ملف:Meister Bertram von Minden - Grabow Altarpiece - WGA14309.jpg

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	زمن/تاريخ	صورة مصغرة	الأبعاد	مستخدم	تعليق
حالي	★ مراجعة معتمدة 19:13، 10 نوفمبر 2023		1٬700 × 433 (206 كيلوبايت)	Pastakhov (نقاش \| مساهمات)	Upload https://upload.wikimedia.org/wikipedia/commons/c/c9/Meister_Bertram_von_Minden_-_Grabow_Altarpiece_-_WGA14309.jpg

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MASTER Bertram

(b. ca. 1345, Minden, d. 1415, Hamburg)

Grabow Altarpiece 1383 Paint on wood, 266 x 726 cm Kunsthalle, Hamburg

"The panel of the high altar of St. Peter in Hamburg was made in 1383. The artist was named Bertram of Mynden." So states an entry in the Hamburg Chronicles. Master Bertram from Minden, the creator of this work, used the same pictorial means as Konrad von Soest. His stable in the Nativity is even more spartan and ramshackle in appearance than that of Konrad. Joseph bends to present the Christ Child to Mary. At her side lie a minature oxe and ass.

Master Bertram knew exactly how to employ the relatively limited space of the individual altar panels in order to populate the biblical story with a maximum of incident. He was less concerned with a realistic portrayal of the objects than with the manner of their presentation. In the Creation of the Animals, fish rise from the waters and float upwards. Above them, a swan, a rooster, a peacock, and a goldfinch are arranged in ascending order.

This attention to realistic detail, as well as the thematic scope of the altarpiece, which embraces the whole of the biblical spectrum, from good to evil and obedience to violence, point to a private patron, identified as Wilhelm Horborch, a member of an old patrician family in Hamburg. It was presumably he who was responsible for the iconographic program. His brother, Bertram Horborch, was mayor of the city from 1366 to 1396 and maintained close relations with Emperor Charles IV in Prague and the pope in Avignon. The work may have been commissioned by both brothers.

The connection with Bohemia is significant. Master Bertram may have spent his apprenticeship with a Bohemian master in Prague. This would certainly explain the Bohemian coloring of his work. The commission for the Hamburg altarpiece may well have reached him when he was still working in Prague.

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Author: MASTER Bertram Title: Grabow Altarpiece Time-line: 1351-1400 School: German Form: painting

Type: religious