الملف الأصلي (750 × 1٬378 بكسل حجم الملف: 180 كيلوبايت، نوع MIME: image/jpeg)
اضغط على زمن/تاريخ لرؤية الملف كما بدا في هذا الزمن.
| زمن/تاريخ | صورة مصغرة | الأبعاد | مستخدم | تعليق | |
|---|---|---|---|---|---|
| حالي | ★ مراجعة معتمدة 12:55، 16 يوليو 2023 | | 750 × 1٬378 (180 كيلوبايت) | Salah kh (نقاش | مساهمات) |
لا يمكنك استبدال هذا الملف.
الصفحات التالية تحتوي على وصلة لهذه الصورة:
هذا الملف يحتوي معلومات إضافية، غالبا ما تكون أضيفت من قبل آلة التصوير الإلكترونية أو الماسح الضوئي المستخدم في تحميل الصورة إلى الحاسوب. إذا كان الملف قد عُدّل عما كان عليه عند تحميل الصورة فإن المعلومات الواردة هنا قد لا تعبر عن هذه الصورة المعدلة.
| تعليقات المستخدم | SIENA
(active in the second half of 13th century in Siena) Virgin and Christ Child Enthroned 1270s Tempera on panel, 283 x 194 cm San Domenico, Siena On top of the painting Christ Blessing and Two Angels are represented. In thirteenth-century Siena several lay organizations existed whose members regularly attended masses, participated in religious processions, prayed together and sang hymns or "laude". One kind of confraternities, the "Laudesi" took their name from their custom of singing laude. These were frequently written in honour of the Virgin and Laudesi companies therefore often used a painted image of the Virgin and Christ Child as a focal point of their collective act of singing. The most imposing examples of thirteenth-century Sienese paintings that survive today have been associated with them, including Guido da Siena's panel painting of the Virgin and Christ Child Enthroned, which is the only certain work of the artist. The picture bears the date 1221. but this has been the subject of much controversy as stylistically the painting seems to belong about half a century later. It has been suggested that the inscription may have some commemorative purpose, the significance of which is now lost, rather than being a record of the date of execution. Although the painting is majestic in effect and follows Byzantine conventions of iconography, the figures are more natural in posture, to some extent relaxing the stiff linear patterns which had been conventional in central Italian painting up to that time. The throne too is set in a deeper picture space, which adds to the realism of the figures. On the basis of this picture a number of other panels, most of which are in the Siena Pinacoteca, have been assigned to Guido or his school. Despite his great obscurity, he is regarded as sharing with Coppo di Marcovaldo the honour of founding the Sienese School.
--- Keywords: -------------- Author: GUIDO DA SIENA Title: Virgin and Christ Child Enthroned Time-line: 1251-1300 School: Italian Form: painting Type: religious |
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