كارل‌هاينز شتوك‌هاوزن

(تم التحويل من كارلهاينز ستوكهاوزن)
كارلهاينز ستوكهاوزن في استديو الموسيقى الالكترونية "وستديوتشر راندفانك"، أكتوبر 1994

كارلهاينز ستوكهاوزن Karlheinz Stockhausen (النطق الألماني: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩]؛م. 22 اغسطس 1928 – و. 5 ديسمبر 2007) موسيقي ألماني يعتبره النقاد واحد من اهم موسيقيين القرن العشرين واوائل القرن الواحد والعشرين واكثرهم اثارة للجدل.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

حياته

ستوكهاوزن قدم أحد أهم الإسهامات للموسيقى الجديدة في الخمسينات والستينات. ولد قرب كولونيا وأصبح يتيما أثناء الحرب العالمية الثانية، أجبر على العمل كحامل نقالة، وعامل مزارع وعازف بيانو لينفق على دراسته ولاحقا في مدرسة للموسيقى بكولونيا والجامعة. رغم دراسة التأليف الموسيقي ونظرية الموسيقى والفلسفة تأهل مبدئيا فقط كمدرس موسيقى تعرفه على الاتجاه الطليعي بعد فيبرن في دورة الصيف 1951 في دارمستاد ألهمته بكتابه عمله Kreuzspiel الذي يرجع له تاريخ بداية مشوراه في التأليف. العام التالي درس مع مسيان في باريس، حيث التقى ايضا ببوليز وعامل في استديو شافر مع الموسيقى الملموسة (أي المعدة من أصوات مسجلة).

كارلهاينز ستوكهاوزن في حديقة منزله في كورتين، 2005

Kreuzspiel بالفعل تتجه نحو التسلسل الكلي لكن سرعان ما يمكن وصفه أنه دقيق بسبب نسيج يعتمد على “نقاط” الصوت المنعزلة. عند رؤية الحدود المعبرة للنقاط، ستوكهاوزن كونها إلى جماعات ضد النقاط، 1952 - 1953). أحضر طريقة “التجميع” لأكثر صورها تطورا في عمل “مجموعات” 1955 - 1957 الذي أيضا يمثل الذروة لإجمالي التسلسل لدى ستوكهاوزن.

مثل بوليز، استكشف ستوكهاوزن الطرق الإلكترونية في تطوير لغته المتسلسلة الرائعة الإلكترونية المبكرة “أغنية الشباب” 1955 -1956 للشريط، تمادى عن الموسيقى المجردة بالجمع بين التسجيل المعدل لصوت الفتى، الذي يغني نص للقديس بندكيت، مع أصوات مولدة إلكترونيا. لاحقا الأعمال الإلكترونية البحتة مثل Mikrophonie I 1964 استغنت عن الشرائط لصالح توليد أو تعديل الأصوات “الحية” أثناء العرض.

تجاربه مع “عدم التحديد” المستلهمة من زيارات كيدج أعوام 1954 و1958 ظهرت في قمتها في أعمال مثل “من السبعة أيام” 1968، التي لا تضم نوتتها الموسيقية أي تدوين، لكن عبرت شعريا عن اتجاهات تترجم حدسيا إلى موسيقى يؤديها العازفون كما يوضح النص “لا أصنع موسيقاي، لكن فقط أدون الاهتزازات التي أتلقاها”. بهذه الطريقة تخلى ستوكهاوزن كمؤلف موسيقي، يبحث بدلا من ذلك عن “موسيقى لكل العالم” المستكشفة بشكل أدبي أكثر في أعمال تستخدم مستقبلات الموجة القصيرة.

ستوكهاوزن يحاضر في دورات الصيف الدولية للموسيقى الجديدة في درامستاد، 1957

مثلما مع كيدج الكثير من هذه الأفكار مستلهمة من تأثيرات شرقية مثل الدراما اليابانية والديانة الهندية. ستوكهاوزن نفسه صار مدرسا في أواخر الستينات والسبعينات مع تنامي سمعته كمدرس في دارمستاد من 1953 حتى 1973، وفي عدد من جولات المحاضرات في أمريكا من 1958. في عمله الصوفي الطقسي Stimmung 1968 يجلس ستة مغنين في دائرة ويغنون على تآلف واحد لنحو 75 دقيقة، بالتدريج يغيرون اللون الحدة والتوازن، وأحيانا يثير “أسماء سحرية” محددة.

منذ 1977 كل جهد ستوكهاوزن في التأليف كرسه لدمج أساليبه المتنوعة والتكنيك في مجموعة 7 أوبرات (كل واحدة تمثل يوم واحد في الأسبوع تسمى light. يظل رأي النقاد منقسا بشأن مزايا الأربع أوبرات التي اكتملت حتى ذلك الوقت رغم العروض الخبيرة لمجموعة ستوكهاوزن الخاصة، بما في ذلك الأعضاء في أسرته الكبيرة. أثره المثير للجدل ضعف بشكل ملحوظ أثناء الثمانينات والتسعينات.


مؤلفاته

تكريمات

  • 1964 German gramophone critics award;
  • 1966 and 1972 SIMC award for orchestral works (Italy);
  • 1968 Grand Art Prize for Music of the State of North Rhine-Westphalia; Grand Prix du Disque (France); Member of the Free Academy of the Arts, Hamburg;
  • 1968, 1969, and 1971 Edison Prize (Holland);
  • 1970 Member of the Royal Swedish Academy of Music;
  • 1973 Member of the Academy of the Arts, Berlin;
  • 1974 Federal Cross of Merit, 1st class (Germany);
  • 1977 Member of the Philharmonic Academy of Rome;
  • 1979 Member of the American Academy and Institute of Arts and Letters;
  • 1980 Member of the European Academy of Science, Arts and Letters;
  • 1981 Prize of the Italian music critics for Donnerstag aus Licht;
  • 1982 German gramophone prize (German Phonograph Academy);
  • 1983 Diapason d'or (France) for Donnerstag aus Licht;
  • 1985 Commandeur de l'Ordre des Arts et des Lettres (France);
  • 1986 Ernst von Siemens Music Prize;
  • 1987 Honorary Member of the Royal Academy of Music, London;
  • 1988 Honorary Citizen of the Kuerten community (Gemeinde Kürten website);
  • 1989 Honorary Member of the American Academy of Arts and Sciences;
  • 1990 Prix Ars Electronica, Linz, Austria;
  • 1991 Honorary Fellow of the Royal Irish Academy of Music; Accademico Onorario of the Accademia Nazionale di Santa Caecilia, Rome; Honorary Patron of Sound Projects Weimar;
  • 1992 IMC-UNESCO Picasso Medal; Distinguished Service Medal of the German state North Rhine-Westphalia; German Music Publishers Society Award for the score of Luzifers Tanz (3rd scene of Saturday from Light);
  • 1993 Patron of the European Flute Festival; Diapason d'or for Klavierstücke I–XI and Mikrophonie I and II;
  • 1994 German Music Publishers Society Award for the score Jahreslauf (Act 1 of Tuesday from Light);
  • 1995 Honorary Member of the German Society for Electro-Acoustic Music; Bach Award of the city of Hamburg;
  • 1996 Honorary doctorate (Dr. phil. h. c.) of the Free University of Berlin; Composer of the European Cultural Capital Copenhagen; Edison Prize (Holland) for Mantra; Member of the Free Academy of the Arts Leipzig; Honorary Member of the Leipzig Opera; Cologne Culture Prize;
  • 1997 German Music Publishers Society Award for the score of Weltparlament (1st scene of Wednesday from Light); Honorary member of the music ensemble LIM (Laboratorio de Interpretación Musical), Madrid;
  • 1999 Entry in the Golden Book of the city of Cologne;
  • 2000 German Music Publishers Society Award for the score of Evas Erstgeburt (Act 1 of Monday from Light);
  • 2000–2001 The film In Absentia made by the Quay Brothers (England) to concrete and electronic music by Karlheinz Stockhausen won the Golden Dove (first prize) at the International Festival for Animated Film in Leipzig. More awards: Special Jury Mention, Montreal, FCMM 2000; Special Jury Award, Tampere 2000; Special Mention, Golden Prague Awards 2001; Honorary Diploma Award, Cracow 2001; Best Animated Short Film, 50th Melbourne International Film Festival 2001; Grand Prix, Turku Finland 2001;
  • 2001 German Music Publishers Society Award for the score Helicopter String Quartet (3rd scene of Wednesday from Light); Polar Music Prize of the Royal Swedish Academy of the Arts;
  • 2002 Honorary Patron of the Sonic Arts Network, England;
  • 2003 German Music Publishers Society Award for the score of Michaelion (4th scene of Wednesday from Light);
  • 2004 Associated member of the Academie Royale des Sciences, des Lettres & des Beaux-arts (Belgium); Honorary doctorate (Dr. phil. h. c.) of the Queen's University in Belfast; German Music Publishers Society Award for the score of Stop and Start for 6 instrumental groups;
  • 2005 German Music Publishers Society Award for the score of Hoch-Zeiten for choir (5th scene of Sunday from Light).
  • 2006 Honorary member of the Accademia Filarmonica di Bologna
  • 2008 On 22 August, Stockhausen's birthday, the Rathausplatz in his home town of Kürten was renamed Karlheinz-Stockhausen-Platz in his honour (Bäumer 2008).
  • 2008 On 10 October, the Studio for Electronic Music of the Royal Conservatory of The Hague in Holland changed its name to Karlheinz Stockhausen Studio.
  • 2009 German Music Publishers Society Award for the score of Momente for solo soprano, four choral groups, and 13 instrumentalists.
  • 2010 The municipality of Kürten adopts the designation "Stockhausengemeinde" in honour of the late composer (Landschoof 2010).

طلاب هامون

مصادر

  • Adamenko, Victoria. 2007. Neo-mythologism in Music: From Scriabin and Schoenberg to Schnittke and Crumb. Interplay Series 5. Hillsdale, NY: Pendragon Press. ISBN 1-57647-125-X.
  • Aita, Roberto. 2001. "Brothers Quay: In Absentia". OffScreen (30 September). English translation by Donato Totaro under the same title here.
  • Aldgate, Anthony, James Chapman, and Arthur Marwick. 2000. Windows on the Sixties: Exploring Key Texts of Media and Culture. London and New York: I. B. Taurus & Co. Ltd. ISBN 1-86064-383-3.
  • Anderson, Julian. 2001. "Nørgård, Per". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  • Andraschke, Peter. 1981. "Kompositorische Tendenzen bei Karlheinz Stockhausen seit 1965". In Zur Neuen Einfachheit in der Musik (Studien zur Wertungsforschung 14), edited by Otto Kolleritsch, 126–43. Vienna and Graz: Universal Edition (for the Institut für Wertungsforschung an der Hochschule für Musik und darstellende Kunst in Graz). ISBN 3-7024-0153-9.
  • Anon. n.d. "Burg Mödrath". Rhein-Erft Tourismus e.V. website (Accessed 2 March 2012).
  • Anon. 1950. "Burg Mödrath wird Kinderheim". Kölnische Rundschau (27 June).
  • Anon. 1967. "Composers: Flashes of a Mad Logic". Time 89, no. 6 (10 February): 75.
  • Anon. 1968. "Interv'iu so Stravinskim". Sovetskaia Muzyka (October): 141.
  • Anon. 1969. "Stockhausen: Zuviel verlangt". Der Spiegel, no. 49 (1 December): 218.
  • Anon. 1971. "Stockhausen: Immer höher". Der Spiegel, 1971 no. 9 (22 February): 130, 132, 134.
  • Anon. 2001. "Brief Liaisons Give Haunting Results: Visionary Fusion: In Absentia, Directed by Identical Twins Stephen and Timothy Quay with Music by Karlheinz Stockhausen". The Telegraph (17 February).
  • Anon. 2007a. "Avant-garde Composer Karlheinz Stockhausen Dies at 79". CBCnews.ca (7 December). (Accessed 7 April 2008)
  • Anon. 2007b. "Pioneer of Electronica Stockhausen Dead at 79". Sydney Morning Herald. 10 December.
  • Anon. 2008. "Karlheinz Stockhausen—a Romantic Discovering the Universe" [radio transcript]. In Talking to Kinky and Karlheinz—170 musicians get vocal on The Music Show, edited by Anni Heino, 283–91. Sydney: ABC Books. ISBN 978-0-7333-2008-8.
  • Assis, Gustavo Oliveira Alfaix. 2011. Em busca do som: A música de Karlheinz Stockhausen nos anos 1950. São Paolo: Editora UNESP. ISBN 978-85-393-0207-9.
  • Backus, John. 1962. "Die Reihe—A Scientific Evaluation". Perspectives of New Music 1, no. 1:160–71.
  • Ballantine, Christopher. 1977. "Towards an Aesthetic of Experimental Music". The Musical Quarterly 63, no. 2 (April): 224–46.
  • Barrett, Richard. 1988. "First Performances: Montag aus LICHT at the Holland Festival". Tempo, new series, no. 166 (September): 43–45.
  • Barrett, Richard. 1998. "Not Necessarily Anything to Do with Karlheinz Stockhausen (Excavated from Diary Entries 20 February – 10 November 1994)". Leonardo Music Journal 8 ("Ghosts and Monsters: Technology and Personality in Contemporary Music"): 17–19.
  • Barrett, Richard. 2012. "Stockhausen Today and Tomorrow". Revised version of a paper presented at the Festival of Light, University of Birmingham/Birmingham Conservatoire/mac Birmingham (20 August). Richardbarrettmusic.com (Accessed 11 September 2012).
  • Bauer, Christian. 2008. Sacrificium intellectus: Das Opfer des Verstandes in der Kunst von Karlheinz Stockhausen, Botho Strauß und Anselm Kiefer. Munich: Wilhelm Fink Verlag. ISBN 978-3-7705-4596-4.
  • Bauermeister, Mary. 2011. Ich hänge im Triolengitter: Mein Leben mit Karlheinz Stockhausen. Munich: Edition Elke Heidenreich bei C. Bertelsmann. ISBN 978-3-570-58024-0.
  • Bäumer, Ingrid. 2007. "'Eine ganz neue Zeit fängt an': Karlheinz Stockhausen arbeitete bis zum letzten Atemzug". Kölner Stadt-Anzeiger (9 December).
  • Bäumer, Ingrid. 2008. "'Ehrung von Karlheinz Stockhausen: Rathausvorplatz trägt seinen Namen". Kölner Stadt-Anzeiger (19 June).
  • Bayles, Martha. 1996. Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music. Chicago: University of Chicago Press. ISBN 0-226-03959-5.
  • Beaucage, Réjean. 2005. "Contact avec / Contact with Stockhausen", English translation by Jane Brierley. La Scena Musicale 11, no. 3 (November): 18–25.
  • Beer, Roland de. 2008. "Magistraal klinkend in memoriam". De Volkskrant (21 June).
  • Bergstein, Barry. 1992. "Miles Davis and Karlheinz Stockhausen: A Reciprocal Relationship." The Musical Quarterly 76, no. 4. (Winter): 502–25.
  • Björk. 1996. "Compose Yourself" Interview of Stockhausen by Björk Dazed and Confused 23 (August 1996).
  • Blumröder, Christoph von. 1982. "Formel-Komposition—Minimal Music—Neue Einfachheit: Musikalische Konzeptionen der siebziger Jahre." In Neuland Jahrbuch 2 (1981/82), edited by Herbert Henck, 160–78. Bergisch Gladbach: Neuland Verlag.
  • Blumröder, Christoph von. 1993. Die Grundlegung der Musik Karlheinz Stockhausens. Beihefte zum Archiv für Musikwissenschaft 32, ed. Hans Heinrich Eggebrecht. Stuttgart: Franz Steiner Verlag.
  • Boulez, Pierre. 1976. Conversations with Célestin Deliège. London: Eulenburg Books.
  • Bridoux-Michel, Séverine. 2006. "Architecture et musique: croisements de pensées après 1950 (la collaboration de l'architecte et du musicien, de la conception à l'oeuvre)". PhD diss., l'Université Charles de Gaulle–Lille. Abstract.
  • Broyles, Michael. 2004. Mavericks and Other Traditions in American Music. New Haven and London: Yale University Press. ISBN 0-300-10045-0
  • Brümmer, Ludger. 2008. "Stockhausen on Electronics, 2004". Computer Music Journal 32, no. 4:10–16.
  • Bruno, Pascal. 1999. "Donnerstag aus Licht: A New Myth, or Simply an Updating of a Knowledge?" Perspectives of New Music 37, no. 1 (Winter): 133–56.
  • Cardew, Cornelius. 1974. Stockhausen Serves Imperialism. London: Latimer New Directions. (Reprinted in Prėvost, E. (ed) (2006). Cornelius Cardew (1936–1981) – A Reader. Harlow: Copula.
  • Chaplygina, Marina. 1993. Карлхайнц Штокхаузен: когда-нибудь речь станет пением ["Karlheinz Stockhausen: Some Day Speech Will Become Singing" (interview)]. Музыкальная жизнь [Musical Life], nos. 15–16:24–26.
  • Conen, Hermann. 1991. Formel-Komposition: Zu Karlheinz Stockhausens Musik der siebziger Jahre. Kölner Schriften zur Neuen Musik 1, ed. Johannes Fritsch and Dietrich Kämper. Mainz: Schott's Söhne. ISBN 3-7957-1890-2
  • Côté, Michel F. 2009. "Considérations en provenance de Sirius". Circuit: Musiques Contemporaines 19, no. 2:57–62.
  • Cott, Jonathan. 1973. Stockhausen: Conversations with the Composer. New York: Simon and Schuster. ISBN 0-671-21495-0.
  • Craft, Robert. 2002. An Improbable Life: Memoirs. Nashville: Vanderbilt University Press.
  • [Craft, Robert]. 1968. "Side Effects: An Interview with Stravinsky". New York Review of Books (14 March): 3–8.
  • Craft, Robert, and Igor Stravinsky. 1960. Memories and Commentaries Garden City, NY: Doubleday.
  • Cross, Jonathan. 2000. Harrison Birtwistle: Man, Mind, Music. Ithaca: Cornell University Press. ISBN 0-8014-8672-6.
  • Cross, Jonathan. 2001. "Birtwistle, Sir Harrison". The New Grove Dictionary of Music and Musicians, ed. S. Sadie and J. Tyrrell. London: Macmillan.
  • Custodis, Michael. 2004. Die soziale Isolation der neuen Musik: Zum Kölner Musikleben nach 1945. Beihefte zum Archiv für Musikwissenschaft 54, edited by Albrecht Riethmüller, with Reinhold Brinkmann, Ludwig Finscher, Hans-Joachim Hinrichsen, Wolfgang Osthoff, and Wolfram Steinbeck. Stuttgart: Franz Steiner Verlag. ISBN 3-515-08375-8
  • Davies, Hugh. 1968. "Working with Stockhausen." The Composer no. 27:8–11.
  • Decroupet, Pascal, and Elena Ungeheuer. 1998. "Through the Sensory Looking-Glass: The Aesthetic and Serial Foundations of Gesang der Jünglinge". Translated from the French by Jerome Kohl. Perspectives of New Music 36, no. 1 (Winter): 97–142.
  • Deruchie, Andrew. 2007. "Karlheinz Stockhausen: Tierkreis (Zodiac) (1974–75), (Karlheinz Stockhausen, arrangement)". Programme-booklet note for the North American première of Fünf Sternzeichen, 5 March 2007. Montréal: Société de musique contemporaine du Québec.
  • Deutscher Musikeditionspreis. 2009. "Elf Preisträger des Deutschen Musikeditionspreis „BEST EDITION“ 2009". Deutscher Musikverleger-Verband. (Accessed 31 August 2009)
  • Dick, Philip K. 1993. Flow My Tears, the Policeman Said. New York: Vintage Books. ISBN 0-679-74066-X
  • Dirmeikis, Paul. 1999. Le Souffle du temps: Quodlibet pour Karlheinz Stockhausen. [La Seyne-sur-Mer]: Éditions Telo Martius. ISBN 2-905023-37-6 "[1]"
  • Druskin, Mikhail Semenovich. 1974. Igor Stravinskii: Lichnost, Tvorchestvo, Vzgliady [Igor Stravinsky: Personality, Works, Opinions]. Leningrad, Moscow: Izdatelstvo "Sovietska kompozitor".
  • Éloy, Jean-Claude. 2008. "I Owe to Him . . .". In Gedenkschrift für Stockhausen, edited by Suzanne Stephens and Kathinka Pasveer, 58. Kürten: Stockhausen-Stiftung für Musik.
  • Feather, Leonard. 1964. "Blindfold Test: Yusef Lateef." Down Beat 31, no. 25 (10 September): 34.
  • Felder, David. 1977. "An Interview with Karlheinz Stockhausen." Perspectives of New Music 16, no. 1 (Fall-Winter): 85–101.
  • Ferneyhough, Brian. 1988. "Témoignage", translated by Jacques Demierre. In Karlheinz Stockhausen (Livre-programme), 18–19. Paris: Edition Contrechamps/Festival d'Automne à Paris.
  • Feß, Eike. 2004. "Die Wirkung der Informationstheorie auf das Werk Karlheinz Stockhausens". In Kompositorische Stationen des 20. Jahrhunderts. Debussy, Webern, Messiaen, Boulez, Cage, Ligeti, Stockhausen, Höller, Bayle Signale aus Köln. Beiträge zur Musik der Zeit 7, edited by Christoph von Blumröder, 116–28. Münster: Lit-Verlag, 2004. ISBN 3-8258-7212-2.
  • Flur, Wolfgang. 2003. Kraftwerk: I Was a Robot. Second Edition. London: Sanctuary Publishing, Ltd. ISBN 1-86074-417-6.
  • Fokker, Adriaan D. 1968. "Wherefore, and Why?" Die Reihe 8 [English ed.], 68–79.
  • Föllmer, Golo. 1996. "Osaka: Technik für das Kugelauditorium." In Musik…, verwandelt. Das Elektronische Studio der TU Berlin 1953–1995, edited by Frank Gertich, Julia Gerlach, and Golo Föllmer, 195–211. Hofheim: Wolke-Verlag. ISBN 3-923997-68-X.
  • Frisius, Rudolf. 1996. Karlheinz Stockhausen I: Einführung in das Gesamtwerk; Gespräche mit Karlheinz Stockhausen. Mainz: Schott Musik International. ISBN 3-7957-0248-8
  • Frisius, Rudolf. 2008. Karlheinz Stockhausen II: Die Werke 1950–1977; Gespräch mit Karlheinz Stockhausen, "Es geht aufwärts". Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto: Schott Musik International. ISBN 978-3-7957-0249-6.
  • Fritsch, Johannes, with Richard Toop. 2008. "Versuch, eine Grenze zu überschreiten … Johannes Fritsch im Gespräch über die Aufführungspraxis von Werken Karlheinz Stockhausens". MusikTexte: Zeitschrift für neue Musik, no. 116 (February): 31–40.
  • Frobenius, Wolf. 1981. 'Die "Neue Einfachheit" und der bürgerliche Schönheitsbegriff', in Zur Neuen Einfachheit in der Musik, edited by Otto Kolleritsch, 48–60. Studien zur Wertungsforschung 14. Vienna and Graz: Universal Edition (for the Institut für Wertungsforschung an der Hochschule für Musik und darstellende Kunst in Graz). ISBN 3-7024-0153-9.
  • Gather, John Philipp. 2003. "The Origins of Synthetic Timbre Serialism and the Parisian Confluence, 1949–52". PhD diss., State University of New York, Buffalo.
  • Gehlhaar, Rolf. 1968. Zur Komposition Ensemble: Kompositionsstudio Karlheinz Stockhausen, International Ferienkurse Darmstadt 1967. Darmstädter Beiträge zur Neuen Musik 11, ed. Ernst Thomas. Mainz: Schott.
  • Gilmore, Bob. 2009. "Claude Vivier and Karlheinz Stockhausen: Moments from a Double Portrait". Circuit: musiques contemporaines 19, no. 2:35–49.
  • Gimpel, Othmar (ed.). 2010. Karlheinz Stockhausen, KLANG, 8. und. 9. Mai. Cologne: MusikTriennale Köln.
  • Grant, Morag Josephine. 2001. Serial Music Serial Aesthetics: Compositional Theory in Post-War Europe. Music in the Twentieth Century, Arnold Whitall, general editor. Cambridge: Cambridge University Press. ISBN 0-521-80458-2.
  • Grohmann, Katerina. 2010. Karlheinz Stockhausen: Oper MITTWOCH aus LICHT. Kölner Beiträge zur Musikwissenschaft 12, edited by Christoph von Blumröder, Wolfram Steinbeck. Kassel: Bosse Verlag. ISBN 978-3-7649-2712-7.
  • Guerrieri, Matthew. 2009. "At NEC, Six Hours of Stockhausen". The Boston Globe (27 February).
  • Gutkin, David. 2012. "Drastic or Plastic? Threads from Karlheinz Stockhausen's 'Musik und Graphik,' 1959". Perspectives of New Music 50, nos. 1 & 2 (Winter–Summer): 255–305.
  • Guy, Alun, and Iwan Llewelyn-Jones. 2004. Students Guide to Gcse Music for the Wjec Specification: English Language. London: Rhinegold Publishing. ISBN 1-904226-59-0.
  • Habib, André. 2002. "Through a Glass Darkly: Interview with the Quay Brothers". Senses of Cinema (February). French translation previously published in the Montreal-based online journal Hors Champ (15 January 2002).
  • Hagedorn, Volker. 2010. ""Dirigent Michael Gielen: Der Unbeugsame" Die Zeit no. 18 (29 April).
  • Hall, Michael. 1984. Harrison Birtwistle. The Contemporary Composers 4. Series editor, Nicholas Snowman. London: Robson Books. ISBN 0-86051-270-3.
  • Hall, Michael. 1998. Harrison Birtwistle in Recent Years. The Contemporary Composers. Series editor, Nicholas Snowman. London: Robson Books. ISBN 1-86105-179-4.
  • Hänggi, Christian. 2011. Stockhausen at Ground Zero. Fillip. ISBN 978-0-9868326-5-9.
  • Hartwell, Robin. 2012. "Threats and Promises: Lucifer, Hell, and Stockhausen's Sunday from Light". Perspectives of New Music 50, nos. 1 & 2 (Winter–Summer): 393–424.
  • Harvey, Jonathan. 1975a. The Music of Stockhausen: An Introduction. Berkeley and Los Angeles: University of California Press. ISBN 0-520-02311-0.
  • Harvey, Jonathan. 1975b. "Stockhausen's 'Hymnen'". The Musical Times, 116, no. 1590 (August): 705+707.
  • Heikinheimo, Seppo. 1972. The Electronic Music of Karlheinz Stockhausen: Studies on the Esthetical and Formal Problems of Its First Phase, translated by Brad Absetz. Acta Musicologica Fennica 6 (ISSN 0587-2448). Helsinki: Suomen Musiikkitieteellinen Seura / Musikvetenskapliga Sällskapet i Finland. (Doctoral thesis, Helsinki University.)
  • Henkel, Georg. 2012. Kosmisches Lachen: Synthi-Fou und der närrische Humor in Karlheinz Stockhausens Opernzyklus Licht. Hamburg: Tredition GmbH. ISBN 978-3-8491-1646-0.
  • Heuger, Markus. 1998. "Stockhausen Goes to Town: Der öffentliche Stockhausen". Neue Zeitschrift für Musik 159, no. 4 (July–August): 10–15.
  • Hewett, Ivan. 2007. "Karlheinz Stockhausen: Both a Rationalist and a Mystic, the Composer's Influence Stretched from Boulez to the Beatles" Guardian Unlimited" (Friday 7 December).
  • Holbein, Ulrich. 2008. "Karlheinz Stockhausen: Elektroniker, Neutöner, Klang-Avantgardist, Lichtgestalt, Mythenverdünner". In his Narratorium: 255 Lebensbilder, 916–20. Zürich: Ammann Verlag. ISBN 9783250105237.
  • Hollings, Ken. 1999. " Lost in the Stars: Karlheinz Stockhausen in Conversation with Ken Hollings, Kurten, Germany, 12 March 1999". The Wire, no. 184 (May).
  • Hopkins, Bill. 1972. "Stockhausen and Others". Tempo, new series, no. 98:32–34.
  • Hopp, Winrich. 1998. Kurzwellen von Karlheinz Stockhausen: Konzeption und musikalische Poiesis. Kölner Schriften zur neuen Musik 6. With CD recording. Mainz and New York: Schott. ISBN 3-7957-1895-3.
  • Howland, Patricia L. 2010. "Formal Processes in Post-Tonal Music: A Study of Selected Works by Babbitt, Stockhausen, and Carter". PhD diss. New York: City University of New York.
  • Iddon, Martin. 2004. "The Haus that Karlheinz Built". The Musical Quarterly 87, no. 1:87–118.
  • Ingram, James, and Paul Roberts. 2008. "Über das Unsichtbarsein: Ein E-mail Interview mit James Ingram zu seiner Tätigkeit als Stockhausens Notenkopist", translated by Gisela Gronemeyer. MusikTexte, no. 117 (May): 43–52. Expanded English text, as "On Being Invisible" (April 2009). James Ingram: Act Two website. Accessed 27 July 2010.
  • Kaletha, Holger. 2004. "Decomposition of the Sound Continuum: Serialism and Development from a Genetic-Phenomenological Perspective", translated by Jerome Kohl. Perspectives of New Music 42, no. 1 (Winter): 84–128.
  • Kirchmeyer, Helmut. 2009. "Stockhausens Elektronische Messe nebst einem Vorspann unveröffentlichter Briefe aus seiner Pariser Zeit an Herbert Eimert". Archiv für Musikwissenschaft 66, no. 3:234–59.
  • Klein, Lothar. 1968. "Twentieth-Century Analysis: Essays in Miniature". Music Educators Journal 54, no. 6 (February): 117–19.
  • Kohl, Jerome. 1981. "Serial and Non-Serial Techniques in the Music of Karlheinz Stockhausen from 1962–1968." PhD diss. Seattle: University of Washington.
  • Kohl, Jerome. 1983–84a. "The Evolution of Macro- and Micro-Time Relations in Stockhausen's Recent Music". Perspectives of New Music 22, nos. 1 and 2:147–85.
  • Kohl, Jerome. 1983–84b. "Stockhausen at La Scala: Semper idem sed non eodem modo". Perspectives of New Music 22, nos. 1 and 2:483–501.
  • Kohl, Jerome. 1990. "Into the Middleground: Formula Syntax in Stockhausen's Licht". Perspectives of New Music 28, no. 2 (Summer): 262–91.
  • Kohl, Jerome. 1993. "Time and Light." Contemporary Music Review 7, no. 2:203–19.
  • Kohl, Jerome. 1998a. "A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part One): Guest Editor's Introduction". Perspectives of New Music 36, no. 1 (Winter): 59–64.
  • Kohl, Jerome. 1998b. "A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part Two): Guest Editor's Introduction". Perspectives of New Music 36, no. 2 (Summer): 5–10.
  • Kohl, Jerome. 2002. "Serial Composition, Serial Form, and Process in Karlheinz Stockhausen's Telemusik." In Electroacoustic Music: Analytical Perspectives, ed. Thomas Licata, 91–118. Westport, Conn. and London: Greenwood Press.
  • Kohl, Jerome. 2004. "Der Aspekt der Harmonik in Licht." In Internationales Stockhausen-Symposion 2000: LICHT: Musikwissenschaftliches Institut der Universität zu Köln, 19. bis 22. Oktober 2000. Tagungsbericht. Signale aus Köln: Beiträge zur Musik der Zeit 10. Ed. Imke Misch and Christoph von Blumröder, 116–32. Münster, Berlin, London: LIT-Verlag. ISBN 3-8258-7944-5.
  • Kohl, Jerome. 2008. Programme notes in the programme booklet for the Klang Festival, (1–9 November), Southbank Centre, London: 12–13, 16–17, 20–21, 24–25.
  • Kohl, Jerome. 2009a. "Klang/Som: Die 24 Stunden des Tages/As 24 horas do dia". Temporada Gulbenkian de Música 2009–2010 (October): 13–14.
  • Kohl, Jerome. 2009b. "Hoffnung/Esperança, para violino, viola e violoncelo (2007): 9ª hora de Klang, as 24 horas do dia". Temporada Gulbenkian de Música 2009–2010 (October): 18.
  • Kohl, Jerome. 2009c. "Schönheit/Beleza, para clarinete baixo, flauta e trompete (2006): 6ª hora de Klang, as 24 horas do dia". Temporada Gulbenkian de Música 2009–2010 (October): 22.
  • Kohl, Jerome. 2010. "A Child of the Radio Age". In Cut & Splice: Transmission, edited by Daniela Cascella and Lucia Farinati, 135–39. London: Sound and Music. ISBN 978-1-907378-03-4
  • Kohl, Jerome. 2012a. "A Gedenkschrift for Karlheinz Stockhausen: Guest Editor's Introduction". Perspectives of New Music 50, nos. 1 & 2 (Winter–Summer): 306–12.
  • Kohl, Jerome. 2012b. "Harmonies and the Path from Beauty to Awakening: Hours 5 to 12 of Stockhausen's Klang". Perspectives of New Music 50, nos. 1 & 2 (Winter–Summer): 476–523.
  • Kramer, Jonathan. 1998. "Karlheinz in California." Perspectives of New Music 36, no. 1 (Winter): 247–61.
  • Krause, Peter. 2008. "Elektro-Esoterik: Uraufführung von Stockhausen-Klang". Welt-Online (8 August).
  • Kurtz, Michael. 1992. Stockhausen: A Biography, translated by Richard Toop. London and Boston: Faber and Faber. ISBN 0-571-14323-7 (cloth) ISBN 0-571-17146-X (pbk)
  • Landschoof, Elke. 2010. "Stockhausen: Ehrenbürger künftig Teil des Namens". Kölner Stadt-Anzeiger (30 November).
  • Lebrecht, Norman. 1985. The Book of Musical Anecdotes. New York: Simon and Schuster; London: Sphere Books. ISBN 0-02-918710-9.
  • Lentricchia, Frank, and Jody McAuliffe. 2003. Crimes of Art and Terror. Chicago: University of Chicago Press. ISBN 0-226-47205-1.
  • MacDonald, Ian. 1995. Revolution in the Head: The Beatles' Records and the Sixties. London: Pimlico. ISBN 0-7126-6208-1.
  • Macon, Edward L. 1997. Rocking the Classics: English Progressive Rock and the Counterculture. New York: Oxford University Press. ISBN 0-19-509887-0.
  • Maconie, Robin. 1972. "Stockhausen's Mikrophonie I: Perception in Action." Perspectives of New Music 10, no. 2 (Spring-Summer): 92–101.
  • Maconie, Robin. 1976. The Works of Karlheinz Stockhausen. London, New York, Toronto: Oxford University Press. [For second edition, see Maconie 1990.]
  • Maconie, Robin. 1988. "Great Vintages". Classic CD 5.
  • Maconie, Robin. 1989. "Afterword: Beauty and Necessity". In Karlheinz Stockhausen, Stockhausen on Music: Lectures and Interviews, edited by Robin Maconie. London and New York: Marion Boyars.
  • Maconie, Robin. 1990. The Works of Karlheinz Stockhausen, 2nd edition. Oxford: Clarendon Press. ISBN 0-19-315477-3.
  • Maconie, Robin. 2005. Other Planets: The Music of Karlheinz Stockhausen. Lanham, Maryland, Toronto, Oxford: The Scarecrow Press, Inc. ISBN 0-8108-5356-6.
  • Mießgang, Thomas, and Robert Baumanns. 1997. "Schlagsahne, Irrengesang, Kirmesgeister: Karlheinz Stockhausen testet Krautrock". Die Zeit, 1997, no. 17 (18 April).
  • Miller, Paul. 2009. "Stockhausen and the Serial Shaping of Space". PhD diss. Rochester: Eastman School of Music.
  • Miller, Paul. 2012. "An Adventure into Outer Space: Stockhausen's Lichter—Wasser and the Analysis of Spatialized Music". Perspectives of New Music 50, nos. 1 & 2 (Winter–Summer): 342–92.
  • Misch, Imke, and Markus Bandur (eds.). 2001. Karlheinz Stockhausen bei den Internationalen Ferienkursen für Neue Musik in Darmstadt 1951–1996: Dokumente und Briefe. Kürten: Stockhausen-Verlag. ISBN 3-00-007290-X.
  • Mischke, Joachim. 2008. "SHMF: Neue Musik, visionär, von heute und wie von gestern". Hamburger Abendblatt (8 August).
  • Morawska-Büngeler, Marietta. 1988. Schwingende Elektronen: Eine Dokumentation über das Studio für Elektronische Musik des Westdeutschen Rundfunks in Köln, 1951–1986. Köln-Rodenkirchen: P. J. Tonger Musikverlag.
  • Morgan, Robert. 1975. "Stockhausen's Writings on Music". The Musical Quarterly 61, no. 1 (January): 1–16. Reprinted in the The Musical Quarterly 75, no. 4 (Winter 1991): 194–206.
  • Moritz, Albrecht. 2005. "Stockhausen: LICHTER-WASSER (LIGHTS-WATERS), 1998–99". (Record review)
  • Morreau, Annette. 2001. "Where Herzog Met Portishead: Only Connect, Barbican, London". The Independent (6 March).
  • Mowitz, Michael. 2010. Die Form der Klänge. Stockhausens ›Konzeption einer einheitlichen musikalischen Zeit‹ am Beispiel der Komposition »Kontakte«. Osnabrück: epOs-Music. ISBN 978-3-940255-08-2.
  • Neidhöfer, Christoph. 2005. "Joseph N. Straus. Stravinsky's Late Music". Music Theory Spectrum 27:336–53.
  • Nordin, Ingvar Loco. 2004. "George Crumb, Makrokosmos Books 1 and 2: 24 Fantasy Pieces after the Zodiac for Amplified Piano: Margaret Leng Tan (amplified piano)—Alex Nowitz (whistling). Mode 142". (Accessed 7 April 2008) Also found at Mode Records website.
  • Normandeau, Robert. 2009. "Influence de Stockhausen chez les compositeurs électroacoustiques québécois: Sondage courriel et entrevues". Circuit: Musiques Contemporaines 19, no. 2:51–55.
  • O'Mahony, John. 2001. "The Sound of Discord". The Guardian (29 September) (Accessed 8 May 2011).
  • Pace, Ian. 1996. "'Secret Theatres': The Harrison Birtwistle Retrospective, 12 April – 4 May 1996". Tempo, new series, no. 197. (July): 25–27.
  • Perle, George. 1960. "Book Review: Die Reihe III: Musical Craftsmanship". Journal of Music Theory 4, no. 1 (April): 102–104.
  • Peters, Günter. 1992. "Meditations Modulated: H. Heissenbüttel's 'Einfache Grammatische Meditationen' in K. Stockhausen's Mikrophonie II. " German Literature and Music—An Aesthetic Fusion: 1890–1989, ed. C. Reschke and H. Pollock, Houston Germanic Studies 8, 247–61. Munich: Wilhelm Fink Verlag. Revised German edition 1993: "Die ringmodulierte Meditation: Helmut Heissenbüttels 'Einfache grammatische Meditationen' in Karlheinz Stockhausens Mikrophonie II." In Musik-Konzepte 81: Autoren-Musik. Sprache im Grenzbereich der Künste, 16–40. Munich: Edition Text+Kritik. Reprinted in Peters 2003, 27–62 (German) and 163–98 (English).
  • Peters, Günter. 2003. Heiliger Ernst im Spiel—Texte zur Musik von Karlheinz Stockhausen / Holy Seriousness in the Play—Essays on the Music of Karlheinz Stockhausen (bilingual edition, German and English). Kürten: Stockhausen-Stiftung für Musik. ISBN 978-3-00-009182-7.
  • Power, David. 1990. "Book Reviews: Towards a Cosmic Music, Karlheinz Stockhausen; Tim Nevill". Tempo, new series, no. 175. (December): 30–31.
  • Prendergast, Mark. 2000. The Ambient Century: From Mahler to Trance—The Evolution of Sound in the Electronic Age. New York: Bloomsbury Publishing. ISBN 1-58234-134-6.
  • Pynchon, Thomas. 1999. The Crying of Lot 49 New York: HarperPerennial.
  • Radano, Ronald M. 1993. New Musical Figurations: Anthony Braxton's Cultural Critique Chicago: University of Chicago Press.
  • Rea, John. 2009. "On Stockhausen's Kontakte (1959–60) for Tape, Piano and Percussion: A Lecture/Analysis by John Rea Given at the University of Toronto, March 1968". Circuit: Musiques Contemporaines 19, no. 2:77–86.
  • Reier, Sebastian. 2007. "Im Rhythmus der Sterne". Die Zeit (9 December).
  • Rigoni, Michel. 1998. Stockhausen: ... un vaisseau lancé vers le ciel, 2nd edition, revised, corrected, and enlarged. Lillebonne: Millénaire III Editions. ISBN 2-911906-02-0.
  • Rigoni, Michel. 2001. Le rêve de Lucifer de Karlheinz Stockhausen. La trace des silences. [Paris]: M. de Maule. ISBN 978-2-87623-103-0.
  • Ritzel, Fred. 1970. Musik für ein Haus: Kompositionsstudio Karlheinz Stockhausen, Internationale Ferienkurse für Neue Musik, Darmstadt 1968. Darmstädter Beiträge zur Neuen Musik 12, edited by Ernst Thomas. Mainz: B. Schott's Söhne.
  • Roads, Curtis. 2001. Microsound. Cambridge: MIT Press. ISBN 0-262-18215-7.
  • Romney, Jonathan. 2001. "The Barbican's Musical Jellyfish: Sound on Film Live". The Guardian (3 March).
  • Ross, Alex. 2004. "Björk's Saga". The New Yorker 80, no. 23 (23 August): 49–53 +55–59. [2].
  • Rudi, Jøran (editor), Flø, Asbjørn Blokkum, Schaathun, Asbjørn. 2008. Karlheinz Stockhausen – A Pioneer in Utopia. Oslo: Notam. ISBN 978-82-996867-2-3.
  • Sabbe, Herman. 1981. "Die Einheit der Stockhausen-Zeit ...: Neue Erkenntnismöglichkeiten der seriellen Entwicklung anhand des frühen Wirkens von Stockhausen und Goeyvaerts. Dargestellt aufgrund der Briefe Stockhausens an Goevaerts". In Musik-Konzepte 19: Karlheinz Stockhausen: ... wie die Zeit verging ..., edited by Heinz-Klaus Metzger and Rainer Riehn, 5–96. Munich: Edition Text + Kritik.
  • Schönberger, Elmer. 2001. "Andriessen: (4) Louis Andriessen". The New Grove Dictionary of Music and Musicians, ed. S. Sadie and J. Tyrrell. London: Macmillan.
  • Schwartz, Elliott, and Barney Childs, with Jim Fox. 1998. Contemporary Composers on Contemporary Music. Expanded edition. New York: Da Capo Press. ISBN 0-306-80819-6.
  • Shimizu, Minoru. 1999. "Stockhausen und Japan, Licht und Schatten". In Internationales Stockhausen-Symposion 1998: Musikwissenschaftliches Institut der Universität zu Köln, 11. bis 14. November 1998. Tagungsbericht, edited by Imke Misch and Christoph von Blumröder, 87–94. Signale aus Köln: Beiträge zur Musik der Zeit 4. Saarbrücken: PFAU-Verlag. ISBN 3-89727-050-1.
  • Sigel, Paul. 2000. "Der deutsche Beitrag auf der Expo70 in Osaka." Arch plus no. 149–150 (April): 116–33. Reprinted online Thema 5, no. 1 (July 2000).
  • Skowron, Zbigniew. 1981. "Muzyka elektroniczna Karlheinza Stockhausena. Okres prób i doswiadczen" [Karlheinz Stockhausen's electronic music. A period of trials and experiences]. Muzyka: Kwartalnik Instytutu Sztuki Polskiej Akademii Nauk 26, nos. 3–4:17–40.
  • Stenzl, Jürg. 1991. "York Höller's 'The Master and Margarita': A German Opera." Translated by Sue Rose. Tempo New Series, no. 179 (December): 8–15.
  • Stephens, Suzanne, and Kathinka Pasveer (eds.). 2008. Gedenkschrift für Stockhausen. Kürten: Stockhausen-Stiftung für Musik. ISBN 978-3-00-023528-3.
  • Stockhausen, Christel. 1978. "Stockhausens Tierkreis: Einführung und Hinweise zur praktischen Aufführung." Melos 45/Neue Zeitschrift für Musik 139 (July/August): 283–87. Reprinted together with an English trans. as "Stockhausen's ZODIAC, Introduction and Instructions for Performance Practice", in a booklet now included with the score of Tierkreis.
  • Stockhausen, Karlheinz. Texte zur Musik. 18 vols. Vols. 1–3 edited by Dieter Schnebel; vols. 4–10 edited by Christoph von Blumröder. Vols. 1–3, Cologne: Verlag M. DuMont Schauberg (1963, 1964, 1971); vols. 4–6 DuMont Buchverlag (1978, 1989, 1989). Vols. 7–10 Kürten: Stockhausen-Verlag (1998). Vols. 11–18 Kürten: Stockhausen-Verlag (forthcoming). English edition, as Texts on Music, edited by Jerome Kohl, with translations by Jerome Kohl, Richard Toop, Tim Nevill, Suzanne Stephens, et al. Kürten: Stockhausen-Verlag, in preparation.
  • Stockhausen, Karlheinz. 1962. "The Concept of Unity in Electronic Music". Translated by Elaine Barkin. Perspectives of New Music 1, no. 1 (Autumn): 39–48.
  • Stockhausen, Karlheinz. 1989a. Stockhausen on Music: Lectures and Interviews, edited by Robin Maconie. London and New York: Marion Boyars. ISBN 0-7145-2887-0 (cloth) ISBN 0-7145-2918-4 (pbk).
  • Stockhausen, Karlheinz. 1989b. Towards a Cosmic Music. Texts selected and translated by Tim Nevill. Shaftsbury: Element Books. ISBN 1-85230-084-1.
  • Stockhausen, Karlheinz. 1996a. "Electroacoustic Performance Practice". Perspectives of New Music 34, no. 1 (Fall): 74–105.
  • Stockhausen, Karlheinz. 1996b. "Kino-Bilder". In Bilder vom Kino: Literarische Kabinettstücke, edited by Wolfram Schütte, 138–40. Frankfurt am Main: Suhrkamp Verlag.
  • Stockhausen, Karlheinz. 1996c. "Helikopter-Streichquartett". Grand Street 14, no. 4 (Spring, "Grand Street 56: Dreams"):213–25. ISBN 1-885490-07-0. Online Variant of this text (some omissions, some supplements, different illustrations).
  • Stockhausen, Karlheinz. 1998. "Bildung ist große Arbeit: Karlheinz Stockhausen im Gespräch mit Studierenden des Musikwissenschaftlichen Instituts der Universität zu Köln am 5. Februar 1997." In Stockhausen 70: Das Programmbuch Köln 1998. Signale aus Köln: Musik der Zeit 1, edited by Imke Misch and Christoph von Blumröder, 1–36. Saarbrücken: Pfau-Verlag.
  • Stockhausen, Karlheinz. 1999. Stockhausen-Kurse Kürten 1999: Kompositions-Kurs: Skizzen von Welt-Parlament (1995) für Chor a cappella (mit singenden Dirigenten/Klangregisseur (1. Szene vom Mittwoch aus Licht). Kürten: Stockhausen-Verlag.
  • Stockhausen, Karlheinz. 2001a. "Message from Professor Karlheinz Stockhausen" (Accessed 27 December 2007).
  • Stockhausen, Karlheinz. 2001b. Stockhausen Courses Kürten 2001: Composition Course on Lights-Waters (Sunday Greeting) for Soprano, Tenor, and orchestra with synthesizer (1999). Kürten: Stockhausen-Verlag.
  • Stockhausen, Karlheinz. 2002. "„Huuuh!“ Das Pressegespräch am 16. September 2001 im Senatszimmer des Hotel Atlantic in Hamburg". MusikTexte no. 91:69–77.
  • Stockhausen, Karlheinz. 2003. Stockhausen Courses Kürten 2003: Composition Course on Hoch-Zeiten (of Sunday from Light) for Choir (2001/02). Kürten: Stockhausen-Verlag.
  • Stockhausen, Karlheinz. 2004. "Electronic and Instrumental Music", translated by Jerome Kohl, with Suzanne Stephens and John McGuire. In Audio Culture: Readings in Modern Music, edited by Christoph Cox and Daniel Warner, 370–80. New York: Continuum. ISBN 0-8264-1614-4; ISBN 0-8264-1615-2.
  • Stockhausen, Karlheinz. 2007a. "Cosmic Pulses: Electronic Music." (Accessed 30 March 2008) In programme book for the world première. Rome (8 May). Slightly expanded version in 2007 Stockhausen-Kurse Kürten: Programm zu den Interpretations- und Kompositionskursen und Konzerten der Musik von / Programme for the Interpretation and Composition Courses and Concerts of the Music of Karlheinz Stockhausen, 7. Juli bis 15. Juli 2007 in Kürten / from July 7th to 15th 2007 in Kuerten, notes for the German première on 13 July 2007, pp. 22 (German text) and 40 (English text), with illustrations divided between those pages and the programme cover. Kürten: Stockhausen-Verlag.
  • Stockhausen, Karlheinz. 2007b. "Harmonien/Harmonies for Bass Clarinet (2006)". In 2007 Stockhausen-Kurse Kürten: Programm zu den Interpretations- und Kompositionskursen und Konzerten der Musik von / Programme for the Interpretation and Composition Courses and Concerts of the Music of Karlheinz Stockhausen, 7. Juli bis 15. Juli 2007 in Kürten / from July 7th to 15th 2007 in Kuerten, notes for the German première on 11 July 2007, pp. 33–34. Kürten: Stockhausen-Verlag.
  • Stockhausen, Karlheinz. 2007c. "Harmonien/Harmonies for Flute (2006): 5th Hour of Klang / Sound, The 24 Hours of the Day". In 2007 Stockhausen-Kurse Kürten: Programm zu den Interpretations- und Kompositionskursen und Konzerten der Musik von / Programme for the Interpretation and Composition Courses and Concerts of the Music of Karlheinz Stockhausen, 7. Juli bis 15. Juli 2007 in Kürten / from July 7th to 15th 2007 in Kuerten, notes for the German première on 13 July 2007, p. 36. Kürten: Stockhausen-Verlag.
  • Stockhausen, Karlheinz. 2009. Kompositorische Grundlagen Neuer Musik: Sechs Seminare für die Darmstädter Ferienkurse 1970, edited by Imke Misch. Kürten: Stockhausen-Stiftung für Musik. ISBN 978-3-00-027313-1.
  • Stockhausen, Karlheinz. 2012. Jahreskreis—Circle of the Year: Immerwährender Kalendar mit Stockhausen-Zitaten und -Abbildungen / Perpetual Calendar with Stockhausen Quotes and Illustrations, edited by Kathinka Pasveer, translations by Suzanne Stephens, Jayne Obst, Tim Nevill, Jerome Kohl, Thomas von Steinaecker, and Imke Misch. Kürten: Stockhausen-Verlag. ISBN 978-3-00-037545-3.
  • Stockhausen, Karlheinz, Hermann Conen, and Jochen Hennlich. 1989. "Before and After Samstag aus Licht: Conversation of 24 May 1984, in Milan." Translated by Karin von Abrams. Contemporary Music Review 5, no. 1:267–97.
  • Stockhausen, Karlheinz, and Maryvonne Kendergi. 2009. "La mesure du temps: un entretien inédit avec Stockhausen (1958)". Circuit: Musiques Contemporaines 19, no. 2:63–76.
  • Stockhausen, Markus. 1998. "Markus Stockhausen plays Karlheinz Stockhausen", notes on pp. 13–17 of booklet to CD recording, Markus Stockhausen plays Karlheinz Stockhausen: Aries, In Freundschaft, Halt, Pietà. EMI Classics 7243 5 56645 2 5.
  • Stockhausen-Stiftung. 2007. Stockhausen Aufführungen/Performances 2007. Kürten: Stockhausen-Stiftung.
  • Stockhausen-Stiftung. 2008. Stockhausen Aufführungen/Performances 2008. Kürten: Stockhausen-Stiftung.
  • Stockhausen-Verlag. 2010. Stockhausen August 22nd 1928 – 5 December 5th 2007, English edition of brochure with official worklist and list of CDs. Kürten: Stockhausen-Verlag.
  • Straus, Joseph N. 1997. "Babbitt and Stravinsky under the Serial 'Regime'" Perspectives of New Music 35, no. 2 (Summer): 17–32.
  • Straus, Joseph N. 2001. Stravinsky's Late Music. Cambridge Studies in Music Theory and Analysis 16. New York: Cambridge University Press 33–35. ISBN 0-521-80220-2
  • Stravinsky, Igor. 1984. Selected Correspondence, vol. 2. Edited and with commentaries by Robert Craft. New York: Alfred A. Knopf.
  • Stravinsky, Igor, and Robert Craft. 1960. Memories and Commentaries. Berkeley and Los Angeles: University of California Press.
  • Stravinsky, Igor, and Robert Craft. 1980. Conversations with Stravinsky. Berkeley and Los Angeles: University of California Press. ISBN 0-520-04040-6 (Reprint of the 1959 Doubleday edition).
  • Tannenbaum, Mya. 1987. Conversations with Stockhausen, translated from the Italian by David Butchart. Oxford: Clarendon Press; New York: Oxford University Press. ISBN 0-19-315467-6.
  • Tommasini, Anthony. 2001. "The Devil Made Him Do It". The New York Times (30 September).
  • Tilbury, John. 2008. Cornelius Cardew (1936–1981) – A Life Unfinished. Harlow: Copula.
  • Toop, Richard. 1998. "Mondrian, Fibonacci . . . und Stockausen: Mass und Zahl in Adieu". Neue Zeitschrift für Musik 159, no. 4 (July–August): 31–35.
  • Toop, Richard. 2001. "Karlheinz Stockhausen". The New Grove Dictionary of Music and Musicians ed. S. Sadie and J. Tyrrell. London: Macmillan.
  • Toop, Richard. 2005. Six Lectures from the Stockhausen Courses Kürten 2002. Stockhausen-Verlag. ISBN 3-00-016185-6.
  • Toop, Richard. 2008. "Kulturelle Dissidenten: Die Stockhausen-Klasse der Jahre 1973 und 1974". MusikTexte: Zeitschrift für neue Musik, no. 116 (February): 46–49.
  • Toop, Richard. 2012. "Himmels-Tür: Crossing to the Other Side". Perspectives of New Music 50, nos. 1 & 2 (Winter–Summer): 425–75.
  • Truelove, Stephen. 1984. "Karlheinz Stockhausen's Klavierstück XI: An Analysis of Its Composition via a Matrix System of Serial Polyphony and the Translation of Rhythm into Pitch." DMA diss. Norman: University of Oklahoma.
  • Truelove, Stephen. 1998. "The Translation of Rhythm into Pitch in Stockhausen's Klavierstück XI." Perspectives of New Music 36, no. 1 (Winter): 189–220.
  • Tsahar, Assif. 2006. "Gentle Giant". Haaretz [Tel Aviv] (17 March).
  • Ulrich, Thomas. 2001. "Sternklang: Karlheinz Stockhausens astronische Musik". Positionen: Beiträge zur neuen Musik 46 (February): 25–28.
  • Ulrich, Thomas. 2006. Neue Musik aus religiösem Geist: theologisches Denken im Werk von Karlheinz Stockhausen und John Cage. Saarbrücken: Pfau. ISBN 978-3-89727-328-3.
  • Ulrich, Thomas. 2012a. "Lucifer and Morality in Stockhausen's Opera Cycle Licht", translated by Jerome Kohl. Perspectives of New Music 50, nos. 1 & 2 (Winter–Summer): 313–41.
  • Ulrich, Thomas. 2012b. Stockhausen: A Theological Interpretation, translated by Jayne Obst. Kürten: Stockhausen-Stiftung für Musik. ISBN 978-3-9815317-0-1.
  • Vermeil, Jean. 1996. Conversations with Boulez: Thoughts on Conducting, translated by Camille Nash, with a selection of programs conducted by Boulez and a discography by Paul Griffiths. Portland, Oregon: Amadeus Press.
  • Voermans, Erik. 2008. "Besluit van een machtig oeuvre". Het Parool (20 June).
  • Wager, Gregg. 1998. "Symbolism as a Compositional Method in the Works of Karlheinz Stockhausen. College Park, Maryland; diss. phil. Free University Berlin, 1996.
  • Williams, Alastair. 2006. "Swaying with Schumann: Subjectivity and Tradition in Wolfgang Rihm's Fremde Szenen I–III and Related Scores". Music and Letters 87, no. 3:379–97.
  • Witts, Dick. 1995. "Karlheinz Stockhausen: Advice to Clever Children ...". The Wire, issue 141 (November).
  • Wolfson, Richard. 2001. "Hit and mismatch" The Telegraph (5 March).
  • Wörner, Karl Heinz. 1973. Stockhausen: Life and Work. Translated by Bill Hopkins. Berkeley: University of California Press.


. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

المصدر

classical music by John Stanley

روابط خارجية

Wikiquote-logo.svg اقرأ اقتباسات ذات علاقة بكارل‌هاينز شتوك‌هاوزن، في معرفة الاقتباس.

سماع

وفيات

حوارات

للاستزادة