گيورگي ليگتي

"Ligeti" redirects here. For other people with the surname, see Ligeti (surname).

الصيغة الأصلية لهذا الاسم الشخصي هي Ligeti György Sándor. هذه المقالة تستخدم الترتيب الغربي للأسماء.

György Ligeti (1984)

گيورگي ساندور ليگتي (György Sándor Ligeti ؛ /ˈlɪɡəti/؛ مجرية: Ligeti György Sándor؛ تـُنطق [ˈliɡɛti ˈɟørɟ ˈʃaːndor]؛ 28 مايو 1923 – 12 يونيو 2006) was a Hungarian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time".

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 الجوائز

• Beethoven Prize of Bonn (1967)
• Berlin Art Prize (Requiem) (1965)
• UNESCO International Rostrum of Composers (1969)
• Berlin Art Prize (1972)
• Bach Prize of the Free and Hanseatic City of Hamburg (1975)
• University of Louisville Grawemeyer Award for Music Composition (Etudes for Piano) (1986)
• Austrian Decoration for Science and Art (1987)
• Honorary Ring of the Vienna (1987)
• Commandeur dans l'Ordre des Arts et des Lettres (1988)
• Prix de composition musicale de la Fondation Prince Pierre de Monaco (1988)
• Léonie Sonning Music Prize (Denmark, 1990)
• Grand Austrian State Prize for Music (1990)
• Praemium Imperiale (1991)
• Balzan Prize (1991)
• Honorary Member of the Royal Academy of Music, London (1992)
• Ernst von Siemens Music Prize, Germany (1993)
• Rolf Schock Prize for Musical Arts (1995)
• Music Award of the UNESCO (1996)
• Wolf Prize in Arts, Israel (1996)
• Wihuri Sibelius Prize, Finland (2000)
• Kyoto Prize (2001)
• Medal of Arts and Sciences of the City of Hamburg (2003)
• Theodor W. Adorno Award (2003)
• Kossuth Prize, Hungary (2003)
• Polar Music Prize (2004)
• Frankfurt Music Prize (2005)

 الكتابات

• Ligeti, György. 1957. "Zur III. Klaviersonate von Boulez" Die Reihe 5: "Berichte—Analyse": 38–40. English as "Some Remarks on Boulez' 3rd Piano Sonata", translated by Leo Black. Die Reihe [English edition] 5: "Reports—Analyses" (1961): 56–58.
• Ligeti, György. 1958. "Pierre Boulez. Entscheidung und Automatik in der Structure 1a ". Die Reihe 4: "Junge Komponisten": 38–63. English as "Pierre Boulez: Decision and Automaticism in Structure 1a", translated by Leo Black. Die Reihe [English edition] 4: "Young Composers" (1960): 36–62.
• Ligeti, György. 1960. "Wandlungen der musikalischen Form" Band 7: "Form—Raum": 5–17. English as "Metamorphoses of Musical Form", translated by Cornelius Cardew. Die Reihe [English edition] 7 "Form—Space" (1964): 5–19.
• Ligeti, György. 1960. "Zustände, Ereignisse, Wandlungen: Bemerkungen zu meinem Orchesterstück Apparitions". Bilder und Blätter 11. Reprinted as "Zustände, Ereignisse, Wandlungen". Melos 34 (1967): 165–69. English as "States, Events, Transformations", translated by Jonathan W. Bernard. Perspectives of New Music 31, no. 1 (Winter 1993): 164–71.
• Ligeti, György. 1978. "On Music and Politics", translated by Wes Blomster. Perspectives of New Music 16, no. 2 (Spring–Summer): 19–24. Originally published in German, in the Darmstädter Beiträge zur Neuen Musik 13 (1973): 42–46.
• Ligeti, György. 1987. "A Viennese Exponent of Understatement: Personal Reflections on Friedrich Cerha", translated by Inge Goodwin. Tempo, New Series, no. 161/162: "...An Austrian Quodlibet..." (June–September): 3–5.
• Ligeti, György. 1988. "On My Piano Concerto", translated by Robert Cogan. Sonus: A Journal of Investigations into Global Musical Possibilities 9, no. 1 (Fall): 8–13.
• Ligeti, György, and Peter Sellars. "Le Grand Macabre: An Opera in Two Acts (Four Scenes) 1974-1977". Grand Street, no. 59: "Time" (Winter): 206–14.
• Ligeti, György. 2001. Neuf essais sur la musique, translated by Catherine Fourcassié. Geneva: Contrechamps.

 المصادر

• Agel, Jerome. 1970. The Making of Kubrick's 2001. New York: New American Library. ISBN 0451071395.
• Anon. 2011. "Classical Music in Movies: A Listing by Composers". Braunschweig University Library. Retrieved 21 November 2015..
• Anon. n.d.(a) "György Ligeti (1923-2006)". Pytheas Center for Contemporary Music website (Accessed 22 October 2013).
• Anon. n.d.(b). "György Ligeti". Münchner Philharmoniker. Retrieved 22 November 2015.
• Arnowitt, Michael. 2009. "Ligeti and His Influences: Music to Wow both the Mind and the Body". Michael Arnowitt homepage (accessed 4 February 2010).
• Bauer, Amy. 2011. Ligeti's Laments: Nostalgia, Exoticism, and the Absolute. Aldershot: Ashagte. ISBN 978-1-4094-0041-7.
• Benjamin, George. 2007. ""In the Realm of the Senses". The Guardian (23 February).
• Chen, Yung-jen. 2007. "Analysis and Performance Aspects of György Ligeti's Études pour piano: 'Fanfares' and 'Arch-en ciel'". DMA diss. Columbus: The Ohio State University.
• Crilly, Ciarán. 2011. "The Bigger Picture: Ligeti’s Music and the Films of Stanley Kubrick". In ;;György Ligeti: Of Foreign Lands and Strange Sounds, edited by Louise Duchesneau and Wolfgang Marx, 245–54. Woodbridge (Suffolk) and Rochester (New York): Boydell & Brewer Ltd. ISBN 978-1-84383-550-9.
• Cummings, Robert. n.d. "György Ligeti: Artist Biography". Allmusic website (Accessed 22 October 2013).
• Duchesneau, Louise, and Wolfgang Marx (eds.). 2011. György Ligeti: Of Foreign Lands and Strange Sounds. Woodbridge, Suffolk: Boydell Press. ISBN 978-1-84383-550-9.
• Gann, Kyle. n.d. The Music of Conlon Nancarrow.
• Griffiths, Paul. 1997. György Ligeti. London: Robson Books. ISBN 1-86105-058-5
• Griffiths, Paul. 2001. "Ligeti, György (Sándor)". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
• Griffiths, Paul. 2006. "Gyorgy Ligeti, Central-European Composer of Bleakness and Humor, Dies at 83". The New York Times (13 June).
• Iverson, Jennifer Joy. 2009. "Historical Memory and György Ligeti's Sound-Mass Music 1958–1968", Ph.D. thesis. Austin: University of Texas, Butler School of Music.
• Jones, Elliott. n.d. "Micropolyphony". candelalearning.com. Retrieved 22 November 2015.
• Kozinn, Allan. 2005. "The Prankster as Omnivore". The New York Times (14 November).
• Ligeti, György. 1988. "On My Piano Concerto", translated by Robert Cogan. Sonus: A Journal of Investigations into Global Musical Possibilities 9, no. 1 (Fall): 8–13.
• Lobanova. Marina. 2002. György Ligeti: Style, Ideas, Poetics. Studia Slavica Musicologica 29. Berlin: Verlag Ernst Kuhn. ISBN 3-928864-90-4.
• Plaistow, Stephen. n.d. Liner notes to Ligeti: Chamber Concerto, Ramifications, String Quartet No. 2, Aventures, Lux aeterna. Deutsche Grammophon CD 423 244-2. Hamburg: Deutsche Grammophon.
• Powrie, Phil, and Robynn Jeananne Stilwell. 2006. Changing Tunes: The Use of Pre-Existing Music in Film.: Ashgate Publishing, Ltd. ISBN 0754651371.
• Schott Music. n.d.(a). "György Ligeti: Profile". Schott Music website (Accessed 14 January 2011).
• Schott Music. n.d.(b). "György Ligeti: Chronology". Schott Music website (Accessed 21 October 2009).
• Searby, Michael, 2010. Ligeti's Stylistic Crisis: Transformation in His Musical Style 1974-1985. Lanham, MD: Scarecrow Press. ISBN 978-0-8108-7250-9
• Service, Tom. 2015. "Pierre-Laurent Aimard Opens a World of Imagination in Ligeti's Piano Music". The Guardian (20 July; accessed 11 December 2015.
• Sire, Adeline. 2012. "Composer Mohammed Fairouz’s Orchestral Take on the Tahrir Square Uprising". "BBC/PRI The World" (25 January) (Retrieved 24 August 2012).
• Steinitz, Richard. 2003. György Ligeti: Music of the Imagination. London: Faber and Faber. ISBN 0-571-17631-3; Boston: Northeastern University Press. ISBN 1-55553-551-8.
• Taylor, Stephen Andrew. 2003. "For György Ligeti on His 80th Birthday: Ligeti, Africa and Polyrhythm". The World of Music 45, no. 2 ("Traditional Music and Composition"): 83–94.
• Toop, Richard. 1999. György Ligeti. London: Phaidon Press. ISBN 0-7148-3795-4.
• Tusa, John. [2001]. "The John Tusa Interviews: Transcript of the John Tusa Interview with Gyorgy Ligeti". BBC Radio 3. www.bbc.co.uk (Accessed 23 January 2012).
• Wihuri Foundation. n.d. "Wihuri Foundation for International Prizes". ( Accessed 5 March 2010).
• Wilson, Peter Niklas. 1992. "Interkulturelle Fantasien: György Ligetis Klavieretüden Nr 7 und 8". Melos: Jahrbuch für zeitgenössische Musik 51 ("Klaviermusik des 20. Jahrhunderts"): 63–84.

 للاستزادة

• Drott, Eric. 2011. "Lines, Masses, Micropolyphony: Ligeti's Kyrie and the 'Crisis of the Figure'". Perspectives of New Music 49, no. 1 (Winter):4–46.
• Edwards, Peter. 2016. György Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque. Abingdon and New York: Routledge. ISBN 978-1472456984
• Floros, Constantin. 2014. György Ligeti: Beyond Avant-Garde and Postmodernism, translated by Ernest Bernhardt-Kabisch. Frankfurt-am-Main: Peter Lang GmbH, Internationaler Verlag der Wissenschaften. ISBN 978-3631654996

 وصلات خارجية

نعي وتأبين

• The BBC obituary
• Obituary for György Ligeti, Plaistow, Stephen. The Guardian, Wednesday June 14, 2006, Retrieved June 14, 2006.

روابط أخرى

• www.gyorgy-ligeti.com: Official Site with complete catalogue and list of performances
• www.gyoergy-ligeti.de/ page from Ligeti's publisher Schott, with non-proprietary audio files
• EssentialsofMusic.com: Gyorgy Ligeti requires proprietary realmedia player
• György Ligeti’s Musical Odyssey focusing on music used in 2001: A Space Odyssey
• CompositionToday – Ligeti article and review of works
• قالب:ContemporaryMusicOnline
• Collection of research on Ligeti's music and links to recordings.