877 | 1921 | Ukrainian | Shchedryk, church music, arrangements of folk songs | A capella choral music | |||||||
Elisabeth Kuyper | 1877 | 1953 | Dutch | Violin Concerto in B minor, Violin Sonata in A major, Piano Trio in D major | ||||||||
Hnat Khotkevych | 1877 | 1938 | Ukrainian | |||||||||
Roger Quilter | 1877 | 1953 | English | songs | ||||||||
Rutland Boughton | 1878 | 1960 | English | |||||||||
Selim Palmgren | 1878 | 1951 | Finnish | |||||||||
Harry Farjeon | 1878 | 1948 | British | |||||||||
Antun Dobronić | 1878 | 1955 | Croatian | |||||||||
Caradog Roberts | 1878 | 1935 | Welsh | |||||||||
Adam Carse | 1878 | 1958 | English | two symphonies | ||||||||
André Caplet | 1878 | 1925 | French | |||||||||
Mabel Wheeler Daniels | 1878 | 1971 | American | |||||||||
Conrado del Campo | 1878 | 1953 | Spanish | |||||||||
Carl Ehrenberg | 1878 | 1962 | German | one opera, two symphonies, symphonic sketches, two orchestral suites, one overture, pieces for male choir with orchestra, one cello concerto, chamber music, theater music, and lieder | Post-رومانسية | |||||||
Gabriel Dupont | 1878 | 1914 | French | |||||||||
Fritz Brun | 1878 | 1959 | Swiss | |||||||||
Joseph Holbrooke | 1878 | 1958 | English | |||||||||
Franz Schreker | 1878 | 1934 | Austrian | Several operas | ||||||||
Frank Bridge | 1879 | 1941 | English | Enter Spring; The Sea | Impressionism, later Expressionism; mentor of Benjamin Britten | |||||||
Joseph Canteloube | 1879 | 1957 | French | Chants d'Auvergne | ||||||||
Jean Cras | 1879 | 1932 | French | |||||||||
Stanyslav Lyudkevych | 1879 | 1979 | Ukrainian | |||||||||
Maurice Delage | 1879 | 1961 | French | |||||||||
Stefano Donaudy | 1879 | 1925 | Italian | |||||||||
Percy Fletcher | 1879 | 1932 | English | |||||||||
Philippe Gaubert | 1879 | 1941 | French | |||||||||
Hamilton Harty | 1879 | 1941 | Irish | An Irish Symphony; With the Wild Geese | ||||||||
John Ireland | 1879 | 1962 | English | Piano Concerto in E flat | ||||||||
Pablo Luna | 1879 | 1942 | Spanish | El niño judío | ||||||||
Josip Hatze | 1879 | 1959 | Croatian | |||||||||
Hugo Riesenfeld | 1879 | 1939 | Austrian-American | |||||||||
Joaquín Nin | 1879 | 1949 | Cuban | |||||||||
Otto Olsson | 1879 | 1964 | Swedish | Te Deum | ||||||||
Ottorino Respighi | 1879 | 1936 | Italian | The Fountains of Rome; The Pines of Rome | Impressionism, Neo-Baroque | |||||||
Cyril Scott | 1879 | 1970 | English | |||||||||
Ernest Bloch | 1880 | 1959 | American (Swiss-born) | Schelomo; Suite hébraïque | ||||||||
Edgar Thomas Cook | 1880 | 1953 | English | |||||||||
John Foulds | 1880 | 1939 | English | A World Requiem | Post-romanticism, Indian influence | |||||||
Nikolai Medtner | 1880 | 1951 | Russian | 38 Skazki for piano, Piano Concerto No. 3 | رومانسية | |||||||
Ildebrando Pizzetti | 1880 | 1968 | Italian | Assassinio nella cattedrale | ||||||||
Domenico Alaleona | 1881 | 1928 | Italian | |||||||||
Arthur Marshall | 1881 | 1968 | American | |||||||||
Kenneth J. Alford | 1881 | 1945 | British | Colonel Bogey | "British March King" | |||||||
Béla Bartók | 1881 | 1945 | Hungarian | Concerto for Orchestra; six string quartets; The Miraculous Mandarin; Piano Concerto No. 1; Piano Concerto No. 2; Piano Concerto No. 3; Music for Strings, Percussion and Celesta; Sonata for Two Pianos and Percussion | Neoclassicism, folk-influenced | |||||||
Gena Branscombe | 1881 | 1977 | Canadian | |||||||||
Nancy Dalberg | 1881 | 1949 | Danish | String Quartet No. 2 | ||||||||
George Enescu | 1881 | 1955 | Romanian | Romanian Rhapsody No. 1, Sonata No. 3 for Violin and Piano ("In the Romanian Popular Style"), Œdip (opera), Cantabile et Presto for flute and piano | folk-influenced; father of Romanian classical music | |||||||
Henry Fillmore | 1881 | 1956 | American | marches | ||||||||
Ignatz Waghalter | 1881 | 1949 | Polish-German | Concerto for Violin in A Major; Mandragola; Jugend; and other operas | رومانسية | |||||||
Richard Hageman | 1881 | 1966 | Dutch-born American | |||||||||
Jan van Gilse | 1881 | 1944 | Dutch | Thijl | ||||||||
Nikolai Myaskovsky | 1881 | 1950 | Russian | Symphony No. 6, No. 10 and No. 13; Cello Concerto in C minor | رومانسية | |||||||
Nikolai Roslavets | 1881 | 1944 | Russian | |||||||||
Marion Bauer | 1882 | 1955 | American | |||||||||
Percy Grainger | 1882 | 1961 | Australian | Country Gardens, Irish Tune from County Derry, Lincolnshire Posy | folk-influenced | |||||||
Mary Howe | 1882 | 1964 | American | |||||||||
Emmerich Kálmán | 1882 | 1953 | Hungarian | operettas | ||||||||
Zoltán Kodály | 1882 | 1967 | Hungarian | Háry János; Székelyfonó; Psalmus Hungaricus | folk-influenced | |||||||
Gian Francesco Malipiero | 1882 | 1973 | Italian | |||||||||
Joseph Marx | 1882 | 1964 | Austrian | vocal music | ||||||||
Geoffrey O'Hara | 1882 | 1967 | Canadian | |||||||||
Manuel Ponce | 1882 | 1948 | Mexican | Concierto del sur for guitar and orchestra, guitar and piano pieces, songs (especially "Estrellita"), and folk-song arrangements | ||||||||
إيگور ستراڤنسكي | 1882 | 1971 | Russian | The Rite of Spring; The Firebird; Petrushka; Pulcinella; The Soldier's Tale; Symphony of Psalms; Symphonies of Wind Instruments | Neoclassicism, Neo-Baroque, neotonality, later Serialism | |||||||
Karol Szymanowski | 1882 | 1937 | Polish | Symphony No. 3 and No. 4; Violin Concerto No. 1 and No. 2 | Impressionism, later folk-influenced | |||||||
Walter Braunfels | 1882 | 1954 | German | Operas, Organ Concerto | neotonality | |||||||
Ernestina Lecuona Casado | 1882 | 1951 | Cuban | Bolero | ||||||||
Joaquín Turina | 1882 | 1949 | Spanish | |||||||||
Arnold Bax | 1883 | 1953 | English | Symphony No. 2, No. 3, and No. 6; Tintagel | رومانسية, Impressionism | |||||||
Alfredo Casella | 1883 | 1947 | Italian | |||||||||
George Dyson | 1883 | 1964 | English | Symphony in G major | ||||||||
Josef Matthias Hauer | 1883 | 1959 | Austrian | |||||||||
Manolis Kalomiris | 1883 | 1962 | Greek | |||||||||
Robert Graham Manson | 1883 | 1950 | British | |||||||||
Enrico Toselli | 1883 | 1926 | Italian | Serenata 'Rimpianto' Op.6 No.1 | ||||||||
Jules Van Nuffel | 1883 | 1953 | Belgian | In convertendo Dominus; Tedeum | ||||||||
Edgard Varèse | 1883 | 1965 | French | Amériques; Ionisation; Arcana; Density 21.5 | Musique concrète, Electronic music | |||||||
Anton Webern | 1883 | 1945 | Austrian | Symphony; Six Pieces for Orchestra | Serialism; pupil of Arnold Schoenberg | |||||||
Juhan Aavik | 1884 | 1982 | Estonian | |||||||||
Dina Appeldoorn | 1884 | 1938 | Dutch | |||||||||
May Brahe | 1884 | 1956 | Australian | Bless This House and other songs | ||||||||
Max Brod | 1884 | 1968 | Czech | |||||||||
Charles Griffes | 1884 | 1920 | American | |||||||||
Louis Gruenberg | 1884 | 1964 | Russian | |||||||||
Juozas Gruodis | 1884 | 1948 | Lithuanian | |||||||||
Ture Rangström | 1884 | 1947 | Swedish | Four symphonies | ||||||||
Alban Berg | 1885 | 1935 | Austrian | Violin Concerto; Wozzeck; Lyric Suite | Serialism, رومانسية, Expressionism; pupil of Arnold Schoenberg | |||||||
Benjamin Dale | 1885 | 1943 | English | |||||||||
George Butterworth | 1885 | 1916 | English | |||||||||
Eduard Kunneke | 1885 | 1953 | German | Der Vetter aus Dingsda | ||||||||
Dora Pejačević | 1885 | 1923 | Croatian | Symphony in F-sharp Minor, Phantasie Concertante | ||||||||
Wallingford Riegger | 1885 | 1961 | American | Symphony No. 3 | ||||||||
Agustín Barrios | 1885 | 1944 | Paraguayan | |||||||||
Mana-Zucca | 1885 | 1981 | American | |||||||||
Leo Weiner | 1885 | 1960 | Hungarian | |||||||||
Alexander Albrecht | 1885 | 1958 | Slovak | |||||||||
Egon Wellesz | 1885 | 1974 | Austrian | nine symphonies | ||||||||
Joseph Achron | 1886 | 1943 | Russian | Hebrew Melody | ||||||||
Edward Ballantine | 1886 | 1971 | American | Variations on "Mary Had a Little Lamb" for piano | ||||||||
Kosaku Yamada | 1886 | 1965 | Japanese | Overture in D major | ||||||||
John J. Becker | 1886 | 1961 | American | |||||||||
Rebecca Helferich Clarke | 1886 | 1979 | English | |||||||||
Wilhelm Furtwängler | 1886 | 1954 | German | Symphony No. 1 in B minor , Symphony No. 2 in E minor , Symphony No. 3 in C♯ minor, Piano Quintet, Religöser Hymnus, Te Deum for Choir and Orchestra | Neoclassicism, folk-influenced, twelve-tone technique | |||||||
Marcel Dupré | 1886 | 1971 | French | organ music | ||||||||
Jesús Guridi | 1886 | 1961 | Spanish | Sinfonia pirenaica | ||||||||
Paul Paray | 1886 | 1979 | French | Mass for the 500th Anniversary of the Death of Joan of Arc | ||||||||
Othmar Schoeck | 1886 | 1957 | Swiss | Penthesilea | ||||||||
Pietro Yon | 1886 | 1943 | Italian | Gesù bambino | ||||||||
Kurt Atterberg | 1887 | 1974 | Swedish | Symphony No. 6 "Dollar Symphony" | ||||||||
Nadia Boulanger | 1887 | 1979 | French | |||||||||
Mildred Couper | 1887 | 1974 | American | quarter tone | ||||||||
Heino Eller | 1887 | 1970 | Estonian | |||||||||
Leevi Madetoja | 1887 | 1947 | Finnish | |||||||||
Emil Reesen | 1887 | 1964 | Danish | Operas | ||||||||
Rudi Stephan | 1887 | 1915 | German | رومانسية | ||||||||
Willem Andriessen | 1887 | 1964 | Dutch | Piano Concerto in D♭ major | ||||||||
Ernst Toch | 1887 | 1964 | German | 7 symphonies | ||||||||
Heitor Villa-Lobos | 1887 | 1959 | Brazilian | Chôros; Bachianas brasileiras; Magdalena: a Musical Adventure; Rudepoêma; | Neoclassicism, folk-influenced | |||||||
Johanna Beyer | 1888 | 1944 | German-American | |||||||||
Philip Greeley Clapp | 1888 | 1954 | American | 12 symphonies | ||||||||
Irving Berlin | 1888 | 1989 | American | |||||||||
Cecil Coles | 1888 | 1918 | Scottish | |||||||||
Emiliana de Zubeldia | 1888 | 1987 | Spanish | |||||||||
Anna Maria Klechniowska | 1888 | 1973 | Polish | |||||||||
Poul Schierbeck | 1888 | 1949 | Danish | |||||||||
Matthijs Vermeulen | 1888 | 1967 | Dutch | |||||||||
Levko Revutsky | 1889 | 1977 | Ukrainian | Piano Concerto in F major | ||||||||
Grigoraş Dinicu | 1889 | 1949 | Romanian | |||||||||
Armstrong Gibbs | 1889 | 1960 | English | |||||||||
Ethel Glenn Hier | 1889 | 1971 | American | |||||||||
Vladimir Shcherbachov | 1889 | 1952 | Russian | |||||||||
Victor Dolidze | 1890 | 1933 | Soviet Georgian | |||||||||
Luís de Freitas Branco | 1890 | 1955 | Portuguese | |||||||||
Hans Gál | 1890 | 1987 | Austrian | |||||||||
Ivor Gurney | 1890 | 1937 | English | |||||||||
Jacques Ibert | 1890 | 1962 | French | neoclassicism Impressionism | ||||||||
Frank Martin | 1890 | 1974 | Swiss | Ballade for flute and piano | ||||||||
Bohuslav Martinů | 1890 | 1959 | Czech | Symphony No. 3, No. 4, and No. 6; Gilgamesh (oratorio); chamber music | neoclassicism, folk-influenced | |||||||
Gösta Nystroem | 1890 | 1966 | Swedish | |||||||||
Arthur Bliss | 1891 | 1975 | English | A Colour Symphony | ||||||||
Claude Champagne | 1891 | 1965 | Canadian | |||||||||
Roy Agnew | 1891 | 1944 | Australian | |||||||||
ميخائيل بولگاكوڤ | 1891 | 1940 | Russian | |||||||||
Noël Gallon | 1891 | 1966 | French | |||||||||
Marcel Grandjany | 1891 | 1975 | French | Pieces for harp; Headed Harp Dept at Fontainebleau & Juilliard | Noted harpist and teacher | |||||||
Thomas Griselle | 1891 | 1955 | American | |||||||||
Mihail Jora | 1891 | 1971 | Romanian | |||||||||
Karl King | 1891 | 1971 | American | Barnum and Bailey's Favorite | marches | |||||||
Federico Moreno Torroba | 1891 | 1982 | Spanish | classical guitar | ||||||||
Sergei Prokofiev | 1891 | 1953 | Russian | Romeo and Juliet); The Love for Three Oranges; Classical Symphony; Symphony No. 5 and No. 6; Violin Concerto No. 1 and No. 2; Piano Concerto No. 2 and No. 3; Alexander Nevsky; Lieutenant Kijé; Peter and the Wolf | neoclassicism, رومانسية | |||||||
Paul Abraham | 1892 | 1960 | Hungarian | operettas | ||||||||
Hendrik Andriessen | 1892 | 1981 | Dutch | father of Louis Andriessen | ||||||||
Ferde Grofé | 1892 | 1972 | American | Grand Canyon Suite; Mississippi Suite | ||||||||
Mirrie Hill | 1892 | 1986 | Australian | |||||||||
Arthur Honegger | 1892 | 1955 | Swiss | Symphony No. 3 "Liturgique"; Pacific 231; Les Misérables (film music) | neoclassicism | |||||||
Herbert Howells | 1892 | 1983 | English | Hymnus paradisi | ||||||||
László Lajtha | 1892 | 1963 | Hungarian | |||||||||
Darius Milhaud | 1892 | 1974 | French | La Création du Monde; Le Bœuf sur le toit | jazz-influenced, neoclassical, polytonal | |||||||
Hilding Rosenberg | 1892 | 1985 | Swedish | Violin Concerto | ||||||||
Kaikhosru Shapurji Sorabji | 1892 | 1988 | English | Opus clavicembalisticum; Études transcendantes (100); Sequentia cyclica super "Dies irae" ex Missa pro defunctis; Piano Symphony No. 2; "Gulistān"—Nocturne for Piano | neoclassical, neoromantic, postimpressionistic | |||||||
Germaine Tailleferre | 1892 | 1983 | French | |||||||||
Jean Absil | 1893 | 1974 | Belgian | |||||||||
Arthur Benjamin | 1893 | 1960 | Australian | Jamaican Rhumba | ||||||||
Lili Boulanger | 1893 | 1918 | French | |||||||||
Eugene Aynsley Goossens | 1893 | 1962 | English | |||||||||
Alois Hába | 1893 | 1973 | Czech | Matka | microtonal | |||||||
Helen Eugenia Hagan | 1893 | 1964 | American | |||||||||
Rued Langgaard | 1893 | 1952 | Danish | 16 symphonies, The Music of the Spheres, Antikrist | ||||||||
Federico Mompou | 1893 | 1987 | Spanish | piano music | ||||||||
Douglas Moore | 1893 | 1969 | American | The Ballad of Baby Doe, The Devil and Daniel Webster (folk opera) | ||||||||
Ivor Novello | 1893 | 1951 | Welsh | |||||||||
Leo Ornstein | 1893 | 2002 | American (Russian-born) | Wild Men's Dance, Suicide in an Airplane, 8 piano sonatas, Piano Quintet, 3 String Quartets | طليعي, later Neoromanticism | |||||||
Charles Wilfred Orr | 1893 | 1976 | English | songs | ||||||||
Krešimir Baranović | 1894 | 1975 | Yugoslav | |||||||||
Robert Russell Bennett | 1894 | 1981 | American | Broadway arrangements; pieces for band | ||||||||
Sabin Drăgoi | 1894 | 1968 | Romanian | Piano Concerto | ||||||||
Peter Warlock | 1894 | 1930 | Anglo-Welsh | |||||||||
Jane M. Joseph | 1894 | 1929 | English | |||||||||
Ernest John Moeran | 1894 | 1950 | English | Symphony in G minor | folk-influenced | |||||||
Willem Pijper | 1894 | 1947 | Dutch | Six Adagios; Piano Concerto | atonal | |||||||
Walter Piston | 1894 | 1976 | American | The Incredible Flutist (ballet); Symphony No. 2, No. 3, No. 6, and No. 7 | Neoclassicism | |||||||
Erwin Schulhoff | 1894 | 1942 | Czech | |||||||||
Mark Wessel | 1894 | 1973 | American | The King of Babylon; Concertino for Flute or Violin and Orchestra | ||||||||
August Baeyens | 1895 | 1966 | Belgian | |||||||||
Henriëtte Bosmans | 1895 | 1952 | Dutch | |||||||||
Mario Castelnuovo-Tedesco | 1895 | 1968 | Italian | guitar music | ||||||||
Juan José Castro | 1895 | 1968 | Argentine | |||||||||
Georges Dandelot | 1895 | 1975 | French | |||||||||
Johann Nepomuk David | 1895 | 1977 | Austrian | neoclassical | ||||||||
Paul Hindemith | 1895 | 1963 | German | Symphonic Metamorphosis of Themes by Carl Maria von Weber; Mathis der Maler; Ludus Tonalis | Neo-Baroque, neoclassicism, Expressionism | |||||||
Gordon Jacob | 1895 | 1984 | English | |||||||||
Eva Jessye | 1895 | 1992 | American | |||||||||
Borys Lyatoshynsky | 1895 | 1968 | Ukrainian | |||||||||
Carl Orff | 1895 | 1982 | German | Carmina Burana | ||||||||
Leo Sowerby | 1895 | 1968 | American | |||||||||
William Grant Still | 1895 | 1978 | American | 5 symphonies, including Symphony No. 1 "Afro-American"; operas, including Troubled Island, A Bayou Legend | folk-influenced; known as "the Dean" of African-American composers | |||||||
Eduard Toldrà | 1895 | 1962 | Spanish | |||||||||
Shirley Graham Du Bois | 1896 | 1977 | American | |||||||||
Jacobo Ficher | 1896 | 1978 | Argentine | 10 symphonies; 3 piano concertos; chamber music; El Oso (opera, after Chekhov) | eclectic | |||||||
Petko Staynov | 1896 | 1977 | Bulgarian | |||||||||
Viktor Kosenko | 1896 | 1938 | Ukrainian | piano concerto | ||||||||
Roberto Gerhard | 1896 | 1970 | Spanish | |||||||||
Howard Hanson | 1896 | 1981 | American | 7 symphonies | رومانسية | |||||||
Roger Sessions | 1896 | 1985 | American | 9 symphonies, Violin Concerto, Montezuma | neoclassicism, twelve-tone technique | |||||||
Virgil Thomson | 1896 | 1989 | American | Four Saints in Three Acts, The Mother of Us All; Louisiana Story; also noted critic | folk-influenced, eclectic | |||||||
Jaromír Weinberger | 1896 | 1967 | Czech | Schwanda the Bagpiper | ||||||||
António Fragoso | 1897 | 1918 | Portuguese | |||||||||
Paul Ben-Haim | 1897 | 1984 | Israeli | |||||||||
Gaspar Cassadó | 1897 | 1966 | Spanish | Toccata, Requiebros | ||||||||
Henry Cowell | 1897 | 1965 | American | The Tides of Manaunaun, Dynamic Motion | eclectic, experimental | |||||||
Oscar Lorenzo Fernández | 1897 | 1948 | Brazilian | "Batuque" from Malazarte | nationalism | |||||||
Erich Wolfgang Korngold | 1897 | 1957 | Austrian | Violin Concerto; film music; Die Tote Stadt | ||||||||
Agustín Lara | 1897 | 1970 | Mexican | Granada | ||||||||
Fernando Obradors | 1897 | 1945 | Spanish | Canciones clásicas españolas | ||||||||
Quincy Porter | 1897 | 1966 | American | 2 symphonies, 9 string quartets, Piano Quintet, Concerto concertante for two pianos and orchestra | ||||||||
Harald Sæverud | 1897 | 1992 | Norwegian | Peer Gynt, 9 symphonies | ||||||||
Pablo Sorozábal | 1897 | 1988 | Spanish | |||||||||
Alexandre Tansman | 1897 | 1986 | Polish | |||||||||
Hanns Eisler | 1898 | 1962 | German/Austrian | Auferstanden aus Ruinen (Eastern Germany national anthem) | ||||||||
جورج گرشوين | 1898 | 1937 | American | Rhapsody in Blue; Piano Concerto; An American in Paris; Porgy and Bess | jazz-influenced | |||||||
Roy Harris | 1898 | 1979 | American | Symphony No. 3 | neotonality | |||||||
Dorothy Howell | 1898 | 1982 | English | |||||||||
Lev Knipper | 1898 | 1974 | Russian | |||||||||
Alexander Abramsky | 1898 | 1985 | Russian | folk-influenced | ||||||||
Maurice Journeau | 1898 | 1999 | French | |||||||||
Vittorio Rieti | 1898 | 1994 | Italian | |||||||||
Pancho Vladigerov | 1899 | 1978 | Bulgarian | 4 piano concertos | folk-influenced | |||||||
William Baines | 1899 | 1922 | English | |||||||||
Patrick Hadley | 1899 | 1973 | British | |||||||||
Ephraim Amu | 1899 | 1995 | Ghanaian | |||||||||
Georges Auric | 1899 | 1983 | French | |||||||||
Carlos Chávez | 1899 | 1978 | Mexican | Sinfonía de Antígona, Sinfonía india, Symphony No. 6, Toccata for percussion instruments, The Visitors (opera) | modernist, فنان ساذج, folk-influenced, neoclassicism, serialist | |||||||
Sophie Carmen Eckhardt-Gramatté | 1899 | 1974 | Russian-born Canadian | |||||||||
Jón Leifs | 1899 | 1968 | Icelandic | Oratorios based on Edda | idiosyncratic orchestration and percussion used to evoke Icelandic natural phenomena | |||||||
George Frederick McKay | 1899 | 1970 | American | |||||||||
Francis Poulenc | 1899 | 1963 | French | Babar the Elephant; Flute Sonata Stabat Mater | neoclassicism | |||||||
Silvestre Revueltas | 1899 | 1940 | Mexican | Janitzio, Homenaje a Federico García Lorca, Sensemayá | nationalist, political music, فنان ساذج, popular-music influence. modernism | |||||||
Alexander Tcherepnin | 1899 | 1977 | Russian | |||||||||
Randall Thompson | 1899 | 1984 | American | Alleluia; The Testament of Freedom | ||||||||
George Antheil | 1900 | 1959 | American | Ballet mécanique; Symphony No. 4 | طليعي, modernism, later neoclassical | |||||||
Willy Burkhard | 1900 | 1955 | Swiss | |||||||||
Alan Bush | 1900 | 1995 | English | |||||||||
Aaron Copland | 1900 | 1990 | American | Appalachian Spring (ballet); Billy the Kid (ballet); Rodeo (ballet); Fanfare for the Common Man; Clarinet Concerto | neoclassical, folk-influenced, jazz-influenced, early twelve-tone, later serialism | |||||||
Isadore Freed | 1900 | 1960 | Belarusian-born American | |||||||||
Hector Gratton | 1900 | 1970 | Canadian | |||||||||
Isaak Dunayevsky | 1900 | 1955 | Russian | |||||||||
Maurice Jaubert | 1900 | 1940 | French | |||||||||
Uuno Klami | 1900 | 1961 | Finnish | Sea Pictures; Kalevala Suite | ||||||||
Ernst Krenek | 1900 | 1991 | Austrian | Jonny spielt auf, Karl V | neoclassical, twelve-tone, later serial, neoromantic, eclectic | |||||||
Colin McPhee | 1900 | 1964 | Canadian | Tabuh-Tabuhan: Toccata for Orchestra | folk-influenced | |||||||
Alexander Mosolov | 1900 | 1973 | Russian | Iron Foundry | طليعي | |||||||
Zdenka Ticharich | 1900 | 1979 | Hungarian | |||||||||
Fred Raymond | 1900 | 1954 | Austrian | operettas; film music | ||||||||
Yasuji Kiyose | 1900 | 1981 | Japanese | |||||||||
Marko Tajčević | 1900 | 1984 | Serbian | |||||||||
Kurt Weill | 1900 | 1950 | German | neoclassical | ||||||||
Karel Albert | 1901 | 1987 | Belgian | Marieken van Niemeghen (incidental music); four symphonies | constructionist, neoclassical, twelve-tone technique | |||||||
Blaž Arnič | 1901 | 1970 | Slovenian | neoromanticism | ||||||||
Ruth Crawford Seeger | 1901 | 1953 | American | String Quartet | modernism | |||||||
Dimitar Nenov | 1901 | 1953 | Bulgarian | Toccata | ||||||||
Werner Egk | 1901 | 1983 | German | |||||||||
Gerald Finzi | 1901 | 1956 | English | Cello Concerto; songs | neoromantic | |||||||
Lillian Fuchs | 1901 | 1995 | American | |||||||||
Eivind Groven | 1901 | 1977 | Norwegian | |||||||||
Dorothy James | 1901 | 1982 | American | |||||||||
Harry Partch | 1901 | 1974 | American | Daphne of the Dunes, Revelation in the Courthouse Park | microtonal, just intonation, self-built instruments | |||||||
Marcel Poot | 1901 | 1988 | Belgian | |||||||||
Joaquín Rodrigo | 1901 | 1999 | Spanish | Concierto de Aranjuez; guitar music | neoclassical, folk music influence | |||||||
Edmund Rubbra | 1901 | 1986 | English | |||||||||
Henri Sauguet | 1901 | 1989 | French | |||||||||
Henri Tomasi | 1901 | 1971 | French | |||||||||
Theodore Chanler | 1902 | 1961 | American | |||||||||
Maurice Duruflé | 1902 | 1986 | French | Requiem; organ music | ||||||||
Veselin Stoyanov | 1902 | 1969 | Bulgarian | Three concertos for piano and orchestra; Concerto for Violin and Orchestra, Concerto for Cello and Orchestra, Concertino for violin | folk-influenced | |||||||
Vissarion Shebalin | 1902 | 1963 | Russian | |||||||||
John Vincent | 1902 | 1977 | American | Consort for Piano and Strings | neoclassical | |||||||
William Walton | 1902 | 1983 | English | Symphony No. 1; Violin Concerto; Viola Concerto; Variations on a Theme by Hindemith; Belshazzar's Feast (oratorio) | طليعي (early), neoromantic, neoclassical | |||||||
Stefan Wolpe | 1902 | 1972 | German | serial, modernism | ||||||||
Claude Arrieu | 1903 | 1990 | French | |||||||||
Lennox Berkeley | 1903 | 1989 | English | neoclassical, later serial | ||||||||
Vladimir Horowitz | 1903 | 1989 | American | |||||||||
Boris Blacher | 1903 | 1975 | German | |||||||||
Abram Chasins | 1903 | 1987 | American | Two piano concertos; Parade for orchestra | ||||||||
Jens Bjerre Jacobsen | 1903 | 1986 | Danish | |||||||||
Luis H. Salgado | 1903 | 1977 | Ecuadorian | Sanjuanito futurista; Eunice; Cumandá | folk-influenced, modernist | |||||||
Avril Coleridge-Taylor | 1903 | 1998 | English | |||||||||
Vernon Duke | 1903 | 1969 | Russian | both post-tonal style as Dukelsky and in the style of Tin Pan Alley as Duke | ||||||||
Vittorio Giannini | 1903 | 1966 | Italian | Blennerhassett | neoclassical | |||||||
Mykola Kolessa | 1903 | 2006 | Ukrainian | |||||||||
Walter Goehr | 1903 | 1960 | German | |||||||||
He Luting | 1903 | 1999 | Chinese | |||||||||
Berthold Goldschmidt | 1903 | 1996 | German | |||||||||
أرام خاتشاتوريان | 1903 | 1978 | Armenian | Gayane (ballet, includes Sabre Dance); Spartacus (ballet); concertos | ||||||||
Marc Lavry | 1903 | 1967 | Israeli | Symphonic Poem Emek, Opera Dan Hashomer | ||||||||
Ervin Nyíregyházi | 1903 | 1987 | Hungarian | رومانسية | ||||||||
Mario Pilati | 1903 | 1938 | Italian | Piedigrotta (opera) | ||||||||
Priaulx Rainier | 1903 | 1986 | South African / English | Ploërmel, Quanta, String Trio | ||||||||
Percy Whitlock | 1903 | 1946 | English | |||||||||
Richard Addinsell | 1904 | 1977 | British | Warsaw Concerto | ||||||||
John Antill | 1904 | 1986 | Australian | Corroboree (ballet suite) | ||||||||
Walter Bricht | 1904 | 1970 | Austrian | Romanticism | ||||||||
Erik Chisholm | 1904 | 1965 | Scottish | Piano Concerto No. 2 ("Hindustani") | "Scotland's forgotten composer", nicknamed "MacBartok" | |||||||
Luigi Dallapiccola | 1904 | 1975 | Italian | Il prigioniero and other operas | twelve-tone technique | |||||||
Dmitry Kabalevsky | 1904 | 1987 | Russian | The Comedians | ||||||||
Aleksey Zhivotov | 1904 | 1964 | Russian | |||||||||
Kunihiko Hashimoto | 1904 | 1949 | Japanese | |||||||||
Goffredo Petrassi | 1904 | 2003 | Italian | |||||||||
Gavriil Popov | 1904 | 1972 | Russian | Chamber Symphony; Symphony No. 1 | ||||||||
Nikos Skalkottas | 1904 | 1949 | Greek | twelve-tone, folk music influence, modernism | ||||||||
Ulric Cole | 1905 | 1992 | American | |||||||||
Heikki Aaltoila | 1905 | 1975 | Finnish | |||||||||
William Alwyn | 1905 | 1985 | English | Lyra Angelica; Elizabethan Dances | neoromantic | |||||||
Vytautas Bacevičius | 1905 | 1970 | Lithuanain | Atonality | ||||||||
Marc Blitzstein | 1905 | 1964 | American | The Cradle Will Rock (musical) | political music | |||||||
Boris Arapov | 1905 | 1992 | Russian | Violin Concerto | neoromantic, Atonality | |||||||
Eugène Bozza | 1905 | 1991 | French | |||||||||
Mario Braggiotti | 1905 | 1996 | American (Italian-born) | |||||||||
Ferenc Farkas | 1905 | 2000 | Hungarian | |||||||||
Winfried Zillig | 1905 | 1963 | German | |||||||||
Karl Amadeus Hartmann | 1905 | 1963 | German | |||||||||
André Hossein | 1905 | 1983 | Iranian | |||||||||
André Jolivet | 1905 | 1974 | French | |||||||||
Constant Lambert | 1905 | 1951 | English | The Rio Grande | popular music influence, jazz influence | |||||||
Walter Leigh | 1905 | 1942 | English | Concertino for Harpsichord and Strings; Agincourt; Jolly Roger; Music for Strings | neoclassical | |||||||
Alan Rawsthorne | 1905 | 1971 | English | 3 symphonies; Symphonic Studies | neoclassical | |||||||
Giacinto Scelsi | 1905 | 1988 | Italian | Quattro pezzi chiascuno su una nota sola | ||||||||
Michael Tippett | 1905 | 1998 | English | The Midsummer Marriage; 4 symphonies; A Child of Our Time (oratorio) | ||||||||
Eduard Tubin | 1905 | 1982 | Estonian | 11 symphonies | ||||||||
Xian Xinghai | 1905 | 1945 | Chinese | Yellow River Cantata | ||||||||
Xiao Shuxian | 1905 | 1991 | Chinese | |||||||||
Ahn Eak-tai | 1906 | 1965 | Korean | Aegukga | ||||||||
Daniel Ayala Pérez | 1906 | 1975 | Mexican | Tribu (symphonic poem) | ||||||||
Franz Biebl | 1906 | 2001 | German | Ave Maria | ||||||||
Alejandro García Caturla | 1906 | 1940 | Cuban | |||||||||
Arnold Cooke | 1906 | 2005 | British | |||||||||
Paul Creston | 1906 | 1985 | Italian-American | neoclassical | ||||||||
Tomojirō Ikenouchi | 1906 | 1991 | Japanese | |||||||||
Abdylas Maldybaev | 1906 | 1978 | Kyrgyzstani | |||||||||
Claire Delbos | 1906 | 1959 | French | |||||||||
Oscar Levant | 1906 | 1972 | American | |||||||||
Antal Doráti | 1906 | 1988 | American | |||||||||
Klaus Egge | 1906 | 1979 | Norwegian | |||||||||
Ulvi Cemal Erkin | 1906 | 1972 | Turkish | |||||||||
Eric Fenby | 1906 | 1997 | English | |||||||||
Benjamin Frankel | 1906 | 1973 | English | |||||||||
Zoltán Gárdonyi | 1906 | 1986 | Hungarian | Psalm 46, organ sonatas, motets | sacred music | |||||||
Miriam Gideon | 1906 | 1996 | American | modernism | ||||||||
Radamés Gnattali | 1906 | 1988 | Brazilian | |||||||||
Willy Hess | 1906 | 1997 | Swiss | |||||||||
Jānis Ivanovs | 1906 | 1983 | Latvian | neoromantic | ||||||||
Elisabeth Lutyens | 1906 | 1983 | English | |||||||||
Peter Mieg | 1906 | 1990 | Swiss | neoclassical | ||||||||
Alexander Moyzes | 1906 | 1984 | Slovakian | |||||||||
Dmitri Shostakovich | 1906 | 1975 | Russian | 15 symphonies, including No. 5, No. 7, No. 9, No. 10, and No. 11; Violin Concerto No. 1; Cello Concerto No. 1; Festive Overture; 15 string quartets, including String Quartet No. 8; Piano Quintet; The Gadfly Suite | modernism, neoclassical, neoromantic | |||||||
Joaquim Homs | 1906 | 2003 | Spanish | |||||||||
Louise Talma | 1906 | 1996 | American | |||||||||
Grace Williams | 1906 | 1977 | Welsh | |||||||||
David Van Vactor | 1906 | 1994 | American | |||||||||
Federico Elizalde | 1907 | 1979 | Filipino-Spanish | Concertos, symphonic poems | ||||||||
Tolibjon Sadikov | 1907 | 1957 | Uzbekistani | |||||||||
Lora Aborn | 1907 | 2005 | American | Toccata for Piano | folk-influenced | |||||||
Henk Badings | 1907 | 1987 | Dutch | |||||||||
Yoritsune Matsudaira | 1907 | 2001 | Japanese | |||||||||
Ödön Pártos | 1907 | 1977 | Hungarian-Israeli | |||||||||
Wolfgang Fortner | 1907 | 1987 | German | |||||||||
Camargo Guarnieri | 1907 | 1993 | Brazilian | |||||||||
Imogen Holst | 1907 | 1984 | British | |||||||||
Elizabeth Maconchy | 1907 | 1994 | English | |||||||||
Hisato Ohzawa | 1907 | 1953 | Japanese | |||||||||
Miklós Rózsa | 1907 | 1995 | Hungarian | folk-influenced | ||||||||
Ahmed Adnan Saygun | 1907 | 1991 | Turkish | |||||||||
Martin Scherber | 1907 | 1974 | German | |||||||||
Necil Kazım Akses | 1908 | 1999 | Turkish | |||||||||
Leroy Anderson | 1908 | 1975 | American | Sleigh Ride; Blue Tango; Jazz Pizzicato; Irish Suite; Suites of Carols | ||||||||
Elliott Carter | 1908 | 2012 | American | Variations for Orchestra; A Symphony of Three Orchestras; 5 string quartets | neoclassical (early), modernist | |||||||
Eugen Suchoň | 1908 | 1993 | Slovak | folk-influenced | ||||||||
Jean Coulthard | 1908 | 2000 | Canadian | |||||||||
Gustav Ernesaks | 1908 | 1993 | Estonian | |||||||||
Gunnar de Frumerie | 1908 | 1987 | Swedish | |||||||||
Herman David Koppel | 1908 | 1998 | Danish | neoclassical | ||||||||
Menachem Avidom | 1908 | 1995 | Israeli | |||||||||
Joan Mary Last | 1908 | 2002 | English | |||||||||
Julian Scriabin | 1908 | 1919 | Russian | |||||||||
Irwin Heilner | 1908 | 1991 | American | |||||||||
Lars-Erik Larsson | 1908 | 1986 | Swedish | |||||||||
Olivier Messiaen | 1908 | 1992 | French | Turangalila Symphony; Quartet for the End of Time; Vingt regards sur l'enfant-Jésus; Saint François d'Assise | mysticism, postimpressionist | |||||||
Geirr Tveitt | 1908 | 1981 | Norwegian | folk-influenced | ||||||||
Grażyna Bacewicz | 1909 | 1969 | Polish | |||||||||
Gunnar Berg | 1909 | 1989 | Danish (Swiss-born) | Suite for cello | serialism | |||||||
Jean Berger | 1909 | 2002 | American (German-born) | |||||||||
Myoma Nyein | 1909 | 1955 | Burmese | |||||||||
Isabel Aretz | 1909 | 2005 | Argentine-Venezuelan | |||||||||
Kurt Schwaen | 1909 | 2007 | German | neoclassicism | ||||||||
Harald Genzmer | 1909 | 2007 | German | neoclassicism | ||||||||
Paul Constantinescu | 1909 | 1963 | Romanian | |||||||||
Vagn Holmboe | 1909 | 1996 | Danish | 13 symphonies | neoclassicism | |||||||
Ljubica Marić | 1909 | 2003 | Serb | Sounds of Space; Ostinato Super Thema Octoicha; Threshold of Dream | post-modernism | |||||||
Elie Siegmeister | 1909 | 1991 | American | 9 operas; 8 symphonies; Western Suite | ||||||||
Samuel Barber | 1910 | 1981 | American | Adagio for Strings; Violin Concerto; Symphony in One Movement; Vanessa | رومانسية | |||||||
Ronald Binge | 1910 | 1979 | British | light music | ||||||||
Patricia Blomfield Holt | 1910 | 2003 | Canadian | |||||||||
Mohamed Jamoussi | 1910 | 1982 | Tunisian | |||||||||
Paul Bowles | 1910 | 1999 | American | |||||||||
Salvador Contreras | 1910 | 1982 | Mexican | String Quartet No. 2; Tres movimientos para guitarra; Dos piezas dodecafónicas | neoclassical, serial | |||||||
Francis Judd Cooke | 1910 | 1995 | American | |||||||||
Farid al-Atrash | 1910 | 1974 | Syrian-Egyptian | |||||||||
Willy Berking | 1910 | 1979 | German | |||||||||
Blas Galindo | 1910 | 1993 | Mexican | |||||||||
Remo Giazotto | 1910 | 1998 | Italian | Adagio attributed to Albinoni | ||||||||
Evgeny Golubev | 1910 | 1988 | Russian | |||||||||
Bernhard Heiden | 1910 | 2000 | German-American | |||||||||
Erland von Koch | 1910 | 2009 | Swedish | |||||||||
Rolf Liebermann | 1910 | 1999 | Swiss | Leonore 40/45 (opera); Concerto for Jazzband and Symphony Orchestra | ||||||||
Herbert Owen Reed | 1910 | American | La Fiesta Mexicana | folk-influenced | ||||||||
Pierre Schaeffer | 1910 | 1995 | French | Musique concrète | ||||||||
William Schuman | 1910 | 1992 | American | New England Triptych | ||||||||
Jehan Alain | 1911 | 1940 | French | Litanies (organ) | ||||||||
Gábor Darvas | 1911 | 1985 | Hungarian | electronic music | ||||||||
Roberto García Morillo | 1911 | 2003 | Argentine | |||||||||
Mark Fax | 1911 | 1974 | American | |||||||||
Kikuko Kanai | 1911 | 1986 | Japanese | |||||||||
Ján Cikker | 1911 | 1989 | Slovak | folk-influenced | ||||||||
Jean-Jacques Grunenwald | 1911 | 1982 | French | |||||||||
Bernard Herrmann | 1911 | 1975 | American | Wuthering Heights | ||||||||
Alan Hovhaness | 1911 | 2000 | American | 67 numbered symphonies including Mysterious Mountain; And God Created Great Whales (taped whale sounds and orchestra); Fantasy on Japanese Woodprints | ||||||||
Robert McBride | 1911 | 2007 | American | |||||||||
Gian Carlo Menotti | 1911 | 2007 | Italian | The Medium; The Consul; Amahl and the Night Visitors | ||||||||
Allan Pettersson | 1911 | 1980 | Swedish | Neoromanticism | ||||||||
José Ardévol | 1911 | 1981 | Cuban | 3 symphonies | Atonality | |||||||
Nino Rota | 1911 | 1979 | Italian | |||||||||
Endre Szervánszky | 1911 | 1977 | Hungarian | |||||||||
Hans Vogt | 1911 | 1992 | German | Die Stadt hinter dem Strom (opera), Requiem | ||||||||
John Cage | 1912 | 1992 | American | 4'33"; Sonatas and Interludes | Aleatoric music, extended technique, prepared Piano | |||||||
Mukhtar Ashrafi | 1912 | 1975 | Uzbek | |||||||||
Arthur Berger | 1912 | 2003 | American | |||||||||
Alfred Desenclos | 1912 | 1971 | French | |||||||||
Arkady Filippenko | 1912 | 1983 | Ukrainian | |||||||||
Jean Françaix | 1912 | 1997 | French | |||||||||
Don Gillis | 1912 | 1978 | American | Symphony No. 5½ | ||||||||
Peggy Glanville-Hicks | 1912 | 1990 | Australian | |||||||||
Carlos Guastavino | 1912 | 2000 | Argentine | |||||||||
Gisela Hernández | 1912 | 1971 | Cuban | |||||||||
Daniel Jones | 1912 | 1993 | Welsh | |||||||||
José Ferrer | 1912 | 1992 | Puerto Rican | |||||||||
Igor Markevitch | 1912 | 1983 | Ukrainian | |||||||||
José Pablo Moncayo | 1912 | 1958 | Mexican | Huapango | ||||||||
Xavier Montsalvatge | 1912 | 2002 | Spanish | |||||||||
Conlon Nancarrow | 1912 | 1997 | American-Mexican | Studies for player-piano | ||||||||
Aleksandr Machavariani | 1913 | 1995 | Georgian | |||||||||
Violet Archer | 1913 | 2000 | Canadian | |||||||||
Margaret Bonds | 1913 | 1972 | American | |||||||||
Henry Brant | 1913 | 2008 | Canadian-American | Orbits, Verticals Ascending, Angels and Devils | spatial music | |||||||
Benjamin Britten | 1913 | 1976 | English | War Requiem; Sinfonia da Requiem; Peter Grimes; The Young Person's Guide to the Orchestra; Cello Symphony | Neoclassicism, neotonality | |||||||
Peggy Stuart Coolidge | 1913 | 1981 | American | Spirituals in Sunshine and Shadow, New England Autumn | folk- and blues-influenced | |||||||
Alvin Etler | 1913 | 1973 | American | |||||||||
Ernest van der Eyken | 1913 | 2010 | Belgian | Elegie voor Bieke | ||||||||
Vivian Fine | 1913 | 2000 | American | |||||||||
Morton Gould | 1913 | 1996 | American | |||||||||
Dulcie Holland | 1913 | 2000 | Australian | |||||||||
Miriam Hyde | 1913 | 2005 | Australian | |||||||||
Kent Kennan | 1913 | 2003 | American | |||||||||
George Lloyd | 1913 | 1998 | English | |||||||||
Witold Lutosławski | 1913 | 1994 | Polish | Concerto for Orchestra; Musique funebre; Symphony No. 2; Symphony No. 3 | Neoclassicism, folk-influenced, later Aleatoric music | |||||||
Valery Zhelobinsky | 1913 | 1946 | Russian | |||||||||
Maurice Ohana | 1913 | 1992 | French | |||||||||
Willy Ostijn | 1913 | 1993 | Belgian | neoclassicism | ||||||||
Constantin Silvestri | 1913 | 1969 | Romanian | |||||||||
Cecil Effinger | 1914 | 1990 | American | Little Symphony No. 1; Four Pastorales for oboe and chorus | neoclassicism | |||||||
Irving Fine | 1914 | 1963 | American | serial | ||||||||
Fumio Hayasaka | 1914 | 1955 | Japanese | |||||||||
Akira Ifukube | 1914 | 2006 | Japanese | |||||||||
Dezider Kardoš | 1914 | 1991 | Slovak | |||||||||
Wilfrid Mellers | 1914 | 2008 | English | |||||||||
Andrzej Panufnik | 1914 | 1991 | Polish | 10 symphonies | ||||||||
Harold Truscott | 1914 | 1992 | English | |||||||||
Josée Vigneron-Ramackers | 1914 | Belgian | ||||||||||
Haim Alexander | 1915 | 2012 | Israeli | |||||||||
David Diamond | 1915 | 2005 | American | neoclassicism | ||||||||
Grigory Frid | 1915 | 2012 | Russian | The Diary of Anne Frank | ||||||||
Júlia Hajdú | 1915 | 1987 | Hungarian | |||||||||
Vítězslava Kaprálová | 1915 | 1940 | Czech | Military Sinfonietta | ||||||||
Douglas Lilburn | 1915 | 2001 | New Zealander | |||||||||
Najla Jabor | 1915 | 2001 | Brazilian | |||||||||
Knut Nystedt | 1915 | Norwegian | ||||||||||
Vincent Persichetti | 1915 | 1987 | American | neoclassicism | ||||||||
John Serry, Sr. | 1915 | 2003 | American | American Rhapsody; Concerto For Free Bass Accordion | ||||||||
Robert Strassburg | 1915 | 2003 | American | |||||||||
Georgy Sviridov | 1915 | 1998 | Russian | Piano Sonata | neoromantic | |||||||
Earl Wild | 1915 | 2010 | American | |||||||||
Veli Mukhatov | 1916 | 2005 | Turkmenistani | |||||||||
Denis ApIvor | 1916 | 2004 | British | |||||||||
Milton Babbitt | 1916 | 2011 | American | Composition for Four Instruments; String Quartet No. 2; All Set; Philomel | serialism, electronic music | |||||||
Karl-Birger Blomdahl | 1916 | 1968 | Swedish | Swedish modernism | ||||||||
Henri Dutilleux | 1916 | French | Timbres, espace, mouvement; Tout un Monde Lointain; The Shadows of Time | Neo-impressionism | ||||||||
Mutal Burhonov | 1916 | 2002 | Uzbek | |||||||||
Einar Englund | 1916 | 1999 | Finnish | |||||||||
Alberto Ginastera | 1916 | 1983 | Argentine | Bomarzo; Cinco canciones populares argentinas; Danzas Argentinas | ||||||||
Richard Arnell | 1917 | 2009 | English | |||||||||
Brian Boydell | 1917 | 2000 | Irish | |||||||||
Rudolf Brucci | 1917 | 2002 | Italian-Croatian | |||||||||
Anthony Burgess | 1917 | 1993 | English | |||||||||
Ivor Darreg | 1917 | 1994 | American | microtone, xenharmonic | ||||||||
Robert Erickson | 1917 | 1997 | American | twelve tone, extended technique | ||||||||
Robert Farnon | 1917 | 2005 | Canadian | light music | ||||||||
John Gardner | 1917 | 2011 | English | Tomorrow Shall Be My Dancing Day | ||||||||
Prenkë Jakova | 1917 | 1969 | Albanian | |||||||||
Egil Harder | 1917 | 1997 | Danish | |||||||||
Lou Harrison | 1917 | 2003 | American | Concerto for Violin and Percussion Orchestra; Piano Concerto; | ||||||||
Hilda Jerea | 1917 | 1980 | Romanian | |||||||||
Antonio Lauro | 1917 | 1986 | Venezuelan | guitar music | ||||||||
Dinu Lipatti | 1917 | 1950 | Romanian | |||||||||
Isang Yun | 1917 | 1995 | Korean-German | |||||||||
Jürg Baur | 1918 | 2010 | German | Concerto romano for oboe and orchestra; Der Roman mit dem Kontrabass (opera) | serialism, quotation, neoclassicism | |||||||
Leonard Bernstein | 1918 | 1990 | American | West Side Story; Chichester Psalms; Candide; Serenade; Mass | jazz-influenced and pop-influence | |||||||
Liviu Comes | 1918 | 2004 | Romanian | choral | ||||||||
Gottfried von Einem | 1918 | 1996 | Austrian | Dantons Tod, Der Besuch der alten Dame, cantata An die Nachgeborenen | eclectic | |||||||
Raymond Gallois-Montbrun | 1918 | 1994 | French | |||||||||
Olivier Alain | 1918 | 1994 | French | |||||||||
Gara Garayev | 1918 | 1982 | Azerbaijani | |||||||||
Marcelo Koc | 1918 | 2006 | Argentine | Música para 5 instrumentos; Concerto for Viola and Orchestra | ||||||||
George Rochberg | 1918 | 2005 | American | serialism, later Neoromanticism | ||||||||
Bernd Alois Zimmermann | 1918 | 1970 | German | Die Soldaten; Musique pour les soupers du Roi Ubi; Tratto; Tempus loquendi | serialism, musical quotation, collage, electronic music, jazz-influenced, eclectic | |||||||
Bülent Arel | 1919 | 1990 | Turkish | electronic music | ||||||||
Juan Orrego-Salas | 1919 | Chilean | ||||||||||
Eleonora Eksanishvili | 1919 | Georgian | ||||||||||
Jacob Avshalomov | 1919 | American | ||||||||||
Sven-Erik Bäck | 1919 | 1994 | Swedish | |||||||||
Niels Viggo Bentzon | 1919 | 2000 | Danish | |||||||||
John W. Duarte | 1919 | 2004 | British | |||||||||
Jiří Pauer | 1919 | 2007 | Czech | |||||||||
Leon Kirchner | 1919 | 2009 | American | |||||||||
Galina Ustvolskaya | 1919 | 2006 | Russian | |||||||||
Mieczysław Weinberg | 1919 | 1996 | Polish | |||||||||
Bebe Barron | 1920 | 1989 | American | electronic music | ||||||||
Geoffrey Bush | 1920 | 1998 | English | |||||||||
Alexander Arutiunian | 1920 | 2012 | Armenian | Trumpet Concerto in A-flat major | طليعي | |||||||
Rolande Falcinelli | 1920 | 1996 | French | |||||||||
Peter Racine Fricker | 1920 | 1990 | English | |||||||||
Earl Kim | 1920 | 1998 | Korean-American | |||||||||
Bruno Maderna | 1920 | 1973 | Italian | Satyricon | طليعي, electronic music | |||||||
Harold Shapero | 1920 | American | Symphony for Classical Orchestra | |||||||||
Malcolm Arnold | 1921 | 2006 | English | Symphony No. 5 and No. 7; English Dances | ||||||||
Chaya Arbel | 1921 | 2007 | Israeli | |||||||||
Arno Babajanian | 1921 | 1983 | Armenian | |||||||||
Jack Beeson | 1921 | 2010 | American | Lizzie Borden | ||||||||
Oscar Feltsman | 1921 | 2013 | Russian | |||||||||
William Bergsma | 1921 | 1994 | American | |||||||||
Dennis Berry | 1921 | 1994 | English | |||||||||
Marcel Bitsch | 1921 | 2011 | French | |||||||||
Jeanne Demessieux | 1921 | 1968 | French | |||||||||
Ruth Gipps | 1921 | 1999 | British | |||||||||
Antony Hopkins | 1921 | British | ||||||||||
Joseph Hanson Kwabena Nketia | 1921 | Ghanaian | ||||||||||
Karel Husa | 1921 | Czech-American | Music for Prague 1968; Music for Band, Orchestra, Chamber Ensembles | |||||||||
Andrew Imbrie | 1921 | 2007 | American | neoclassicism | ||||||||
Božidar Kantušer | 1921 | 1999 | American/Slovenian | |||||||||
Kan Ishii | 1921 | 2009 | Japanese | |||||||||
Yoshirō Irino | 1921 | 1980 | Japanese | |||||||||
Fritz Geißler | 1921 | 1984 | German | |||||||||
Joonas Kokkonen | 1921 | 1996 | Finnish | |||||||||
Ástor Piazzolla | 1921 | 1992 | Argentine | tangos | ||||||||
Ralph Shapey | 1921 | 2002 | American | |||||||||
Robert Simpson | 1921 | 1997 | English | |||||||||
Rosalina Abejo | 1922 | 1991 | Philippine | |||||||||
Zhu Jian'er | 1922 | Chinese | ||||||||||
Gérard Calvi | 1922 | French | ||||||||||
Sadao Bekku | 1922 | 2012 | Japanese | |||||||||
John Boda | 1922 | 2002 | American | |||||||||
Doreen Carwithen | 1922 | 2003 | British | |||||||||
Raffaello de Banfield | 1922 | 2008 | English | |||||||||
Lukas Foss | 1922 | 2009 | German-born American | Griffelkin | ||||||||
Iain Hamilton | 1922 | 2000 | Scottish | chamber & orchestral works; operas & vocal works[vague] | ||||||||
David N. Johnson | 1922 | 1987 | American | |||||||||
Kazimierz Serocki | 1922 | 1981 | Polish | |||||||||
Iannis Xenakis | 1922 | 2001 | Greek | Metastaseis | طليعي, عشوائي | |||||||
Doris Akers | 1923 | 1995 | American | |||||||||
Leslie Bassett | 1923 | American | ||||||||||
Arthur Butterworth | 1923 | English | influenced by Sibelius | |||||||||
Chou Wen-chung | 1923 | Chinese/American | Landscapes | |||||||||
Madeleine Dring | 1923 | 1977 | English | |||||||||
Karel Goeyvaerts | 1923 | 1993 | Belgian | Sonata for Two Pianos, Nr. 2 for thirteen instruments, Nr. 5 met zuivere tonen, Aquarius (opera) | neoclassicism, serialism, minimalism, postminimalism, mysticism, electronic music | |||||||
Jean Eichelberger Ivey | 1923 | 2010 | American | |||||||||
György Ligeti | 1923 | 2006 | Hungarian | Atmosphères, Musica ricercata, Lux Aeterna | طليعي, micropolyphony | |||||||
Asankhan Dzhumakhmatov | 1923 | 2008 | Kyrgyzstani | |||||||||
Henryk Czyż | 1923 | 2003 | Polish | |||||||||
Peter Mennin | 1923 | 1983 | American | |||||||||
Ned Rorem | 1923 | American | Our Town | |||||||||
Simeon ten Holt | 1923 | 2012 | Dutch | Canto Ostinato | minimalism | |||||||
Jiří Hudec | 1923 | 1996 | Czech | |||||||||
Altamiro Carrilho | 1924 | 2012 | Brazilian | |||||||||
Joly Braga Santos | 1924 | 1988 | Portuguese | |||||||||
Stephen Dodgson | 1924 | British | ||||||||||
Heimo Erbse | 1924 | 2005 | German | |||||||||
Arthur Frackenpohl | 1924 | American | ||||||||||
Lejaren Hiller | 1924 | 1994 | American | |||||||||
Egil Hovland | 1924 | 2013 | Norwegian | church music | ||||||||
Ikuma Dan | 1924 | 2001 | Japanese | Symphony No. 4 (1965), Sonata for flute and piano (1986) | Atonality | |||||||
Riichiro Manabe | 1924 | Japanese | ||||||||||
Otar Taktakishvili | 1924 | 1989 | Georgian | |||||||||
Maurice Jarre | 1924 | 2009 | French | |||||||||
Benjamin Lees | 1924 | 2010 | American | Concerto for String Quartet and Orchestra | ||||||||
Luigi Nono | 1924 | 1990 | Italian | Il canto sospeso, Intolleranza 1960, Prometeo | طليعي | |||||||
Joly Braga Santos | 1924 | 1988 | Portuguese | |||||||||
Jurriaan Andriessen | 1925 | 1996 | Dutch | |||||||||
Clytus Gottwald | 1925 | German | ||||||||||
Louis Barron | 1925 | 2008 | American | electronic music | ||||||||
Robert Beadell | 1925 | 1994 | American | |||||||||
Cathy Berberian | 1925 | 1983 | American | Stripsody | طليعي | |||||||
Luciano Berio | 1925 | 2003 | Italian | Sequenza; Sinfonia | طليعي | |||||||
Pierre Boulez | 1925 | French | Le marteau sans maître; …explosante-fixe…; Répons | طليعي, serialism, aleatory | ||||||||
Włodzimierz Kotoński | 1925 | Polish | Concerto per quattro, for piano, harpsichord, guitar, harp, and orchestra | |||||||||
Aldo Clementi | 1925 | 2011 | Italian | |||||||||
Tristram Cary | 1925 | 2008 | English-Australian | |||||||||
Kiril Makedonski | 1925 | 1984 | Macedonian | five symphonies, two ballets, two symphonic poems, choral music and songs | ||||||||
Andrei Eshpai | 1925 | Russian | ||||||||||
Jindřich Feld | 1925 | 2007 | Czech | |||||||||
Ron Goodwin | 1925 | 2003 | British | film scores | ||||||||
Bertold Hummel | 1925 | 2002 | German | |||||||||
Teo Macero | 1925 | 2008 | American | One and Three Quarters | microtonal, jazz-influenced | |||||||
Ivo Malec | 1925 | French | Cantate pour elle; Dodecameron; Lumina | |||||||||
Julián Orbón | 1925 | 1991 | Spanish/Cuban | Three Symphonic Versions | ||||||||
Gunther Schuller | 1925 | American | jazz-influence; Third Stream | |||||||||
Yasushi Akutagawa | 1925 | 1989 | Japanese | Rapsodia per orchestra (1971) | Atonality | |||||||
Boris Tchaikovsky | 1925 | 1996 | Russian | |||||||||
Mikis Theodorakis | 1925 | Greek | Film scores including Zorba the Greek | |||||||||
Earle Brown | 1926 | 2002 | American | Open Form; Graphic Notation | ||||||||
Edwin Carr | 1926 | 2003 | New Zealander | |||||||||
Jani Christou | 1926 | 1970 | Greek | atonalism, meta-serialism, improvisation | ||||||||
Barney Childs | 1926 | 2000 | American | extended technique, improvisation, indeterminacy | ||||||||
Natela Svanidze | 1926 | Georgian | ||||||||||
Morton Feldman | 1926 | 1987 | American | |||||||||
Carlisle Floyd | 1926 | American | Susannah ; Wuthering Heights; Of Mice and Men | |||||||||
Kenneth Gaburo | 1926 | 1993 | American | The Flow of (u) | ||||||||
Hans Werner Henze | 1926 | 2012 | German | Ondine | ||||||||
Lee Hoiby | 1926 | 2011 | American | |||||||||
Zhun Huang | 1926 | Chinese | ||||||||||
Marilyn J Ziffrin | 1926 | American | ||||||||||
Ben Johnston | 1926 | American | ||||||||||
Aleksandr Zatsepin | 1926 | Russian | ||||||||||
Fenno Heath | 1926 | 2008 | American | |||||||||
Betsy Jolas | 1926 | French | ||||||||||
György Kurtág | 1926 | Hungarian | Játékok | |||||||||
John Beckwith | 1927 | Canadian | ||||||||||
Asger Lund Christiansen | 1927 | 1998 | Danish | neoclassicism | ||||||||
Dolores Claman | 1927 | Canadian | ||||||||||
Margrit Zimmermann | 1927 | Swiss | ||||||||||
Emma Lou Diemer | 1927 | American | ||||||||||
Franco Donatoni | 1927 | 2000 | Italian | |||||||||
Donald Erb | 1927 | 2008 | American | Concerto for Trombone and Orchestra; Concerto for Violin and Orchestra | jazz-influenced, aleatory, electronic music, eclectic | |||||||
Paul Angerer | 1927 | Austrian | ||||||||||
Pierre Henry | 1927 | French | ||||||||||
Elaine Hugh-Jones | 1927 | Welsh | ||||||||||
John Joubert | 1927 | English | ||||||||||
Wilhelm Killmayer | 1927 | German | Sinfonia I–III, Hölderlin Lieder | |||||||||
Ruth Anderson | 1928 | American | ||||||||||
Samuel Adler | 1928 | American (German-born) | ||||||||||
Tadeusz Baird | 1928 | 1981 | Polish | |||||||||
Jean Barraqué | 1928 | 1973 | French | serialism | ||||||||
George Dreyfus | 1928 | French | ||||||||||
Jacob Druckman | 1928 | 1996 | American | Windows | ||||||||
David Farquhar | 1928 | 2007 | New Zealander | A Unicorn for Christmas, Ring Round the Moon | Neoclassicism | |||||||
Nicolas Flagello | 1928 | 1994 | American | Neoclassicism | ||||||||
Vitaly Bujanovsky | 1928 | 1993 | Russian | |||||||||
Otar Gordeli | 1928 | 1994 | Georgia | |||||||||
Robert Helps | 1928 | 2001 | American | |||||||||
Frigyes Hidas | 1928 | 2007 | Hungarian | |||||||||
Ennio Morricone | 1928 | Italian | Once Upon a Time in America; The Mission; The Good, the Bad and the Ugly; A Fistful of Dollars; Once Upon a Time in the West | |||||||||
Thea Musgrave | 1928 | Scottish | ||||||||||
Einojuhani Rautavaara | 1928 | Finnish | Cantus Arcticus; Symphony No. 7 "Angel of Light"; Piano Concerto No. 3 "The Gift of Dreams" | |||||||||
Karlheinz Stockhausen | 1928 | 2007 | German | Kontra-Punkte; Gesang der Jünglinge; Klavierstücke; Gruppen; Kontakte; Hymnen; Stimmung; Mantra; Tierkreis; Inori, first six operas of the Licht cycle | طليعي, electronic music, serialism, aleatory, intuitive music, formula composition | |||||||
Teizo Matsumura | 1929 | 2007 | Japanese | Atonality | ||||||||
Akio Yashiro | 1929 | 1976 | Japanese | piano concerto | Atonality | |||||||
Gerd Zacher | 1929 | German | ||||||||||
Erling Bjerno | 1929 | Danish | ||||||||||
Augustyn Bloch | 1929 | 2006 | Polish | |||||||||
Antonio Braga | 1929 | 2009 | Italian | |||||||||
Theo Bruins | 1929 | 1993 | Dutch | |||||||||
George Crumb | 1929 | American | Ancient Voices of Children, Black Angels | Extended technique, Numerology | ||||||||
André Mathieu | 1929 | 1968 | Canadian | |||||||||
Edison Denisov | 1929 | 1996 | Russian | |||||||||
Frédéric Devreese | 1929 | Belgian | ||||||||||
Petr Eben | 1929 | 2007 | Czech | |||||||||
Hormoz Farhat | 1929 | Iranian | ||||||||||
Luc Ferrari | 1929 | 2005 | French | |||||||||
Jerry Goldsmith | 1929 | 2004 | American | Film scores, Music for Orchestra; Fireworks | ||||||||
Alun Hoddinott | 1929 | 2008 | Welsh | |||||||||
Charles Knox | 1929 | American | neo-classical, musical palindromes | |||||||||
Kenneth Leighton | 1929 | 1988 | English | |||||||||
Toshiro Mayuzumi | 1929 | 1997 | Japanese | |||||||||
Ron Nelson | 1929 | American | ||||||||||
Henri Pousseur | 1929 | 2009 | Belgian | Votre Faust; Trois visages à Liège; Couleurs croisées | serialism, aleatory, eclectic, electronic music, world music, popular music influence | |||||||
André Previn | 1929 | German/American | A Streetcar Named Desire | |||||||||
Josef Anton Riedl | 1929 | German | ||||||||||
Bogusław Schaeffer | 1929 | Polish | ||||||||||
Peter Sculthorpe | 1929 | Australian | Requiem; Kakadu; Earth Cry | |||||||||
Hans Stadlmair | 1929 | Austrian | Trumpet Concerto with strings; Saxofonia; Miró | |||||||||
Siegfried Strohbach | 1929 | German | 5 Galgenlieder; Ein Stern aus Jacob | |||||||||
Samar Das | 1929 | 2001 | Bangladeshi | |||||||||
Muhal Richard Abrams | 1930 | American | ||||||||||
Robert Ashley | 1930 | American | electronic music, extended techniques | |||||||||
Larry Austin | 1930 | American | electronic music | |||||||||
Petar Bergamo | 1930 | Croatian | رومانسية, atonality | |||||||||
Jacques Calonne | 1930 | Belgian | ||||||||||
Robert Cogan | 1930 | American | ||||||||||
Cristóbal Halffter | 1930 | Spanish | Líneas y puntos; Don Quixote | eclectic, electronic music | ||||||||
Christopher Headington | 1930 | 1996 | British | |||||||||
Gordon Langford | 1930 | English | Facets of Glass; Rhapsody for Trombone | brass band music | ||||||||
Heinz Werner Zimmermann | 1930 | German | ||||||||||
Ryōhei Hirose | 1930 | 2008 | Japanese | |||||||||
Theo Loevendie | 1930 | Dutch | ||||||||||
William P. Perry | 1930 | American | ||||||||||
Dieter Schnebel | 1930 | German | Mahler-Moment; Maulwerke; Baumzucht | |||||||||
Tōru Takemitsu | 1930 | 1996 | Japanese | A Flock Descends into the Pentagonal Garden; Toward the Sea | Neo-impressionism | |||||||
Nikolai Karetnikov | 1930 | 1994 | Russian | Symphony No. 3, Concert Piece for piano | ||||||||
Nancy Van de Vate | 1930 | American | ||||||||||
Charles Camilleri | 1931 | 2009 | Maltese | |||||||||
Sylvano Bussotti | 1931 | Italian | ||||||||||
F. R. C. Clarke | 1931 | 2009 | Italian | |||||||||
Lucia Dlugoszewski | 1931 | 2000 | Polish-American | |||||||||
Sofia Gubaidulina | 1931 | Russian | Offertorium; Music for Flute, Strings, and Percussion | |||||||||
Frederick A. Fox | 1931 | 2011 | American | |||||||||
Hikaru Hayashi | 1931 | 2012 | Japanese | Viola Concerto "Elegia" | ||||||||
Derek Holman | 1931 | English | ||||||||||
Mauricio Kagel | 1931 | 2008 | Argentine / German | Staatstheater; Kantrimiusik; Ludwig van | ||||||||
André Laporte | 1931 | Belgian | Das Schloss | eclectic | ||||||||
Arne Nordheim | 1931 | 2010 | Norwegian | Epitaffio; The Tempest (ballet); Magma | many works include electronics | |||||||
Ib Nørholm | 1931 | Danish | ||||||||||
Makoto Shinohara | 1931 | Japanese | Fragmente | electronic music, influence of traditional Japanese music | ||||||||
Malcolm Williamson | 1931 | 2003 | Australian | Mass of Christ the King; The Dawn is at Hand; 7 numbered symphonies; cassations | ||||||||
Ivo Petrić | 1931 | Slovenian | ||||||||||
Niccolò Castiglioni | 1932 | 1996 | Italian | |||||||||
John Barnes Chance | 1932 | 1972 | American | Variations on a Korean Folk Song (concert band) | ||||||||
Henning Christiansen | 1932 | 2008 | Danish | fluxus | ||||||||
Tod Dockstader | 1932 | 2008 | American | electronic music | ||||||||
James Douglas | 1932 | Scottish | ||||||||||
Alexander Goehr | 1932 | English | Arianna | twelve-tone, later modal, eclectic | ||||||||
Baligh Hamdi | 1932 | 1993 | Egyptian | |||||||||
Diana Pereira Hay | 1932 | Danish | ||||||||||
Soe Nyunt | 1932 | 2009 | Burmese | |||||||||
Marta Jiráčková | 1932 | Czech | ||||||||||
M. William Karlins | 1932 | 2005 | American | Works for Saxophone; works for Double Bass[vague] | ||||||||
Wojciech Kilar | 1932 | Polish | Krzesany; Dracula (film music) | holy minimalism | ||||||||
Richard Meale | 1932 | 2009 | Australian | Voss | طليعي | |||||||
Per Nørgård | 1932 | Danish | Voyage into the Golden Screen | |||||||||
Rodion Shchedrin | 1932 | Russian | Lolita; 2 Symphonies; The Carmen Ballet; 6 piano concertos | |||||||||
Gilles Tremblay | 1932 | Canadian | Sonorisation du Pavillon du Québec; Fleuves | electronic music, serialism | ||||||||
John Williams | 1932 | American | film scores, The Five Sacred Trees | |||||||||
Hugh Wood | 1932 | English | Symphony; Cello Concerto; Piano Concerto; Violin Concerto No.1; Scenes from Comus | symphonic serialism | ||||||||
Leonardo Balada | 1933 | Spanish-American | 6 symphonies; 6 operas; various concertos | طليعي, later folk-influenced | ||||||||
Easley Blackwood, Jr. | 1933 | American | polyrhythm, microtone | |||||||||
Justin Connolly | 1933 | British | modernism | |||||||||
Ramiro Cortés | 1933 | 1984 | American | serialism, atonality | ||||||||
Walter Buczynski | 1933 | Canadian | ||||||||||
Altaf Mahmud | 1933 | 1971 | Bangladeshi | |||||||||
Akira Miyoshi | 1933 | Japanese | ||||||||||
Pozzi Escot | 1933 | American | ||||||||||
Henryk Górecki | 1933 | 2010 | Polish | Symphony of Sorrowful Songs | holy minimalism | |||||||
Bo Linde | 1933 | 1970 | Swedish | Neoromanticism | ||||||||
Krzysztof Penderecki | 1933 | Polish | Threnody for the Victims of Hiroshima; St. Luke Passion; Polish Requiem; Symphony No. 2: Christmas | طليعي, extended technique, later Neoromanticism | ||||||||
Yves Prin | 1933 | French | Neo-impressionism | |||||||||
Harrison Birtwistle | 1934 | English | The Mask of Orpheus | |||||||||
Arlene Zallman | 1934 | 2006 | American | |||||||||
Benjamin Boretz | 1934 | American | ||||||||||
Mario Davidovsky | 1934 | Argentine-American | ||||||||||
Peter Maxwell Davies | 1934 | English | Taverner, Eight Songs for a Mad King, Symphony No. 1, Symphony No. 3, Symphony No. 6, Strathclyde Concertos, Naxos Quartets | |||||||||
Vinko Globokar | 1934 | French | ||||||||||
William Mathias | 1934 | 1992 | Welsh | Let the people praise Thee, O God | ||||||||
Siegfried Matthus | 1934 | German | Judith, Te Deum | |||||||||
Alfred Schnittke | 1934 | 1998 | Russian | |||||||||
Ramon Sender | 1934 | Spanish | electronic music | |||||||||
Christian Wolff | 1934 | American | ||||||||||
Derek Bell | 1935 | 2002 | Irish | |||||||||
John Eaton | 1935 | American | microtonal music | |||||||||
Nigel Butterley | 1935 | Australian | ||||||||||
Teiji Ito | 1935 | 1982 | Japanese | |||||||||
Kazuko Hara | 1935 | Japanese | ||||||||||
Elgar Howarth | 1935 | English | ||||||||||
Giya Kancheli | 1935 | Georgian | 7 symphonies | holy minimalism | ||||||||
Helmut Lachenmann | 1935 | German | Schwankungen am Rand; Gran Torso; Das Mädchen mit den Schwefelhölzern | extended technique | ||||||||
François-Bernard Mâche | 1935 | French | ||||||||||
Nicholas Maw | 1935 | 2009 | English | Odyssey; The World in the Evening | ||||||||
Arvo Pärt | 1935 | Estonian | Tabula Rasa; Fratres; Summa; Cantus In Memoriam Benjamin Britten | holy minimalism | ||||||||
Terry Riley | 1935 | American | In C | minimalism | ||||||||
Aulis Sallinen | 1935 | Finnish | The King Goes Forth to France | |||||||||
Mirjana Živković | 1935 | Serbian | ||||||||||
Peter Schat | 1935 | 2003 | Dutch | |||||||||
La Monte Young | 1935 | American | The Well-Tuned Piano | minimalism, microtonal music, improvisation, Asian-music influence | ||||||||
Gilbert Amy | 1936 | French | serialism, film music, electronic music | |||||||||
Richard Rodney Bennett | 1936 | 2012 | English | |||||||||
Herbert Blendinger | 1936 | German-Austrian | viola concerto, cantata Mdia in vita, string quartets | also a violist | ||||||||
Harold Budd | 1936 | American | طليعي, ambient music | |||||||||
Cornelius Cardew | 1936 | 1981 | English | Treatise; The Great Learning | serialism, improvisation, aleatory | |||||||
Iván Erőd | 1936 | Hungarian-Austrian | opera Seidenraupen, song cycle Milchzahnlieder, piano trios | |||||||||
Malcolm Forsyth | 1936 | 2011 | Canadian | |||||||||
Takekuni Hirayoshi | 1936 | 1998 | Japanese | |||||||||
Frans Geysen | 1936 | Belgian | ||||||||||
Aleksandar Džambazov | 1936 | Macedonian | Rhapsody for Skopje, Seven dance variations for piano and orchestra | |||||||||
Maki Ishii | 1936 | 2003 | Japanese | |||||||||
Izabella Arazova | 1936 | Armenian | Concerto for Orchestra | |||||||||
Barbara Heller | 1936 | German | ||||||||||
Colin Mawby | 1936 | English | Laudate Pueri Dominum; Requiem of Hope; The Quest | |||||||||
Steve Reich | 1936 | American | Piano Phase; Music for 18 Musicians | minimalism | ||||||||
Hans Zender | 1936 | German | ||||||||||
Aribert Reimann | 1936 | German | Lear; Nahe Ferne; Wolkenloses Christfest | |||||||||
Elliott Schwartz | 1936 | American | Equinox for orchestra | |||||||||
Robert Suderburg | 1936 | American | Concerto, Within the Mirror of Time, for piano and orchestra; Chamber Music VII ("Ceremonies") | |||||||||
John White | 1936 | English | Cello and Tuba Machine; 175 piano sonatas | |||||||||
Philip Ledger | 1937 | 2012 | British | |||||||||
Edward Applebaum | 1937 | American | ||||||||||
Misha Geller | 1937 | 2007 | Russian | Concerto for Violin, Piano and Orchestra | ||||||||
Keiko Abe | 1937 | Japanese | ||||||||||
Jan Bach | 1937 | American | ||||||||||
Junsang Bahk | 1937 | South Korean | ||||||||||
Osvaldas Balakauskas | 1937 | Lithuanian | ||||||||||
David Bedford | 1937 | 2011 | British | |||||||||
David Behrman | 1937 | American | ||||||||||
Azio Corghi | 1937 | Italian | Divara–Wasser und Blut | |||||||||
Jon Hassell | 1937 | American | ||||||||||
Jean-Louis Petit | 1937 | French | ||||||||||
David Del Tredici | 1937 | American | Child Alice; Final Alice | |||||||||
Philip Glass | 1937 | American | Violin Concerto; operas; 8 symphonies | minimalism | ||||||||
Walter Hekster | 1937 | 2012 | Dutch | |||||||||
Katherine Hoover | 1937 | American | ||||||||||
Nikolai Kapustin | 1937 | Russian | ||||||||||
Wang Xilin | 1937 | Chinese | folk-influenced | |||||||||
Bo Nilsson | 1937 | Swedish | ||||||||||
Valentin Silvestrov | 1937 | Ukrainian | Symphony No. 5 | |||||||||
Yehuda Yannay | 1937 | American-Israeli | At the End of the Parade ; Radiant Inner Light; Piano Concerto | extended techniques, multimedia, postmodern | ||||||||
Ashenafi Kebede | 1938 | 1998 | Ethiopian | The Shepherd Flutist | ||||||||
Virko Baley | 1938 | Ukrainian-American | ||||||||||
Maryanne Amacher | 1938 | American | ||||||||||
Bart Berman | 1938 | Dutch-Israeli | ||||||||||
Raja Hossain Khan | 1938 | Bangladeshi | ||||||||||
William Bolcom | 1938 | American | Songs of Experience; Songs of Innocence | |||||||||
David Borden | 1938 | American | ||||||||||
Paul Chihara | 1938 | American | Shogun: The Musical | |||||||||
Gloria Coates | 1938 | American | Music on Open Strings | |||||||||
John Corigliano | 1938 | American | Symphony No. 2; A Dylan Thomas Trilogy; The Red Violin (film music) | polystylism | ||||||||
Alvin Curran | 1938 | American | For Cornelius; Songs and Views of the Magnetic Garden; Inner Cities | |||||||||
Jean-Claude Éloy | 1938 | French | ||||||||||
Calvin Hampton | 1938 | 1984 | American | |||||||||
John Harbison | 1938 | American | The Great Gatsby | |||||||||
Mesías Maiguashca | 1938 | Ecuadorian | F-Melodies; Ayayayayay | electronic music; spectralism | ||||||||
Michael Parsons | 1938 | English | ||||||||||
Dianne Goolkasian Rahbee | 1938 | American | ||||||||||
Frederic Rzewski | 1938 | American | The People United Will Never Be Defeated! | |||||||||
Givi Gachechiladze | 1938 | Georgian | ||||||||||
E. Clement Bethel | 1938 | 1987 | Bahamian | |||||||||
Tona Scherchen | 1938 | Swiss | ||||||||||
Gregory Short | 1938 | 1999 | American | |||||||||
Joan Tower | 1938 | American | Petroushskates; Concerto for Orchestra; Sequoia; Fanfare for the Uncommon Woman | |||||||||
Jan Vriend | 1938 | Dutch | ||||||||||
Charles Wuorinen | 1938 | American | Time's Encomium; 8 symphonies; chamber music | twelve-tone technique, serialism | ||||||||
Louis Andriessen | 1939 | Dutch | minimalism | |||||||||
Wendy Carlos | 1939 | American | Switched-On Bach (Moog Synthesizer) | Electronic music (original and transcriptions) | ||||||||
Jonathan Harvey | 1939 | 2012 | English | Mortuos Plango Vivos Voco; Advaya; Bhakti; Wheel of Emptiness | spectralism | |||||||
Heinz Holliger | 1939 | Swiss | Schneewittchen | |||||||||
Jon Appleton | 1939 | American | ||||||||||
Nicolaus A. Huber | 1939 | German | ||||||||||
Tom Johnson | 1939 | American | ||||||||||
John McCabe | 1939 | English | Chagall Windows; symphonies; ballets; string quartets | |||||||||
Tomáš Svoboda | 1939 | Czech-American | Overture of the Season; Marimba Concerto; "Children's Treasure Box" piano series | |||||||||
Boris Tishchenko | 1939 | 2010 | Russian | |||||||||
Ellen Taaffe Zwilich | 1939 | American | ||||||||||
Juraj Beneš | 1940 | 2004 | Slovak | |||||||||
Henry Flynt | 1940 | American | ||||||||||
Alden Jenks | 1940 | American | ||||||||||
Ken-Ichiro Kobayashi | 1940 | Japanese | ||||||||||
David C. Johnson | 1940 | American | ||||||||||
Jorge Peixinho | 1940 | 1995 | Portuguese | electronic music | ||||||||
Frank Zappa | 1940 | 1993 | American | The Perfect Stranger; The Yellow Shark | ||||||||
Geoffrey Burgon | 1941 | 2010 | British | |||||||||
Stephen Albert | 1941 | 1992 | American | Symphony No. 1: Riverrun | ||||||||
Anđelka Bego-Šimunić | 1941 | Bosnian | neoclassicism | |||||||||
Philip Krumm | 1941 | American | ||||||||||
Valeri Kikta | 1941 | Ukrainian | ||||||||||
Konrad Boehmer | 1941 | Dutch | ||||||||||
David Cope | 1941 | American | ||||||||||
Johannes Fritsch | 1941 | 2010 | German | |||||||||
Sorrel Hays | 1941 | American | ||||||||||
Moya Henderson | 1941 | Australian | Lindy | |||||||||
Adolphus Hailstork | 1941 | American | ||||||||||
Paul Alan Levi | 1941 | American | ||||||||||
Emmanuel Nunes | 1941 | 2012 | Portuguese | Machina Mundi; Quodlibet | electronic music | |||||||
Shigeaki Saegusa | 1942 | Japanese | Piano Concerto | طليعي | ||||||||
Birgitte Alsted | 1942 | Danish | ||||||||||
John Cale | 1942 | Welsh | ||||||||||
Volker David Kirchner | 1942 | German | Gilgamesh; Missa Moguntina; Symphony No. 2 "Mythen" | |||||||||
John Barnes Chance | 1942 | 1972 | American | Elegie; Variations on a Korean Folk Song | ||||||||
Jonathan Kramer | 1942 | 2004 | American | postmodernism | ||||||||
Paul McCartney | 1942 | English | Ecce Cor Meum | عضو فرقة بيتلز | ||||||||
John McGuire | 1942 | American | Pulse Music III; A Capella | electronic music, fusion of serialism and minimalism, postminimalism | ||||||||
Tomás Marco | 1942 | Spanish | Concierto del agua, for guitar and orchestra; 5 symphonies; String Quartet No. 3 Anatomía fractal de los ángeles; Ojos verdes de luna | طليعي, neoclassical, folk-influenced, eclectic | ||||||||
Horațiu Rădulescu | 1942 | 2008 | Romanian/French | six string quartets | spectralism | |||||||
Alexander Basilaial | 1942 | 2009 | Georgian | |||||||||
Adel Kamel | 1942 | 2003 | Egyptian | |||||||||
Maki Asakawa | 1942 | 2010 | Japanese | |||||||||
Daniel Börtz | 1943 | Swedish | ||||||||||
Joanna Bruzdowicz | 1943 | Polish | ||||||||||
Gavin Bryars | 1943 | English | Jesus' Blood Never Failed Me Yet, Doctor Ox's Experiment | |||||||||
Shiro Miya | 1943 | 2012 | Japanese | |||||||||
Eleanor Cory | 1943 | American | ||||||||||
William Duckworth | 1943 | American | ||||||||||
Hugues Dufourt | 1943 | French | ||||||||||
Dennis Eberhard | 1943 | 2005 | American | |||||||||
Ross Edwards | 1943 | Australian | ||||||||||
Udo Zimmermann | 1943 | German | Operas | |||||||||
Margriet Ehlen | 1943 | Dutch | ||||||||||
Morten Lauridsen | 1943 | American | Vocal works | |||||||||
Julio Estrada | 1943 | Mexican | ||||||||||
Brian Ferneyhough | 1943 | English | Etudes Transcendantales | New Complexity | ||||||||
Rolf Gehlhaar | 1943 | American | Sub rosa; Five German Dances | electronic music, sound installations | ||||||||
Heinz Karl Gruber | 1943 | Austrian | Frankenstein!!, Charivari, Aerial | |||||||||
Robin Holloway | 1943 | English | ||||||||||
Bill Hopkins | 1943 | 1981 | English | En Attendant; Sensation | ||||||||
Jerry Hunt | 1943 | 1993 | American | |||||||||
Ilaiyaraaja | 1943 | Indian | How to Name it; Nothing but wind ; Thiruvasagam -An Oratorio; The Music Messaih ; India 24 hours ; | Indian Classical (Carnatic), Western Classical, Fusion , Jazz , Indian Folk | ||||||||
Bill McGlaughlin | 1943 | American | Remembering Icarus; Walt Whitman's Dream | |||||||||
Krzysztof Meyer | 1943 | Polish | 12 string quartets | |||||||||
Joseph Schwantner | 1943 | American | Aftertones of Infinity; A Sudden Rainbow | |||||||||
Roger Smalley | 1943 | Australian (born English) | Pulses; 2 piano concertos | serialism, eclectic | ||||||||
Ivan Tcherepnin | 1943 | 1998 | French-American | |||||||||
Michael Vetter | 1943 | German | Missa Universalis | New Age, Zen-influenced | ||||||||
William Albright | 1944 | 1998 | American | polystylistic | ||||||||
Gilbert Biberian | 1944 | British | ||||||||||
Barry Conyngham | 1944 | Australian | ||||||||||
Willem Breuker | 1944 | 2010 | Dutch | |||||||||
Péter Eötvös | 1944 | Hungarian | Love and Other Demons | eclectic, extended technique, electronic music, folk-music influence | ||||||||
York Höller | 1944 | German | Schwarze Halbinseln; Der Meister und Margarita | electronic music, serialism, Gestalt composition | ||||||||
Karl Jenkins | 1944 | Welsh | The Armed Man; Adiemus; Requiem | |||||||||
Pehr Henrik Nordgren | 1944 | 2008 | Finnish | |||||||||
Michael Nyman | 1944 | English | The Man Who Mistook His Wife for a Hat | Minimalism | ||||||||
Leif Segerstam | 1944 | Finnish | ||||||||||
John Tavener | 1944 | English | Holy minimalism | |||||||||
Charles Amirkhanian | 1945 | American | ||||||||||
Clarence Barlow | 1945 | British-Portuguese | ||||||||||
Anthony Braxton | 1945 | American | ||||||||||
Ole Buck | 1945 | Danish | ||||||||||
Graciela Agudela | 1945 | Mexican | ||||||||||
Boudewijn Buckinx | 1945 | Belgian | ||||||||||
Edward Gregson | 1945 | English | ||||||||||
Ivan Karabyts | 1945 | 2002 | Ukrainian | |||||||||
Fredric Kroll | 1945 | American | ||||||||||
Judith Lang Zaimont | 1945 | American | ||||||||||
Ahmed Achour | 1945 | Tunisian | Concerto pour clarinette et orchestre | |||||||||
Keith Jarrett | 1945 | American | ||||||||||
Luca Lombardi | 1945 | Italian | ||||||||||
Johnterryl Plumeri | 1945 | American | ||||||||||
John Rutter | 1945 | English | choral music | |||||||||
Barry Schrader | 1945 | American | electro-acoustic | |||||||||
Barbara Benary | 1946 | German | ||||||||||
Anne Boyd | 1946 | Australian | ||||||||||
Suzanne Ciani | 1946 | Italian American | electronic music | |||||||||
Pierre Even | 1946 | Luxembourgian | ||||||||||
Michael Finnissy | 1946 | American | ||||||||||
Zsolt Gárdonyi | 1946 | Hungarian German | Magnificat, Mozart Changes (organ) | |||||||||
Gérard Grisey | 1946 | 1998 | French | Vortex temporum | ||||||||
Ann-Elise Hannikainen | 1946 | Finnish | ||||||||||
Richard St. Clair | 1946 | American | The Lamentations of Shinran; Album of Ragtime Pieces for Piano; Love-Canzonettes for Chorus; Piano Sonatas | Neoromanticism | ||||||||
Pēteris Vasks | 1946 | Latvian | ||||||||||
Diderik Wagenaar | 1946 | Dutch | ||||||||||
Ho Wai-On | 1946 | British | ||||||||||
Dana Wilson | 1946 | American | ||||||||||
Heinz Winbeck | 1946 | German | ||||||||||
John Adams | 1947 | American | Nixon in China; Harmonielehre; Shaker Loops, Short Ride in a Fast Machine; Violin Concerto | Post-minimalism | ||||||||
Anthony Braxton | 1945 | American | ||||||||||
Franghiz Ali-Zadeh | 1947 | Azerbaijani | ||||||||||
Laurie Anderson | 1947 | American | ||||||||||
Zarrina Mirshakar | 1947 | Tajik | ||||||||||
Michel Chion | 1947 | French | ||||||||||
Donald Grantham | 1947 | American | ||||||||||
John S. Hilliard | 1947 | American | Baron Cimetiere's Mambo | |||||||||
Tristan Murail | 1947 | French | Gondwana | spectral music | ||||||||
Morris Pert | 1947 | 2010 | Scottish | |||||||||
Paul Patterson | 1947 | English | ||||||||||
Karl Aage Rasmussen | 1947 | Danish | ||||||||||
Salvatore Sciarrino | 1947 | Italian | ||||||||||
Howard Skempton | 1947 | English | ||||||||||
Jean-Yves Bosseur | 1947 | French | ||||||||||
Emil Tabakov | 1947 | Bulgarian | ||||||||||
Michael Berkeley | 1948 | English | ||||||||||
Stephen Brown | 1948 | Canadian | ||||||||||
Glenn Branca | 1948 | American | طليعي | |||||||||
Diana Burrell | 1948 | English | ||||||||||
Brian Eno | 1948 | English | ambient music, minimalism | |||||||||
Jean Michel Jarre | 1948 | French | ||||||||||
Kerstin Jeppsson | 1948 | Swedish | ||||||||||
Theo Jörgensmann | 1948 | German | ||||||||||
Julia Tsenova | 1948 | 2010 | Bulgarian | Sinfonia con piano concertante; Endless Circle for string quintet; Musica Solitudinis; Four songs, to poems by Emily Dickinson | ||||||||
Claude Vivier | 1948 | 1983 | Canadian | Kopernikus: Rituel de la Mort | spectral music, Asian-music influence | |||||||
John Casken | 1949 | British | ||||||||||
Eleanor Alberga | 1949 | Jamaican | ||||||||||
Kalevi Aho | 1949 | Finnish | ||||||||||
Daniel Catán | 1949 | 2011 | Mexican | Florencia en el Amazonas; Rappaccini's Daughter | Neo-impressionism | |||||||
Leonid Bobylev | 1949 | Russian | Symphony (1985), Concerto for viola and string orchestra (1970) | |||||||||
John Casken | 1949 | English | ||||||||||
Tim Hodgkinson | 1949 | English | ||||||||||
Dan Locklair | 1949 | American | ||||||||||
Stephen Paulus | 1949 | American | Pilgrim's Hymn; The Road Home; | |||||||||
Christopher Rouse | 1949 | American | Requiem; Karolju; Phantasmata; Gorgon; Oboe Concerto; 2 symphonies | |||||||||
Carlos Azevedo | 1949 | 2012 | Portuguese | |||||||||
Volodymyr Ivasyuk | 1949 | 1979 | Ukrainian | |||||||||
Masahiro Kawasaki | 1949 | 2006 | Japanese | |||||||||
Poul Ruders | 1949 | Danish | ||||||||||
Dave Smith | 1949 | English | ||||||||||
Steven Stucky | 1949 | American | Son et Lumière; Concerto for Orchestra No. 2; Rhapsodies; August 4, 1964 | |||||||||
Kevin Volans | 1949 | South African | Hunting Gathering | |||||||||
Philip Wilby | 1949 | British | brass-band music | |||||||||
Beth Anderson | 1950 | American | ||||||||||
Elena Firsova | 1950 | Russian | The Nightingale and the Rose | |||||||||
Emmanuel Gyimah Labi | 1950 | Ghanaian | ||||||||||
Elodie Lauten | 1950 | American | ||||||||||
Ernani Aguiar | 1950 | Brazilian | ||||||||||
Libby Larsen | 1950 | American | Marimba Concerto | |||||||||
Åse Hedstrøm | 1950 | Norwegian | ||||||||||
Christopher Hobbs | 1950 | English | ||||||||||
Arturo Márquez | 1950 | Mexican | Danzón no. 2 | |||||||||
William Sweeney | 1950 | Scottish | folk-influenced | |||||||||
Howard J. Buss | 1951 | American | Modern Times | |||||||||
Patrick Larley | 1951 | British | ||||||||||
Lorenzo Ferrero | 1951 | Italian | ||||||||||
Francisco Guerrero Marín | 1951 | 1997 | Spanish | |||||||||
Halina Harelava | 1951 | Belarusian | ||||||||||
Viera Janárceková | 1951 | Slovakian | ||||||||||
Patricia Jünger | 1951 | Swiss-Austrian | ||||||||||
Aivars Kalējs | 1951 | Latvian | Neoromanticism | |||||||||
Michael Rosenzweig | 1951 | South African | Symphony in One Movement; String Quartet No. 2 | |||||||||
Doina Rotaru | 1951 | Romanian | Concerto for clarinet and orchestra; Florilegium, concerto for flute and flutes orchestra; Wings of Light for 24 flutists | |||||||||
Takanori Arisawa | 1951 | 2005 | Japanese | |||||||||
George Tsontakis | 1951 | American | ||||||||||
Hans Abrahamsen | 1952 | Danish | ||||||||||
Judith Bingham | 1952 | British | ||||||||||
Max Beckschäfer | 1952 | German | Michelangelo-Fragmente, vocal music | also academic for music theory | ||||||||
Rhys Chatham | 1952 | American | طليعي, minimalism | |||||||||
Uzi Hitman | 1952 | 2004 | Israeli | |||||||||
Christian Lauba | 1952 | Tunisian born French | The Lose Forest for ensemble of 12 saxophones, Neuf études pour saxophone | |||||||||
Tina Davidson | 1952 | American | ||||||||||
Richard Einhorn | 1952 | American | Voices of Light (oratorio); The Origin (opera/oratorio) | |||||||||
Reinhard Febel | 1952 | German | opera Sekunden und Jahre des Caspar Hauser, Wolkenstein, Sinfonie | |||||||||
Heiner Goebbels | 1952 | German | ||||||||||
Stephen Hartke | 1952 | American | ||||||||||
Margriet Hoenderdos | 1952 | 2010 | Dutch | |||||||||
Scott Johnson | 1952 | American | ||||||||||
Oliver Knussen | 1952 | British | Where the Wild Things Are | |||||||||
Gerd Kühr | 1952 | German | operas Stallerhof, Tod und Teufel | |||||||||
Philippe Manoury | 1952 | French | 60th Parallel (opera) | |||||||||
Moshe Zorman | 1952 | Israeli | ||||||||||
Dominic Muldowney | 1952 | English | ||||||||||
Vladimir Dikanski | 1952 | Swedish | ||||||||||
Alla Pavlova | 1952 | Russian | ||||||||||
Wolfgang Rihm | 1952 | German | 12 string quartets; Die Eroberung von Mexico (opera) | New Simplicity, expressionism | ||||||||
Kaija Saariaho | 1952 | Finnish | L’amour de loin; Adriana Mater; La Passion de Simone | |||||||||
Peter-Jan Wagemans | 1952 | Dutch | ||||||||||
John Luther Adams | 1953 | American | Various pieces inspired by Alaskan landscapes | |||||||||
Hans-Jürgen von Bose | 1953 | German | Piano music | |||||||||
Cornelis de Bondt | 1953 | Dutch | ||||||||||
Jackson Kaujeua | 1953 | 2010 | Namibian | |||||||||
Wendy Mae Chambers | 1953 | American | ||||||||||
Talabkhoja Sattorov | 1953 | 2007 | Tajik | |||||||||
Chen Yi | 1953 | Chinese | ||||||||||
Andrew Culver | 1953 | American | ||||||||||
Georg Friedrich Haas | 1953 | Austrian | Double Concerto for accordion, viola and chamber ensemble, Concerto for violin and orchestra , String Quartet No.4 | spectral music | ||||||||
Jody Diamond | 1953 | American | ||||||||||
Violeta Dinescu | 1953 | Romanian | Der 35. Mai (children's opera) | |||||||||
He Xuntian | 1953 | Chinese | ||||||||||
Maung Thit Min | 1953 | 2011 | Burmese | |||||||||
René Eespere | 1953 | Estonian | ||||||||||
Lidia Zielińska | 1953 | Polish | ||||||||||
Daniel Asia | 1953 | American | ||||||||||
Arnold Dreyblatt | 1953 | American | ||||||||||
Denis Dufour | 1953 | French | Notre besoin de consolation est impossible à rassasier, Bocalises, Messe à l'usage des vieillards | |||||||||
Patrick Ascione | 1953 | French | Divertissement | electroacoustic and acousmatic music | ||||||||
Zhou Long | 1953 | Chinese | ||||||||||
David First | 1953 | American | ||||||||||
Adriana Hölszky | 1953 | Romanian-German | ||||||||||
Eibhlis Farrell | 1953 | Irish | ||||||||||
Akira Nishimura | 1953 | Japanese | ||||||||||
Peter Scott Lewis | 1953 | American | ||||||||||
Wim Mertens | 1953 | Belgian | The Belly of an Architect (incl. Struggle for Pleasure), Maximizing the Audience | Minimalism | ||||||||
Roberto Sierra | 1953 | Puerto Rican | Missa Latina | |||||||||
James Wood | 1953 | English | Stoicheia, Ho shang Yao | Microtonality, percussion, voice | ||||||||
Takashi Yoshimatsu | 1953 | Japanese | Symphony No. 2 | |||||||||
John Zorn | 1953 | American | طليعي | |||||||||
Richard Blackford | 1954 | English | ||||||||||
Sylvie Bodorová | 1954 | Czech | ||||||||||
Elisabetta Brusa | 1954 | Italian | ||||||||||
Robert Carl | 1954 | American | ||||||||||
Chan Wing-wah | 1954 | Chinese | ||||||||||
Nicolas Collins | 1954 | American | electronic music | |||||||||
Michael Daugherty | 1954 | American | UFO | |||||||||
Paul Dirmeikis | 1954 | American | Message laisse á Pondichéry le 18 novembre 1973 | eclectic | ||||||||
Joël-François Durand | 1954 | French | ||||||||||
Elliot Goldenthal | 1954 | American | ||||||||||
Irina Hasnaş | 1954 | Romanian | ||||||||||
Birgit Havenstein | 1954 | German | ||||||||||
Brenda Hutchinson | 1954 | American | ||||||||||
Arturo Rodas | 1954 | Franco-Ecuadorian | Arcaica, a concerto for percussion & orchestra; 24.5 Preludes for piano; El Árbol de los Pájaros (The birds tree): opera "for the voice of the instruments" | طليعي, polystylism | ||||||||
Jan Sandström | 1954 | Swedish | Motorbike Concerto, Es ist ein Ros entsprungen, Rekviem | |||||||||
Paweł Szymański | 1954 | Polish | ||||||||||
Bob Chilcott | 1955 | British | choral music | |||||||||
Pascal Dusapin | 1955 | French | Perelà, uomo di fumo | |||||||||
Olli Kortekangas | 1955 | Finnish | ||||||||||
Roland Dyens | 1955 | Tunisian-French | ||||||||||
Ludovico Einaudi | 1955 | Italian | minimalism | |||||||||
Diamanda Galás | 1955 | Greek-American | ||||||||||
Kyle Gann | 1955 | American | Just intonation | |||||||||
Toshio Hosokawa | 1955 | Japanese | Vision of Lear, Circulating Ocean, Voiceless Voice in Hiroshima | Neo-impressionism | ||||||||
David A. Jaffe | 1955 | American | "Silicon Valley Breakdown"; "The Seven Wonders of the Ancient World" | computer music, folk-music-influenced | ||||||||
Michael Obst | 1955 | German | Solaris | electronic music | ||||||||
Bright Sheng | 1955 | Chinese | The Silver River | folk-influenced | ||||||||
Ian Venables | 1955 | English | Songs of Eternity and Sorrow, Remember This | |||||||||
Eduardo Alonso-Crespo | 1956 | Argentine | ||||||||||
Javier Álvarez | 1956 | Mexican | Metro Chabacano, Temazcal | |||||||||
Makiko Kinoshita | 1956 | Japanese | ||||||||||
Sally Beamish | 1956 | British | ||||||||||
Richard Danielpour | 1956 | American | Margaret Garner | |||||||||
Daniel Dorff | 1956 | American | ||||||||||
Anne Dudley | 1956 | English | ||||||||||
Dror Elimelech | 1956 | Israeli | ||||||||||
Kenneth Fuchs | 1956 | American | ||||||||||
Vladimír Godár | 1956 | Slovak | ||||||||||
Michael Gordon | 1956 | American | ||||||||||
Philip Grange | 1956 | English | ||||||||||
Madeleine Isaksson | 1956 | Swedish | ||||||||||
Jouni Kaipainen | 1956 | Finnish | ||||||||||
Graeme Koehne | 1956 | Australian | Inflight Entertainment (oboe concerto); Tivoli Dances | |||||||||
Leon Milo | 1956 | American | TimeTexture - for piano and electronics | electroacoustic music | ||||||||
Laurence Traiger | 1956 | American | ||||||||||
Gheorghi Arnaoudov | 1957 | Bulgarian | minimalism | |||||||||
Charles Roland Berry | 1957 | American | ||||||||||
Camille Kerger | 1957 | Luxembourg | ||||||||||
Linda Bouchard | 1957 | Canadian | ||||||||||
Mary Ellen Childs | 1957 | American | ||||||||||
Chaya Czernowin | 1957 | Israeli | ||||||||||
Andrew Ford | 1957 | English-born Australian | ||||||||||
Ellen Fullman | 1957 | American | ||||||||||
Masamichi Amano | 1957 | Japanese | ||||||||||
Regina Irman | 1957 | Swiss | ||||||||||
Elena Kats-Chernin | 1957 | Australian | ||||||||||
David Lang | 1957 | American | The Little Match Girl Passion | |||||||||
Paul Moravec | 1957 | American | Spiritdance; Chamber Symphony; Tempest Fantasy; The Time Gallery | |||||||||
Gerhard Präsent | 1957 | Austrian | Himmelslicht; Missa minima; Trio intricato | |||||||||
Gerhard Schedl | 1957 | 2000 | Austrian | Slow, Cello Concerto | ||||||||
Tan Dun | 1957 | Chinese | Water Passion after St. Matthew; Crouching Tiger, Hidden Dragon (film music) | Extended technique, folk-influenced | ||||||||
Eve Beglarian | 1958 | American | ||||||||||
Karl Gottfried Brunotte | 1958 | German | ||||||||||
Jun Miyake | 1958 | Japanese | ||||||||||
Oscar van Dillen | 1958 | Dutch | ||||||||||
Suzanne Giraud | 1958 | French | ||||||||||
Hanna Havrylets' | 1958 | Ukrainian | ||||||||||
Magnus Lindberg | 1958 | Finnish | Kraft; Clarinet Concerto | |||||||||
Esa-Pekka Salonen | 1958 | Finnish | LA Variations; Insomnia | |||||||||
Giulio Castagnoli | 1958 | Italian | Concerto for Cello and Double Orchestra; Concerto for Piano and Orchestra; Missa Sancti Evasii | |||||||||
Hiroaki Zakōji | 1958 | 1987 | Japanese | |||||||||
Julia Wolfe | 1958 | American | ||||||||||
Thomas Simaku | 1958 | Albanian | ||||||||||
Davide Zannoni | 1958 | Italian | ||||||||||
Nigel Westlake | 1958 | Australian | ||||||||||
Richard Barrett | 1959 | British | ||||||||||
Karl Gottfried Brunotte | 1958 | German | ||||||||||
Vakhtang Kakhidze | 1959 | Georgian | ||||||||||
Sebastian Currier | 1959 | American | ||||||||||
Paul Doornbusch | 1959 | Australian | computer music, electroacoustic music | |||||||||
Caroline Ansink | 1959 | Dutch | ||||||||||
Lucio Garau | 1959 | Italian | ||||||||||
Ana Lara | 1959 | Mexican | ||||||||||
Adina Izarra | 1959 | Venezuelan | ||||||||||
James MacMillan | 1959 | Scottish | The Sacrifice; Veni veni Emmanuel (percussion concerto); The Confession of Isobel Gowdie; St. John Passion; 3 symphonies | |||||||||
Alfio Fazio | 1959 | Italian | ||||||||||
Shigeru Kan-no | 1959 | Japanese | Play Station Cycles; Simulation Cycles | |||||||||
Erkki-Sven Tüür | 1959 | Estonian | 6 symphonies; Violin Concerto; Piano Concerto; Searching for Roots | |||||||||
Maria de Alvear | 1960 | Spanish-German | ||||||||||
George Benjamin | 1960 | English | Sudden Time; Antara | |||||||||
Nigel Clarke | 1960 | English | Samurai; The Miraculous Violin; Earthrise; Gagarin | |||||||||
Nathan Currier | 1960 | American | Gaian Variations | |||||||||
Detlev Glanert | 1960 | German | operas Leyla und Medjnun, Caligula, Solaris | |||||||||
Aaron Jay Kernis | 1960 | American | Musica Instrumentalis, Colored Field | |||||||||
Georg Hajdu | 1960 | German | ||||||||||
Osvaldo Golijov | 1960 | Argentine | ||||||||||
Annie Gosfield | 1960 | American | ||||||||||
Alexander Shchetynsky | 1960 | Ukrainian | ||||||||||
William Susman | 1960 | American | Native New Yorker (film score); Marimba Montuño (solo); Camille (chamber ensmeble); Trailing Vortices (chamber orchestra); Fate of the Lhapa (film score) | postminimalism | ||||||||
Mark-Anthony Turnage | 1960 | English | Greek; From All Sides; Mambo, Blue and Tarantella (violin concerto); From the Wreckage (trumpet concerto); Fractured Lines (percussion concerto); Five Views of a Mouth (flute concerto); A Fast Stomp | |||||||||
Irakli Charkviani | 1961 | 2006 | Georgian | |||||||||
Lowell Liebermann | 1961 | American | ||||||||||
Ana-Maria Avram | 1961 | Romanian | spectral music | |||||||||
Unsuk Chin | 1961 | South Korean | Alice in Wonderland; Violin Concerto; Fantasie mécanique; Cantatrix Sopranica | |||||||||
Marc-André Dalbavie | 1961 | French | ||||||||||
Daron Hagen | 1961 | American | ||||||||||
Jake Heggie | 1961 | American | Dead Man Walking | |||||||||
Hanna Kulenty | 1961 | Polish | Ad Unum, Breathe, The Mother of Black Winged-Dreams, Trumpet Concerto, String Quartet No. 4 | |||||||||
Peter Machajdík | 1961 | Slovak / German | Namah; Double Bayan Concerto; Farewell Fanfares; Lasea; Nell'autunno del suo abbraccio insonne | postminimalism, electronic music | ||||||||
Erica Muhl | 1961 | American | Consolation | |||||||||
Michael Torke | 1961 | American | "Vanada"; Javelin; Rapture (percussion concerto); Ecstatic Orange | |||||||||
Roman Turovsky-Savchuk | 1961 | Ukrainian/American | Tombeau for Omelyan Kovch | historicist-Neo-Baroque | ||||||||
Mohamed Abdelwahab Abdelfattah | 1962 | Egypt | Die Wunderzahl, String Quartet No. 2 "Monamnamat" | electroacoustic, postmodernism | ||||||||
Michael Abels | 1962 | American | Global Warming | |||||||||
Carl Faia | 1962 | American | ||||||||||
Kaoru Wada | 1962 | Japanese | ||||||||||
Stefano Gervasoni | 1962 | Italian | ||||||||||
Jennifer Higdon | 1962 | American | ||||||||||
Rudi Spring | 1962 | German | Heimkunft, Chamber Symphonies, song cycles | |||||||||
Graham Waterhouse | 1962 | English | Piccolo Quintet, Three Pieces for Solo Cello, Gestural Variations | |||||||||
Sandeep Bhagwati | 1963 | Indian | opera Ramanujan | |||||||||
Shinkichi Mitsumune | 1963 | Japanese | ||||||||||
Michel Bosc | 1963 | French | ||||||||||
Graham Fitkin | 1963 | British | ||||||||||
Edson Zampronha | 1963 | Brazilian | Lamenti, Recycling Collaging Sampling, Concert for Piano N.1, Modelagem X-a | |||||||||
Philip Cashian | 1963 | British | ||||||||||
Javier Parrado | 1964 | Bolivian | ||||||||||
Luca Belcastro | 1964 | Italian | ||||||||||
Jun Nagao | 1964 | Japanese | ||||||||||
Boris Böhmann | 1964 | German | ||||||||||
Julia Gomelskaya | 1964 | Ukrainian | ||||||||||
Fiona Joy Hawkins | 1964 | Australian | ||||||||||
Richard Rijnvos | 1964 | Dutch | Block Beuys | |||||||||
Yuri Khanon | 1965 | Russian | The Shagreen Bone, The Symphony of Dogs, The Middle Symphony, Agonia Dei, What Zarathustra Said Indeed | polystylism, neoclassicism | ||||||||
Gordon McPherson | 1965 | Scottish | ||||||||||
Yuki Kajiura | 1965 | Japanese | ||||||||||
Zana Clarke | 1965 | Australian | ||||||||||
Peter Nardone | 1965 | Scottish | ||||||||||
Bernd Redmann | 1965 | German | opera Die Gehetzten, orchestra Fiasko, chamber Migrant | |||||||||
Georgia Spiropoulos | 1965 | Greek | Klama, for mixed choir & live electronics | طليعي | ||||||||
Mats Wendt | 1965 | Swedish | Eddan–The Invincible Sword of the Elf-Smith | |||||||||
Moritz Eggert | 1965 | German | ||||||||||
Irina Bogushevskaya | 1965 | Russian | ||||||||||
Roberto Carnevale | 1966 | Italian | Linae (1992–1995) | |||||||||
Juan J. Colomer | 1966 | Spanish | La complicidad del espectro | |||||||||
Jan Müller-Wieland | 1966 | German | operas Gastspiel, Komödie ohne Titel, Das Märchen der 672. Nacht | |||||||||
John Psathas | 1966 | New Zealand | music for the Olympic–Athens 2004 for full orchestra and choir | |||||||||
Jens Josef | 1967 | German | Musik für Flöte(n), Viola und Kontrabass, chamber music | |||||||||
Andreas Kunstein | 1967 | Dutch | ||||||||||
Mark Applebaum | 1967 | American | ||||||||||
Olli Mustonen | 1967 | Finnish | ||||||||||
Joe Cutler | 1968 | British | ||||||||||
Jens Joneleit | 1968 | German | operas Der Brand, Piero &‐ Ende der Nacht, Metanoia. Über das Denken hinaus | |||||||||
Olga Neuwirth | 1968 | Austrian | طليعي | |||||||||
Johannes Kretz | 1968 | Austrian | ||||||||||
Roxanna Panufnik | 1968 | English | ||||||||||
Nicola Campogrande | 1969 | Italian | ||||||||||
Johanna Doderer | 1969 | Austrian | operas | |||||||||
Roy Zu-Arets | 1969 | American-Israeli | ||||||||||
Ciarán Farrell | 1969 | Irish | ||||||||||
Pierre Kolp | 1969 | Belgian | طليعي | |||||||||
David Bruce | 1970 | British-American | ||||||||||
Sara Carvalho | 1970 | Portuguese | ||||||||||
Graziella Concas | 1970 | Italian | ||||||||||
Rodolfo Acosta | 1970 | Colombian | ||||||||||
Donnacha Dennehy | 1970 | Irish | ||||||||||
Daniel Felsenfeld | 1970 | American | Insomnia Redux | |||||||||
Fazıl Say | 1970 | Turkish | ||||||||||
Michel van der Aa | 1970 | Dutch | After Life | |||||||||
Sara Carvalho | 1970 | Portuguese | ||||||||||
Eric Whitacre | 1970 | American | Cloudburst, Lux Aurumque, Water Night | choral music | ||||||||
Thomas Adès | 1971 | English | Powder Her Face; Asyla; Traced Overhead | |||||||||
Carlo Forlivesi | 1971 | Italian | Requiem | |||||||||
Michael Hersch | 1971 | American | Symphony No. 1; Fracta; Arraché | |||||||||
Klaus Lang | 1971 | Austrian | ||||||||||
Yoshino Aoki | 1971 | Japanese | ||||||||||
Takatomi Nobunaga | 1971 | Japanese | String Quartet | |||||||||
Paweł Mykietyn | 1971 | Polish | ||||||||||
Natasha Barrett | 1972 | British | electroacoustic | |||||||||
Bappa Mazumder | 1972 | Bangladeshi | ||||||||||
Tomomi Adachi | 1972 | Japanese | ||||||||||
Hiba Kawas | 1972 | Lebanese | ||||||||||
Natasha Barrett | 1972 | British | ||||||||||
André Ristic | 1972 | Canadian | ||||||||||
Kristoffer Zegers | 1973 | Dutch | ||||||||||
Lera Auerbach | 1973 | Russian | ||||||||||
Fred Jonny Berg | 1973 | Norwegian | ||||||||||
J. Ryan Garber | 1973 | American | Parabolisms; Resonances | |||||||||
Nihad Hrustanbegovic | 1973 | Bosnian - Dutch | Stork suite; Sevdah Medieval Rhapsody | Minimalism, film music, improvisation | ||||||||
Jörg Widmann | 1973 | Germany | The Face in the Mirror (opera); string quartets | |||||||||
Derek Charke | 1974 | Canadian | Falling from Cloudless Skies; Tundra Songs | |||||||||
Julian Cochran | 1974 | English-born Australian | ||||||||||
Đuro Živković | 1975 | Serbian-Swedish | ||||||||||
Avner Dorman | 1975 | Israeli | ||||||||||
Svitlana Azarova | 1976 | Ukrainian Dutch | Beyond Context (chamber orchestra) | |||||||||
Pritom Ahmed | 1976 | Bangladeshi | ||||||||||
Tomi Räisänen | 1976 | Finnish | Piano Concerto; Stheno | |||||||||
Tarateño Rojas | 1977 | Bolivian | ||||||||||
Wu Fei | 1977 | Chinese | She Huo | |||||||||
Daniel Hensel | 1978 | German | Chant of consecrated life | |||||||||
Jimmy Lopez | 1978 | Peruvian | Arco de luz | |||||||||
Tarik O'Regan | 1978 | British-American | ||||||||||
Mehdi Hosseini | 1979 | Iranian | ||||||||||
Habib Wahid | 1979 | Bangladeshi | ||||||||||
Fuad al Muqtadir | 1980 | Bangladeshi | ||||||||||
Christophe Bertrand | 1981 | 2010 | French | |||||||||
Gorgi Krstevski | 1981 | Macedonian | ||||||||||
Javier Pérez Garrido | 1985 | Spanish | ||||||||||
Nader Guirat | 1986 | Tunisian |
القرن 21