البساريد
| هانس ڤرنر هنزه |
|---|
 |
البساريد The Bassarids (بالألمانية، Die Bassariden)، هي اوپرا من تأليف هانس ڤرنر هنزه والليبرتو الإنگليزي لدبليو هـ. اودن وتشستر كالمان.
تدور الاوپرا حول الصراع بين العقلانية الإنسانية ويمثلها پنثيوس ملك طيبة، والعاطفة الإنسانية الجامحة ويمثلها الإله ديونيسوس.
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خلفية
A noteworthy feature of the opera is its construction like a classical symphony in four 'movements'[1]:
- 'Movement I' = sonata form
- 'Movement II' = scherzo and trio
- 'Movement III' = adagio and fugue
- 'Movement IV' = passacaglia
Henze has noted that he quotes from Johann Sebastian Bach's St. Matthew Passion and the English Suite in D minor.[2] Auden and Kallman wrote of changes that they made to the Euripides original for the purposes of this opera.[3]
تاريخ الأداء
It was first performed in a German translation by Maria Basse-Sporleder in Salzburg on 6 August 1966 conducted by Christoph von Dohnanyi.
The first performance using the original English text, as well as the US premiere, was at Santa Fe Opera on 7 August 1968, with the composer conducting.[4] The opera was also given in لندن on 22 September 1968, and was revived at English National Opera in October 1974, with the composer conducting.[5]
In October 1990, two concert performances sung in the original English were given at Severance Hall in Cleveland, Ohio, by the Cleveland Orchestra and Chorus with soloists Vernon Hartman, Kenneth Riegel, and, in the role of Agave, Anja Silja. Christoph von Dohnanyi, who was married to Silja at the time, conducted. This same production was repeated at Carnegie Hall in November 1990 at the New York premiere of the music, which was attended by the composer.
الأدوار
| الدور | نوع الصوت | Premiere Cast[6], 6 August 1966 (Conductor: Christoph von Dohnányi[7]) |
|---|---|---|
| Dionysus, voice and stranger | تينور | Loren Driscoll |
| Tiresias, an old blind prophet | تينور | Helmuth Melchert |
| Cadmus, founder and former king of Thebes | باس | Peter Lagger |
| Agave, his daughter, mother of Pentheus | مزو-سوپرانو | Kerstin Meyer |
| Beroe, an old slave, once nurse to Semele and Pentheus | كونترالتو | Vera Little |
| Captain of the Royal Guard | باريتون | William Dooley |
| Pentheus, king of Thebes | باريتون | Kostas Paskalis |
| Autonoe, daughter of Cadmus | سوپرانو | Ingeborg Hallstein |
| A female slave in Agave's household | صامت | |
| Her daughter | صامت | |
| Chorus of bassarids, citizens of Thebes, guards, servants | ||
سيمفونيات
تجهيزات
- Woodwind: 4 flutes (2nd with B foot, 3rd doubling piccolo, 4 doubling alto flute and piccolo), 2 oboes, 2 english horns, 4 clarinets (3rd and 4th doubling on alto saxophone, 4th also on E flat clarinet), bass clarinet (also alto saxophone and tenor saxophone), 4 bassoons (4th doubling on contrabassoon
- Brass: 6 horns, 4 trumpets (4th doubling on bass trumpet), 3 trombones, 2 tubas
- Percussion (8 players):
- timpani
- 3 cow bells, small triangle, pair of cymbals, 3 tamtams, snare drum, military drum (with and without snares), 3 tom-toms, 3 bongos, bass drum (with or without cymbals), maracas, whip, ratchet, metal blocks, glockenspiel, xylophone, vibraphone, marimba, finger cymbals, tubular bells, wood blocks, suspended cymbals
- 2 harps, 2 pianos, celesta, strings
- On-stage band: 4 horns (exchangeable with orchestra's trumpet), 2 guitars, 2 mandolins, 3 cow bells
- Prologue (ad. lib.): Dyonisus (tenor), timpani, legno, bass drum, vibraphone, marimba, harp, piano, tape
تسجيلات
- Gerd Albrecht, conductor; Kenneth Riegel, Andreas Schmidt, Michael Burt, Robert Tear, Karan Armstrong, Ortrun Wenkel, William B. Murray, Celina Lindsey; Berlin Radio Symphony Orchestra; 1986, Koch Schwann International (314-006)[8]
- Christoph von Dohnányi, conductor; Loren Driscoll, Kostas Paskalis, Peter Lagger, Helmut Melchert, William Dooley, Kerstin Meyer, Ingeborg Hallstein, Vera Little; Choir of the Vienna State Opera; Vienna Philharmonic; 2003, ORFEOInternational (C 605 032 I)
مرئيات
المصادر
- هوامش
- ^ Terry Apter, "Tristan and The Bassarids". Tempo, pp. 27, 28, 30 (1975).
- ^ "The Bassarids: Hans Werner Henze talks to Paul Griffiths". The Musical Times, pp. 831-832 (1974).
- ^ W. H. Auden and Chester Kallman, "Euripides for Today" (October 1974). The Musical Times, 115 (1580): pp. 833-834.
- ^ "Out of the Ashes". Time. 23 August 1968. Retrieved 2007-09-07.
{{cite news}}: Italic or bold markup not allowed in:|publisher=(help) - ^ Dean, Winton, "Music in London: Opera - The Bassarids" (December 1974). The Musical Times, 115 (1582): pp. 1057-1064.
- ^ Porter, Andrew, "Reports: Salzburg - Henze's Bassarids" (October 1966). The Musical Times, 107 (1484): pp. 882-887.
- ^ Helm, Everett (1967). "Current Chronicle". The Musical Quarterly. LIII (3): 408–415. doi:10.1093/mq/LIII.3.408. Retrieved 2007-10-26.
- ^ David E. Anderson, "Die Bassariden. Hans Werner Henze" (recording review). The Opera Quarterly, 9(3), 186-188 (1993).
- مراجع