كور آنگليه
آلة نفخ موسيقية | |
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التصنيف | |
Hornbostel–Sachs classification | 422.112-71 (Double reed aerophone with keys) |
تطورت | about 1720 from the oboe da caccia |
نطاق اللعب | |
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آلات ذات صلة | |
الآلات الموسيقية |
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آلات النفخ الخشبية |
Brass |
آلات الإيقاع |
الوتريات |
Keyboards |
كور آنگليه (Cor anglais ؛ UK /ˌkɔːr ˈɒŋɡleɪ/؛ الأمريكي /ʔ ɑːŋˈɡleɪ/[1][2] or original بالفرنسية: [kɔʁ ɑ̃ɡlɛ]؛[3] الجمع: cors anglais) أو البوق الإنگليزي English horn في أمريكا الشمالية، هو آلة نفخ هوائي موسيقية مزدوجة البوص من عائلة أوبوى. ويبلغ طوله نحو مرة ونصف طول الأوبوى.
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رپرتوار
الكونشرتو والكونشرتانت
Until the 20th century, there were few solo pieces for the instrument with a large ensemble (such as orchestra or concert band). Important examples of such concertos and concertante works are:
- William Alwyn's Autumn Legend for English horn and string orchestra (1954)
- Emmanuel Chabrier's Lamento for English horn and orchestra (1875)
- Aaron Copland's Quiet City for trumpet, English horn, and string orchestra (1940) †
- Miguel del Aguila, Broken Rondo for solo English horn and orchestra
- Gaetano Donizetti's Concertino in G major (1816)
- Arthur Honegger's Concerto da camera for flute, English horn and string orchestra (1948)
- Gordon Jacob's Rhapsody for English horn and strings (1948)
- Aaron Jay Kernis' Colored Field (1994)
- James MacMillan's The World's Ransoming, for obbligato English horn and orchestra (1995–96), part of the orchestral tryptich Triduum (1995–97) †
- Walter Piston's Fantasy for English horn, harp and string orchestra (1952)
- Ned Rorem's Concerto for English horn and orchestra (1992)
- Peter Seabourne's Concerto for English horn and orchestra (2013)
- Jean Sibelius' The Swan of Tuonela (1893) †
- Jack Stamp's Elegy for English horn and Band (2004)
- Pēteris Vasks' Concerto for English horn and orchestra (1989)
- Ermanno Wolf-Ferrari's Concertino in A♭, op. 34 (1947)
† Though concertante in nature, these are just orchestral works featuring extensive solos, with the player seated within the orchestra
موسيقى الغرفة
Better known chamber music for English horn includes:
- Johan Went's Trio for 2 oboes and English horn, Petite Serenade Concertante in F major c.(1790)
- Johan Went's Trio for 2 oboes and English horn, Divertimento in Bb major c.(1790)
- Johan Went's Trio for 2 oboes and English horn, Variations on a Theme by Paisiello c.(1790)
- Johan Went's Trio for 2 oboes and English horn, Variations on a Theme by Haydn c.(1790)
- Johan Went's Trio for 2 oboes and English horn, Pas de Deux in C major de Signore e Signora Vigano c.(1790)
- Franz Krommer's Trio for 2 oboes and English horn, Trio in F major c.(1794)
- Franz Krommer's Trio for 2 oboes and English horn, Variations on a Theme by Pleyel c.(1794-6)
- Anton Wranitsky's Trio for 2 oboes and English horn, Trio in C major c.(1794-6)
- Franz Poessinger's Trio for 2 oboes and English horn, Trio in F major c.(1794-6)
- Josef Triebensee's Trio for 2 oboes and English horn, Trio in F major c.(1794-6)
- Josef Triebensee's Trio for 2 oboes and English horn, Trio in C major c.(1794-6)
- Josef Triebensee's Trio for 2 oboes and English horn, Trio in Bb major c.(1794-6)
- Josef Triebensee's Trio for 2 oboes and English horn, Variations on a Theme by Haydn c.(1794-6)
- Ludwig van Beethoven's Trio for 2 oboes and English horn, Op. 87 (1795)
- Ludwig van Beethoven's Variations on "Là ci darem la mano", for 2 oboes and English horn, WoO 28 (1796)
- Elliott Carter's Pastoral for English horn and piano (1940)
- Felix Draeseke's "Kleine Suite" for English horn and piano, Op. 87 (1911)
- Paul Hindemith's Sonata for English Horn and Piano (1941)
- Charles Koechlin's Monody for English Horn, Op. 216, Nr. 11 (1947–48)
- Vincent Persichetti's Parable XV for Solo English Horn
- Karlheinz Stockhausen's Zeitmaße for flute, oboe, clarinet, English horn and bassoon (1955–56)
- Igor Stravinsky's Pastorale for soprano and piano (1907), in the composer's own arrangements for soprano, oboe, English horn, clarinet, and bassoon (1923), and violin, oboe, English horn, clarinet, and bassoon (1933)
- Augusta Read Thomas's Pilgrim Soul for cor anglais and two violins (2011)
- Heitor Villa-Lobos' Quinteto (em forma de chôros) for flute, oboe, clarinet, English horn and bassoon (1928)
- Carlo Yvon's Sonata in F minor for English Horn (or Viola) and Piano (published ca. 1831), one of the few sonatas written during the Romantic era for this combination.
سولو في أعمال أوركسترالية
The English horn's timbre makes it well suited to the performance of expressive, melancholic solos in orchestral works (including film scores) as well as operas. Famous examples are:
- Vincenzo Bellini's Il Pirata (Act II: Introduzione) (1827)
- Hector Berlioz's Harold in Italy (1834)
- Hector Berlioz's Rob Roy Overture (1826)
- Hector Berlioz's Roman Carnival Overture (1844)
- Hector Berlioz's Symphonie fantastique (third movement) (1830)
- Alexander Borodin's In the Steppes of Central Asia (1880)
- Alexander Borodin's "Polovetsian Dances" from Prince Igor (1890)
- Emmanuel Chabrier's "Lamento" for orchestra (1875)
- Claude Debussy's Nocturnes (1899) ("Nuages")
- Frederick Delius's Florida Suite (1887)
- Antonín Dvořák's Symphony No. 9 (1893), From the New World (Largo)
- César Franck's Symphony in D minor (1888) (2nd movement)
- Joseph Haydn's Symphony No. 22, "The Philosopher" (1764) (two English horns)
- Joseph Haydn's Divertimento in F, for two violins, two English horns, two horns & two bassoons Hob. II: 6 (1760)
- Vincent d'Indy's Symphony on a French Mountain Air (1886)
- Zoltán Kodály's Summer Evening (1906)
- Gustav Mahler's Ich bin der Welt abhanden gekommen from Rückert-Lieder (1901), Wenn dein Mütterlein from Kindertotenlieder (1905)
- Jules Massenet's Le Cid Ballet Suite (Madrilène) (1885)
- Olivier Messiaen's L'ascension (1932–33) (2nd movement)
- Thea Musgrave's Phoenix Rising (1997)
- Basil Poledouris's Conan the Barbarian score – "Riddle of Steel" (1982)
- Amilcare Ponchielli's Voce di donna from La Gioconda
- Gaetano Pugnani's Werther Melodrama in Two Parts, (Part II No. 21 Largo assai) (1790)
- Sergei Rachmaninoff's Symphonic Dances (1940)
- Sergei Rachmaninoff's The Bells (1913) (4th movement)
- Maurice Ravel's Piano Concerto in G (1931) (2nd movement)
- Maurice Ravel's Ballet Daphnis et Chloé (1912)
- Maurice Ravel's Rapsodie espagnole (1908)
- Alfred Reed's Russian Christmas Music (1944)
- Ottorino Respighi's Lauda per la Natività del Signore (1930)
- Ottorino Respighi's Pini di Roma (1924)
- Nikolai Rimsky-Korsakov's Capriccio Espagnol (1887) (2nd movement)
- Nikolai Rimsky-Korsakov's Scheherazade Op. 35 (1888)
- Joaquín Rodrigo's Concierto de Aranjuez (1939) (2nd movement)
- Gioachino Rossini's William Tell Overture (1829)
- Howard Shore's The Lord of the Rings film trilogy (film score)
- Dmitri Shostakovich's Symphony No. 4 in C minor (1936) (1st movement)
- Dmitri Shostakovich's Symphony No. 6 in B minor (1939) (1st movement)
- Dmitri Shostakovich's Symphony No. 8 in C minor (1943) (1st movement)
- Dmitri Shostakovich's Symphony No. 10 in E minor (1953) (3rd movement)
- Dmitri Shostakovich's Symphony No. 11 in G minor (1957) (4th movement)
- Jean Sibelius' Karelia Suite (1893) and Pelléas et Mélisande (1905)
- Robert W. Smith's Symphony No. 2 "The Odyssey" (3rd movement,"The Isle of Calypso")
- Richard Strauss's Ein Heldenleben (1898)
- Igor Stravinsky's The Rite of Spring (1913) Mainly in the Intro to Part I and the next-to-last dance in Part II, Ritual Action of the Ancestors
- Pyotr Ilyich Tchaikovsky's Romeo and Juliet Fantasy Overture (1870) (Love Theme, Exposition)
- Pyotr Ilyich Tchaikovsky's The Nutcracker (1892)
- Ralph Vaughan Williams's In the Fen Country (1904)
- Ralph Vaughan Williams's Symphony No. 2 A London Symphony (2nd movement)
- Ralph Vaughan Williams's Symphony No. 5 in D Major (1943) (3rd movement)
- Ralph Vaughan Williams's Symphony No. 6 in E Minor (1946–47) (2nd movement)
- Heitor Villa-Lobos's Chôros No. 6
- Richard Wagner's Tristan und Isolde (1859) (Act 3, Scene 1)
- John Williams's Harry Potter and the Philosopher's Stone (film) (film score) (2001)
- John Williams's Schindler's List (film score) (1993)
غير مصحوب
- Andriessen, Hendrik, Elegia (1967)
- Auerbach, Lera, The Prayer
- Bancquart, A., Sonatine
- Bentzon, J., Rhapsodique Etude, Op. 10
- Berkeley, Michael, Snake (1990)
- Brandon, J., In the City at Night
- Caldini, F., Abendstück, Op. 12
- Caldini, F., Aria di Eliogabalo, Op. 18
- Cantalbiano, R., Sonata
- Carbon, J., Four Impromptus
- Carter, E., A 6-letter Letter
- Cherney, B., Epitaph
- Childs, Barney, Four Involutions
- Dagher, Abdo, The New Egyptian-Arabic
- Davies, Ken, Dark River
- Douglas, Paul Marshall, Luquet
- Downey, John W., Soliloquy
- Filippi, A., Equations
- Hall, Juliana, A Certain Tune
- Head, Raymond, No Nights are Dark Enough
- Isaacson, M., A Quiet Prayer
- Koechlin, Charles, Monodie
- Koechlin, Charles, Suite
- Lawrence, Echoes in Wilderness
- Persichetti, Vincent, Parable XV
- Pfiffner, Miniature d'Umbria I
- Rudin, R., Recitativ und Arie
- Silvestrini, Paysage avec Pyrame eet Thisbe
- Tomasi, H., Evocations
- Turok, P., Partita
المراجع
- ^ Cambridge English Pronouncing Dictionary, cor anglais, Cambridge University Press, 2011, p. 110
- ^ Longman Pronunciation Dictionary, 3rd edition, Pearson Education Limited, 2008, p.185
- ^ cor anglais في قاموس أكسفورد الإنگليزي