كاينتوسكوپ

(تم التحويل من Kinetoscope)
Interior view of Kinetoscope with peephole viewer at top of cabinet

كاينتوسكوپ Kinetoscope هو جهاز عرض السينما. وإن لم يكن لعرض الأفلام، وقد تم تصميمه ليتم عرضه لأفلام بشكل فردي من خلال نافذة.

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التنمية

Sheet of images from one of the three Monkeyshines films (ca. 1889–90) produced as tests of an early version of the Kinetoscope
Charles Kayser of the Edison lab seated behind the Kinetograph. Portability was not among the camera's virtues.


توجه الرأي العام

Construction on the imposing Black Maria began in December 1892. In order to take full advantage of sunlight, the tar paper–lined studio was equipped with a hinged, flip-up roof and the entire structure could rotate on a track. "It obeys no architectural rules," declared Dickson, who found it "productive of the happiest effects in the films."[1]
The first U.S. copyright for an identifiable motion picture was given to Edison for Fred Ott's Sneeze.
A San Francisco Kinetoscope parlor, ca. 1894–95.
The June 1894 Leonard–Cushing bout. Each of the six one-minute rounds recorded by the Kinetograph was made available to exhibitors for $22.50.[2] Customers who watched the final round saw Leonard score a knockdown.
Advertisement announcing the initial Kinetoscope exhibition in London, held on October 17, 1894.

Kinetophone

The 1895 version of the Kinetophone in use, showing the earphones that lead to the cylinder phonograph within the cabinet

إسقاط كاينتوسكوپ

In the first decade of the 1900s, years before developing the compact Home Projecting Kinetoscope, Edison marketed an essentially theatrical 35 mm Projecting Kinetoscope for domestic use.
Image of a Projecting Kinetoscope published in 1914

انظر أيضاً

هوامش

  1. ^ Quoted in Baldwin (2001), pp. 232, 233.
  2. ^ Leonard–Cushing fight Part of the Library of Congress/Inventing Entertainment educational website. Retrieved 12/14/06.

المصادر

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  • Cross, Gary S., and John K. Walton (2005). The Playful Crowd: Pleasure Places in the Twentieth Century. New York: Columbia University Press. ISBN 0-231-12724-3
  • Dickson W.K.L. (1907). "Edison's Kinematograph Experiments," in A History of Early Film, vol. 1 (2000), ed. Stephen Herbert. London and New York: Routledge. ISBN 0-415-21152-2
  • Edison, Thomas A. (1891a). "Kinetographic Camera" (U.S. patent application no. 403,534; witnessed and signed July 31, 1891; filed August 24, 1891), in Mannoni et al., Light and Movement, n.p.
  • Edison, Thomas A. (1891b). "Apparatus for Exhibiting Photographs of Moving Objects" (U.S. patent application no. 403,536; witnessed and signed July 31, 1891; filed August 24, 1891), in Mannoni et al., Light and Movement, n.p.
  • Gomery, Douglas (1985). "The Coming of Sound: Technological Change in the American Film Industry," in Technology and Culture—The Film Reader (2005), ed. Andrew Utterson, pp. 53–67. Oxford and New York: Routledge/Taylor & Francis. ISBN 0-415-31984-6
  • Gomery, Douglas (2005). The Coming of Sound: A History. New York and Oxon, UK: Routledge. ISBN 0-415-96900-X
  • Gosser, H. Mark (1977). Selected Attempts at Stereoscopic Moving Pictures and Their Relationship to the Development of Motion Picture Technology, 1852–1903. New York: Arno Press. ISBN 0-405-09890-1
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  • Guida practica per l'uso...del kinetoscopio Edison (n.a.; 1895–96). Milan: Edita dall' "Elettricità." Selected pages in Mannoni et al., Light and Movement, n.p.
  • Gunning, Tom (1994 [1991]). D. W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph. Urbana and Chicago: University of Illinois Press. ISBN 0-252-06366-X
  • Hendricks, Gordon (1961). The Edison Motion Picture Myth. Berkeley and Los Angeles: University of California Press. Reprinted in Hendricks, Gordon (1972). Origins of the American Film. New York: Arno Press/New York Times. ISBN 0-405-03919-0
  • Hendricks, Gordon (1966). The Kinetoscope: America's First Commercially Successful Motion Picture Exhibitor. New York: Theodore Gaus' Sons. Reprinted in Hendricks, Origins of the American Film.
  • Jenness, Charles Kelley (1894). The Charities of San Francisco: A Directory of the Benevolent and Correctional Agencies. San Francisco: Book Room Print/Stanford University.
  • Karcher, Alan J. (1998). New Jersey's Multiple Municipal Madness. New Brunswick, New Jersey, and London: Rutgers University Press. ISBN 0-8135-2565-9
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  • Millard, Andre (1990). Edison and the Business of Innovation. Baltimore: Johns Hopkins University Press. ISBN 0-8018-3306-X
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  • Musser, Charles (2004). "At the Beginning: Motion Picture Production, Representation and Ideology at the Edison and Lumière Companies," in Grieveson and Krämer, Silent Cinema Reader, pp. 15–28.
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  • Robinson, David (1996). "[Carmencita description]," in Mannoni et al., Light and Movement, n.p.
  • Robinson, David (1997). From Peepshow to Palace: The Birth of American Film. New York and Chichester, West Sussex: Columbia University Press. ISBN 0-231-10338-7
  • Rossell, Deac (1998). Living Pictures: The Origins of the Movies. Albany: State University of New York Press. ISBN 0-7914-3767-1
  • Salt, Barry (1992). Film Style and Technology: History and Analysis. London: Starword. ISBN 0-9509066-0-3
  • Schwartz, Vanessa R. (1999 [1998]). Spectacular Realities: Early Mass Culture in Fin-de-siècle Paris. Berkeley, Los Angeles, and London: University of California Press. ISBN 0-520-22168-0
  • Spehr, Paul C. (2000). "Unaltered to Date: Developing 35 mm Film," in Moving Images: From Edison to the Webcam, ed. John Fullerton and Astrid Söderbergh Widding, pp. 3–28. Sydney: John Libbey & Co. ISBN 1-86462-054-4
  • Stross, Randall E. (2007). The Wizard of Menlo Park: How Thomas Alva Edison Invented the Modern World. New York: Crown. ISBN 1-4000-4763-3
  • Van Dulken, Stephen (2004). American Inventions: A History of Curious, Extraordinary, and Just Plain Useful Patents. New York: New York University Press. ISBN 0-8147-8813-0
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وصلات خارجية

Media related to كاينتوسكوپ at Wikimedia Commons

أفلام كاينتوسكوپ

  • Edison National Historic Site: Blacksmith Scene (1893), Sandow (1894), Serpentine Dance (ca. 1894–95), Edison at Work in His Chemistry Lab (n.d.). Note that The Kiss (1896) was shot not for the Kinetoscope but for Vitascope projection.
  • Library of Congress: twenty-five films from 1891 through 1895

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